‘Touch Buddy’ from Dacoit out now: Pawan Singh, Jonita Gandhi and Adivi Sesh bring high energy dance track to life

Ever since the makers of Dacoit announced ‘Touch Buddy’, a song featuring Pawan Singh, Adivi Sesh and Jonita Gandhi, fans knew they were in for a power-packed musical treat. The recently released teaser only amplified the buzz, adding a whole new level of hype to the high-energy track. Finally, the makers have dropped this banger, with Pawan Singh and Jonita lending their vocals to the much-awaited song. The song was shot in Telugu as well as Hindi. Sung by the powerful duo Pawan Singh and Jonita Gandhi, the fiery lyrics are penned by Vayu Shrivastava, with music composed by Bheems Ceciroleo. Adding a touch of his own signature swag. Adivi Sesh will be seen shaking a leg alongside Pawan Singh and Jonita Gandhi, with the trio lighting up the screen with their moves, making ‘Touch Buddy’ the dance number of the season. Speaking about the song, Bhojpuri King Pawan Singh shared, “I love experimenting with my music, and when Adivi Sesh came to me with the idea, I instantly knew the kind o...

The Investigator review – harrowing documentary details search for justice after Balkan wars

Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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