Not just Animal Park, is Sandeep Reddy Vanga planning a part 3 of Animal too?

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Sandeep Reddy Vanga’s Ranbir Kapoor-starrer blockbuster Animal may be getting even bigger than originally planned. While Animal Park, the second instalment of the franchise, is still in the scripting stage, strong industry buzz suggests that Vanga could be contemplating expanding the narrative into a three-part saga. Though there has been no official announcement yet, sources familiar with the development indicate that the filmmaker’s creative ambitions for the sequel may have outgrown the idea of a simple two-part structure. “Vanga’s original plan was to tell the story in two films,” a source close to the project told this writer. “But while writing the second part, he realised the narrative had far more depth and material than could be contained in just one more instalment. That’s when the possibility of a third part entered the picture.” If this plan moves forward, Ranbir Kapoor is expected to remain the common thread across all three films. Interestingly, insiders suggest that th...
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The Investigator review – harrowing documentary details search for justice after Balkan wars

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Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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