Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...

Alma’s Rainbow review – rereleased gem of black female empowerment

Pioneering director Ayoka Chenzira gives voice to the inner lives of women at a time when they were mostly ignored, making this coming-of-age story a rare gift to treasure

Ayoka Chenzira is a pioneering black director whose films have been finding a new audience with younger generations as she enters her 70s. Her 1994 feature debut Alma’s Rainbow has now been restored and rereleased; it is a coming-of-age movie that is funny and warm, if a little scrappy. It’s set in a Brooklyn townhouse owned by prim and proper Alma (Kim Weston-Moran), who runs a beauty parlour on the ground floor. In this all-women space, Chenzira luxuriates in her female characters. The fact that historically so few films have been made about the inner lives of black women gives Alma’s Rainbow a precious quality, and the feeling that it’s a gem to treasure.

Alma lives in the house with her teenage daughter Rainbow (played with charisma and spark by Victoria Gabrielle Platt). Rainbow has been skipping school to perform with a hip-hop street dance crew. In the neighbourhood, she’s known as a tomboy, but Rainbow is starting to think about boys. Her mum, Alma, is not impressed; she’s worked to the bone to make a success of the beauty parlour, to be an independent woman and build a better life for Rainbow. It makes her strict: “Keep your pants up and your dress down,” she instructs her daughter.

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