A Woman’s Life review – a breezy comedy of midlife crisis and same-sex affair

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Cannes film festival: Léa Drucker gives a bravura performance as a brilliant surgeon whose already chaotic life is further complicated by a same-sex affair with a journalist Charline Bourgeois-Tacquet’s new film is a hectic, garrulous, breezily agreeable comedy of midlife emotional upheaval, unencumbered by any serious or permanent concern about any of the passion and heartache that it briefly encounters. It’s also a movie that declines to allow its characters to be changed in any way by the excitements and disappointments that life has to throw at them. Léa Drucker carries off the lead with terrifically competent elan; there’s hardly a scene in which she is not interrupted by a call on her mobile, going into bravura walk-and-talk acting on the phone while on the street, arriving at the office or getting into or out of her car. She plays Gabrielle, a brilliant surgeon – what other sort is there in the movies? – who specialises in maxillofacial reconstruction. Gabrielle is battling budg...
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The Last Breath review – Julian Sands’s last film is solid shark-meets-shipwreck thriller

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A group of friends are terrorised by a shark while exploring a shipwreck in an unremarkable film that marks Sands final outing onscreen

In most respects this suspense-thriller with aquatic antagonists is pretty unremarkable, apart from the sad fact that it was British actor Julian Sands’s last film before he died while hiking. It’s a shame that he didn’t have a more interesting role, but few get to choose their swan song. Sands has a strictly functional supporting role here as Levi, a grizzled boat captain originally from Blighty, looking for the wreck of a ship that went down in the Caribbean during the second world war. Unable to dive any more because of an injury, Levi stays onboard supposedly knitting (even though the red hat he wears looks more like a misbegotten crochet project) while his younger crewmate Noah (Jack Parr) searches the ocean floor.

Then not long after they finally find the wreck, a posse of Noah’s friends from New York show up hoping to enjoy a diving holiday. Levi’s chance to get out of debt by charging one of the richer visitors a ridiculously large fee to see the wreck is the act of greed which surely dooms most of the ensemble. That said, we’re clearly meant to root for Sam (Kim Spearman), Noah’s ex who is now a doctor and presumably the most sympathetic of passengers because she gives a local kid with an infected wound sound medical advice and $20 for a tatty bracelet. From the start it’s obvious that obnoxious and entitled finance bro-cum-influencer Brett (Alexander Arnold) is a dead man swimming. The outcomes for supporting characters Riley (Erin Mullen) and Logan (Arlo Carter) are less foretold by genre convention, but given they are all about to meet a huge shark, don’t hold your breath.

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