Anil Kapoor to duel with Jr NTR in Prashanth Neel’s Dragon

Prashanth Neel’s action drama Dragon just got its North Indian tadka. Anil Kapoor has joined the cast in a prominent role. Anil is apparently playing the antagonist. To cast a Bollywood actor opposite an A-lister Telugu actor has become quite the thing. It started with Neil Nitin Mukesh, followed by Bobby Deol in several Telugu films. About Anil Kapoor in Dragon, the film’s team is quite tightlipped about his role. However, a source close to the development revealed that Anil would be making an appearance at a pivotal juncture in the narrative. “It is a brief but very important character, and Anil has agreed to do it for NTR’s sake,” the source informed. Also Read: SCOOP: Anil Kapoor buys rights to his cult film Nayak; aspires to make its sequel from Latest Bollywood News | Hindi Movie News | Hindi Cinema News | Indian Movies | Films - Bollywood Hungama https://ift.tt/0WS9OQK via IFTTT

The Investigator review – harrowing documentary details search for justice after Balkan wars

Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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