Marty Supreme review – Timothée Chalamet a smash in spectacular screwball ping-pong nightmare

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Following every dizzying spin of Chalamet’s table tennis hustler, Josh Safdie’s whip-crack comedy serves sensational shots – and a smart return by Gwyneth Paltrow This new film from Josh Safdie has the fanatical energy of a 149-minute ping pong rally carried out by a single player running round and round the table. It’s a marathon sprint of gonzo calamities and uproar, a sociopath-screwball nightmare like something by Mel Brooks – only in place of gags, there are detonations of bad taste, cinephile allusions, alpha cameos, frantic deal-making, racism and antisemitism, sentimental yearning and erotic adventures. It’s a farcical race against time where no one needs to eat or sleep. Timothée Chalamet plays Marty Mauser, a spindly motormouth with the glasses of an intellectual, the moustache of a movie star and the physique of a tiny cartoon character (though that could just be the initials). He’s loosely inspired by Marty “The Needle” Reisman, a real-life US table tennis champ from the ...
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‘You have to get over the me thing’: Kevin Bacon on money, marriage – and learning to live with himself

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Kevin Bacon, Hollywood’s great survivor, first set hearts fluttering in the 1984 classic Footloose. Now 65, he’s back on the big screen again. Here, he talks about his band, politics, family, embracing change and, most of all, learning selflessness…

There’s a state that veteran Hollywood actors can reach, beyond ravenous ambition, but with retirement still distant, that seems to make them contented as professionals and mellow as people. Kevin Bacon, now 65, has hit that sweet spot. Continually employed for decades, he shares a Manhattan apartment as well as a Connecticut farm with his wife of 35 years, Kyra Sedgwick, and their two adult children, Travis and Sosie. Bacon is in a country band with his brother, Michael, and otherwise channels any musical overspill into adorable Instagram videos of the Family Bacon (barnyard animals included) covering pop songs old and new. The hunger of the 1980s lead-actor-in-waiting, the frustration of the bit-player in mid-career who kept a wary eye on his place in the order of things… these concerns have worn away, Bacon says, with time and with reflection.

“Obviously, I’m not in this to do worse than I did last year,” he tells me, leaning right back on a camel-coloured sofa in his apartment. “But as long as I feel like it’s a good part, an interesting part, something cool, I got no problem moving down a call-sheet.” At the outset of a career, he says, “you get on set and you start to see that it’s hierarchical. Who’s getting paid more? Who’s getting a bigger trailer? Who has the bigger part?” The tendency at first is to see the hierarchy and to try to climb. Bacon strived for a while. “And when I kind of rethought it, and rethought about the possibility of being number 10 on a call-sheet, or number two, or number 25, or whatever – that’s when I figured out who I was as an actor. So I no longer have a problem doing a small part. As you can clearly see.”

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