EXCLUSIVE: Vikram Bhatt reveals why Haunted - Ghosts Of The Past was renamed as Haunted - Echoes Of The Past: "You can't make a ghost film without believing in superstition"

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Vikram Bhatt struck gold with Haunted 3D (2011). It’s a film that kick-started the 3D trend in Bollywood and became a sleeper hit at the box office. Hence, there are high expectations for the next film in this franchise, which is set to release on June 12. Interestingly, the film was earlier titled Haunted – Ghosts Of The Past. As per the motion poster that dropped yesterday to announce the release date, the film was renamed to Haunted – Echoes Of The Past. Bollywood Hungama exclusively spoke to director Vikram Bhatt about this aspect. This was probably the director’s first interaction with the media after he faced a major personal turmoil in his life. Vikram Bhatt told Bollywood Hungama, “The Haunted films are not just about ghosts. At its heart, it’s a poignant love story. Meanwhile, the film was getting delayed for some reason or another and also, I had to face incarceration. A very close friend of mine said that this is probably happening due to the word ‘Ghost’ in the title. He t...
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The Investigator review – harrowing documentary details search for justice after Balkan wars

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Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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