The Plague review – water polo camp turns into tween hellscape with impressive stylistic bite

With Fincher-like intent, director Charlie Polinger scopes out concealed psychological depths in a debut that sees the laws of the jungle play out Set at a boy’s water polo training camp in the summer of 2003, Charlie Polinger’s debut feature plunges beneath the waterline to scope out concealed psychological depths. It may not be news that these kids operate in a brutal, animal-like hierarchy driven by braggadocio, bullying, hazing and gaslighting – but from the stunning initial submerged shot of a pool glittering like a starfield, Polinger brings impressive stylistic bite to this tween hellscape: the kind of trenchant intent you might associate with David Fincher. Latecomer Ben (Everett Blunck) is thrown in at the deep end when he arrives. Desperate to ingratiate himself with the cool crowd lorded over by the impish Jake (Kayo Martin), he aims to avoid the pariah status of house lummox Eli (Kenny Rasmussen), who is supposedly afflicted with a (made-up) disease the brats dub “the pla...

Crossing review – terrific Istanbul-set culture-clash drama

A stern Georgian ex-teacher on a mission to make amends with her trans niece learns a thing or two in Levan Akin’s rich, rewarding ensemble film

“I have no future and thus no plans. I’m just here until I’m not.” Stony-faced and severe, Lia (Mzia Arabuli), a retired schoolteacher from Batumi, Georgia, is not in the business of mincing words. But she’s not being entirely honest about her plans. There is one final thing that she hopes to achieve: she aims to track down her niece, Tekla, to make amends for failing her years before in a time of need.

Her quest takes her across the border to Istanbul; tagging along with her is Achi (Lucas Kankava), an opportunist kid who has talked his way on to her trip as an interpreter, but really just sees her as a way of escaping his dead-end life in a Black Sea beach shack with his bullying brother. Following a series of false starts, and a few too many evenings of heavy drinking, the pair connect with Evrim (Deniz Dumanli), a trans woman, lawyer and advocate for trans rights.

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