Rise of the Conqueror review – Gladiator meets throat singing as Mongol hordes ride out

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Christian Mortensen takes up arms as the 14th-century kingmaker Timur but could do with a stronger force behind him and a better beard in front The western-produced Greco-Judeo-Roman epic has been with us since early cinema, while the Chinese film industry kept the eastern end up with a string of recent historical pictures. But what about the lands in between? Apart from a smattering of pictures about Genghis Khan, including John Wayne’s regrettable appearance in 1956’s The Conqueror , the Mongol hordes have not exactly ravaged the box office. So it’s refreshing to see Rise of the Conqueror sally forth, with Christian Mortensen in the saddle as the 14th-century Turkic-Mongol chieftain Timur . This is basically Gladiator with added throat-singing. Man-at-arms Timur is a kingmaker caught between his native Barlas tribe, which includes his testy brother-in-law Hussayn (Mahesh Jadu) who’s eager to reclaim his family’s rule in Samarkand; on the other side is occupying Mongol warmonger Tuglu...
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The Investigator review – harrowing documentary details search for justice after Balkan wars

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Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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