Preity Zinta approaches Bombay High Court to take down AI deepfake content; next hearing scheduled on July 6

Actor Preity Zinta has approached the Bombay High Court seeking the removal of AI-generated deepfake videos, morphed images and other unauthorised content featuring her from social media and online platforms. The actress has also sought an injunction to prevent the publication and circulation of such content in the future. The matter came up for hearing before a single bench of Justice Madhav Jamdar on Friday. After hearing preliminary submissions, the court directed the parties, including the online platforms concerned, to work out a mechanism for taking down the allegedly offending material. The matter has now been listed for further hearing on July 6. Preity Zinta seeks removal of AI-generated content In her civil suit, Preity Zinta has referred to multiple instances of AI-generated deepfakes, morphed visuals and chatbot-style interactions that allegedly use her likeness without authorisation. According to the plea, the actress has sought urgent directions from the Bombay High Cour...

‘You have to get over the me thing’: Kevin Bacon on money, marriage – and learning to live with himself

Kevin Bacon, Hollywood’s great survivor, first set hearts fluttering in the 1984 classic Footloose. Now 65, he’s back on the big screen again. Here, he talks about his band, politics, family, embracing change and, most of all, learning selflessness…

There’s a state that veteran Hollywood actors can reach, beyond ravenous ambition, but with retirement still distant, that seems to make them contented as professionals and mellow as people. Kevin Bacon, now 65, has hit that sweet spot. Continually employed for decades, he shares a Manhattan apartment as well as a Connecticut farm with his wife of 35 years, Kyra Sedgwick, and their two adult children, Travis and Sosie. Bacon is in a country band with his brother, Michael, and otherwise channels any musical overspill into adorable Instagram videos of the Family Bacon (barnyard animals included) covering pop songs old and new. The hunger of the 1980s lead-actor-in-waiting, the frustration of the bit-player in mid-career who kept a wary eye on his place in the order of things… these concerns have worn away, Bacon says, with time and with reflection.

“Obviously, I’m not in this to do worse than I did last year,” he tells me, leaning right back on a camel-coloured sofa in his apartment. “But as long as I feel like it’s a good part, an interesting part, something cool, I got no problem moving down a call-sheet.” At the outset of a career, he says, “you get on set and you start to see that it’s hierarchical. Who’s getting paid more? Who’s getting a bigger trailer? Who has the bigger part?” The tendency at first is to see the hierarchy and to try to climb. Bacon strived for a while. “And when I kind of rethought it, and rethought about the possibility of being number 10 on a call-sheet, or number two, or number 25, or whatever – that’s when I figured out who I was as an actor. So I no longer have a problem doing a small part. As you can clearly see.”

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