‘It deals with my own blood, my inheritance’: Asia Argento on historical trauma in Death Has No Master

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Cannes film festival: The actor’s role in Jorge Thielen Armand’s Venezuela-set surrealist thriller explores deep-rooted tensions of ownership and colonialism In Death Has No Master, Asia Argento stars as an anxious foreigner in Venezuela. Her character, Caro, is on a harried mission to reclaim inherited property from the local caretakers who still reside there. That’s the setup in a surrealist psychological thriller, in which Venezuelan-Canadian film-maker Jorge Thielen Armand unpacks personal history alongside deep-rooted and “eternal” tensions that still affect the country today. “The film has multiple layers of meaning,” says Armand, ahead of the film’s premiere in the director’s fortnight section at Cannes. “Recent events only make those multitudes greater.” Continue reading... from Film | The Guardian https://ift.tt/VutlFjb via IFTTT
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The Last Breath review – Julian Sands’s last film is solid shark-meets-shipwreck thriller

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A group of friends are terrorised by a shark while exploring a shipwreck in an unremarkable film that marks Sands final outing onscreen

In most respects this suspense-thriller with aquatic antagonists is pretty unremarkable, apart from the sad fact that it was British actor Julian Sands’s last film before he died while hiking. It’s a shame that he didn’t have a more interesting role, but few get to choose their swan song. Sands has a strictly functional supporting role here as Levi, a grizzled boat captain originally from Blighty, looking for the wreck of a ship that went down in the Caribbean during the second world war. Unable to dive any more because of an injury, Levi stays onboard supposedly knitting (even though the red hat he wears looks more like a misbegotten crochet project) while his younger crewmate Noah (Jack Parr) searches the ocean floor.

Then not long after they finally find the wreck, a posse of Noah’s friends from New York show up hoping to enjoy a diving holiday. Levi’s chance to get out of debt by charging one of the richer visitors a ridiculously large fee to see the wreck is the act of greed which surely dooms most of the ensemble. That said, we’re clearly meant to root for Sam (Kim Spearman), Noah’s ex who is now a doctor and presumably the most sympathetic of passengers because she gives a local kid with an infected wound sound medical advice and $20 for a tatty bracelet. From the start it’s obvious that obnoxious and entitled finance bro-cum-influencer Brett (Alexander Arnold) is a dead man swimming. The outcomes for supporting characters Riley (Erin Mullen) and Logan (Arlo Carter) are less foretold by genre convention, but given they are all about to meet a huge shark, don’t hold your breath.

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