Mother’s Day 2026: Isha Koppikar says she wants daughter Rianna to achieve her dreams independently

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On the occasion of Mother’s Day 2026, Isha Koppikar shared a message about parenting, independence and responsibility through a video posted on social media. Speaking about her daughter Rianna, the actor reflected on the importance of raising children to become self-reliant individuals rather than depending on others for emotional or personal security. In the video, Isha revealed that a conversation with her daughter prompted her to think more deeply about modern parenting. According to the actor, Rianna asked her what she wished for her, to which she responded that she wanted her daughter to achieve her dreams independently and become a strong individual. Speaking further, Isha questioned whether parents sometimes send mixed messages to children by encouraging independence while also raising them with the idea that someone else will eventually “take care” of them. She added that this mindset applies equally to both boys and girls. The actor also spoke about how she views independence...
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The Investigator review – harrowing documentary details search for justice after Balkan wars

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Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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