Aditya Pancholi seeks quashing of Rape FIR; Next hearing on Feb 24

Veteran Bollywood actor Aditya Pancholi returned to the spotlight on Thursday as the Bombay High Court took up his petition to quash a 2019 rape FIR lodged against him at the Versova Police Station in Mumbai. The case involves allegations made by a female Bollywood actress. Pancholi’s legal team, led by advocate Prashant Patil, urged the court to dismiss the FIR on grounds that it was filed many years after the alleged incident, describing the complaint as “malicious” and lacking in timely evidence. The plea cited legal precedent, notably the Supreme Court’s Bhajanlal judgment,  which allows quashing of criminal proceedings under specific circumstances. During Thursday’s hearing, the defence also presented a recording of a meeting prior to the FIR being filed, which they claim demonstrates “wrongful intention” behind the complaint. The court noted the submission but did not rule on its admissibility, opting instead to focus on procedural matters at this stage. A key point raised ...

The Investigator review – harrowing documentary details search for justice after Balkan wars

Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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