‘It deals with my own blood, my inheritance’: Asia Argento on historical trauma in Death Has No Master

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Cannes film festival: The actor’s role in Jorge Thielen Armand’s Venezuela-set surrealist thriller explores deep-rooted tensions of ownership and colonialism In Death Has No Master, Asia Argento stars as an anxious foreigner in Venezuela. Her character, Caro, is on a harried mission to reclaim inherited property from the local caretakers who still reside there. That’s the setup in a surrealist psychological thriller, in which Venezuelan-Canadian film-maker Jorge Thielen Armand unpacks personal history alongside deep-rooted and “eternal” tensions that still affect the country today. “The film has multiple layers of meaning,” says Armand, ahead of the film’s premiere in the director’s fortnight section at Cannes. “Recent events only make those multitudes greater.” Continue reading... from Film | The Guardian https://ift.tt/VutlFjb via IFTTT
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Alma’s Rainbow review – rereleased gem of black female empowerment

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Pioneering director Ayoka Chenzira gives voice to the inner lives of women at a time when they were mostly ignored, making this coming-of-age story a rare gift to treasure

Ayoka Chenzira is a pioneering black director whose films have been finding a new audience with younger generations as she enters her 70s. Her 1994 feature debut Alma’s Rainbow has now been restored and rereleased; it is a coming-of-age movie that is funny and warm, if a little scrappy. It’s set in a Brooklyn townhouse owned by prim and proper Alma (Kim Weston-Moran), who runs a beauty parlour on the ground floor. In this all-women space, Chenzira luxuriates in her female characters. The fact that historically so few films have been made about the inner lives of black women gives Alma’s Rainbow a precious quality, and the feeling that it’s a gem to treasure.

Alma lives in the house with her teenage daughter Rainbow (played with charisma and spark by Victoria Gabrielle Platt). Rainbow has been skipping school to perform with a hip-hop street dance crew. In the neighbourhood, she’s known as a tomboy, but Rainbow is starting to think about boys. Her mum, Alma, is not impressed; she’s worked to the bone to make a success of the beauty parlour, to be an independent woman and build a better life for Rainbow. It makes her strict: “Keep your pants up and your dress down,” she instructs her daughter.

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