Bombay High Court dismisses copyright claim against Dream Girl 2; calls allegations ‘far-fetched’

The Bombay High Court has thrown out a copyright infringement plea against Balaji Telefilms over its 2023 comedy Dream Girl 2, ruling that the film’s storyline is entirely different from the applicant’s work and that the claim of breach of confidence was ‘far-fetched’. The case was filed by writer Ashim Kumar Bagchi, who claimed the Ayushmann Khurrana-starrer was based on his script originally titled Kal Kisne Dekha and later re-registered as The Show Must Go On. Bagchi alleged that his story — a gender-swap comedy about a man impersonating a woman and navigating hilarious situations whenever his real identity was at risk — had been shared in confidence with one of the film’s credited writers years ago. He argued that elements of his work had been used without permission. However, the court observed that what Bagchi was seeking amounted to a monopoly over generic ideas and common comedic tropes — such as mistaken identity and disguise — that cannot be protected under copyright law. T...

Deadpool’s obnoxious gay panic humour is a tiresome schoolyard taunt

This summer’s Deadpool & Wolverine uses the superhero’s alleged pansexuality as queerbait, but turns it into a punchline

Even by the standards of opportunistic franchise cross-pollination that has fed the superhero film genre in recent years, Deadpool & Wolverine is a business merger disguised as a movie: two Marvel Comics characters previously under the jurisdiction of 20th Century Studios, now folded into the Marvel Cinematic Universe by Disney in the wake of the company’s 2019 acquisition of Fox. What fun! For the stern, steel-fingered Wolverine, this union entails more of an identity compromise than glib jokester Deadpool – a character already well-versed in the kind of wink-wink irony the MCU trades in. Co-written by Ryan Reynolds himself, Shawn Levy’s film certainly feels a more obvious extension of the first two Deadpool films than any of Wolverine’s previous vehicles. Played with an air of grizzled get-the-job-done exhaustion by Hugh Jackman, the latter often feels like an accessory to a louder, lewder protagonist.

For an MCU that has, in its post-Avengers era, increased its focus on minority representation and inclusivity, Deadpool brings more to the table than the hetero-masculine Wolverine. Introduced into the Marvel comics stable in 1992, the character was conceived as openly pansexual. “[Deadpool’s] brain cells are in constant flux,” explained Fabien Nicieza, Deadpool’s co-creator, on Twitter back in 2015. “He can be gay one minute, hetero the next, etc. All are valid.” Citing neurodivergence to explain a character’s sexuality may not be radically progressive, but in the world of mainstream superheroism, queer fans will take what scraps they can get.

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