From Spielberg to Tarantino: the year’s big Super Bowl movie trailers

This year’s set of $8m TV spots gave us new looks at alien conspiracy thriller Disclosure Day, slasher sequel Scream 7 and an unlikely new David Fincher film Bad Bunny’s Super Bowl half-time show review – a thrilling ode to Boricua joy With Super Bowl spots now up to a reported $8-10m, the market has grown a little less welcoming to Hollywood, an industry still not quite up to pre-pandemic numbers (the global box office for 2025 was down almost $10bn on 2019). So while last night saw us assaulted with ads for beer and, depressingly, AI, there was a continued decrease in the number of major film ads, a harder spend to justify in this weakened climate. But the biggest of guns still came out, from Spielberg to Ghostface to the Minions … Continue reading... from Film | The Guardian https://ift.tt/SQYRogN via IFTTT

The Last Breath review – Julian Sands’s last film is solid shark-meets-shipwreck thriller

A group of friends are terrorised by a shark while exploring a shipwreck in an unremarkable film that marks Sands final outing onscreen

In most respects this suspense-thriller with aquatic antagonists is pretty unremarkable, apart from the sad fact that it was British actor Julian Sands’s last film before he died while hiking. It’s a shame that he didn’t have a more interesting role, but few get to choose their swan song. Sands has a strictly functional supporting role here as Levi, a grizzled boat captain originally from Blighty, looking for the wreck of a ship that went down in the Caribbean during the second world war. Unable to dive any more because of an injury, Levi stays onboard supposedly knitting (even though the red hat he wears looks more like a misbegotten crochet project) while his younger crewmate Noah (Jack Parr) searches the ocean floor.

Then not long after they finally find the wreck, a posse of Noah’s friends from New York show up hoping to enjoy a diving holiday. Levi’s chance to get out of debt by charging one of the richer visitors a ridiculously large fee to see the wreck is the act of greed which surely dooms most of the ensemble. That said, we’re clearly meant to root for Sam (Kim Spearman), Noah’s ex who is now a doctor and presumably the most sympathetic of passengers because she gives a local kid with an infected wound sound medical advice and $20 for a tatty bracelet. From the start it’s obvious that obnoxious and entitled finance bro-cum-influencer Brett (Alexander Arnold) is a dead man swimming. The outcomes for supporting characters Riley (Erin Mullen) and Logan (Arlo Carter) are less foretold by genre convention, but given they are all about to meet a huge shark, don’t hold your breath.

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