Sharmila Tagore on missing out on Rocky Aur Rani Kii Prem Kahaani with Dharmendra, “I fell ill and couldn’t do the film”

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“We shared the same birthday. He was my co-star in seven films. I knew he was not keeping good health. But the news of his passing is still very saddening,” said Sharmila Tagore, who worked in films as far-ranging as Satyakam and Chupke Chupke with Dharmendra. She reflected on their screen togetherness. “We first worked together in Devar and then during the same year in Anupama. Two very serious subjects, followed by an out-and-out commercial film Mere Humdum Mere Dost. Shooting with him was a breeze. He was as effortless on screen as he was off it. He was never ‘The Star’ on the sets, always his natural self. There was nothing put-on about him.” Sharmila Tagore recalled her first meeting with Dharmendra. “Before we worked together, we met when I was shooting with Yash Chopra’s Waqt. I don’t know in what context he was there. But I remember he was dressed… how shall I put it… not like a star at all. When s...
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Deadpool & Wolverine review – Ryan Reynolds and Hugh Jackman’s sarky gagathon mocks the MCU back to life

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The highly-anticipated odd-couple action bromance shatters the fourth wall into a million pieces with plenty of juke-box slams to keep blood-sugar content high

Can the ailing Marvel Cinematic Universe franchise be redeemed with a metric tonne of frantically self-aware comedy? Now that fewer and fewer people care, can this summer tent pole persuade them to have a laugh at what they used to care about? Can the superhero genre get back on top with a gag riot from Ryan Reynolds’s wisecracking crime fighter Deadpool in an odd-couple action bromance with Hugh Jackman’s wizened Wolverine as his straight man, the careworn spirit of seriousness?

Kind of. Deadpool was always the satiric turn – but this is a movie which more or less orders the audience to stop taking any of the proceedings seriously, shattering the fourth wall into a million pieces with material about nerds saving their “special sock” for particular fight scenes. It cheerfully (if sheepishly) makes mock of the MCU’s cosmic timeline shenanigans which permit characters to be brought back to life and even does loads of very tiresome corporate in-jokes about Disney taking over Fox, presumably on the basis that civilians care as much about this as the Hollywood combatants. Reynolds is often funny, sometimes very funny, periodically entirely unbearable, often a weird and interesting mix of the three.

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