EXCLUSIVE: Sajid Khan’s horror flick Hundred goes on floors; stars Yashvardhan Ahuja, Nitanshi Goel

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Sajid Khan’s directorial journey began successfully and he delivered three back-to-back hits. After a hiatus, he has once again worn the director’s hat. Bollywood Hungama has learned that the filmmaker quietly began shooting for his next film, titled Hundred. Interestingly, while all his previous films were comic capers, Hundred is a horror flick. A source told us, “The makers of Hundred began the shoot of the film in Mumbai’s Film City on Friday, January 23. They purposely chose this day to coincide with the commencement of the filming on the occasion of Basant Panchmi.” Bollywood Hungama has further learned that Hundred marks the launch of Yashvardhan Ahuja, son of Govinda and Sunita Ahuja. Nitanshi Goel, of Laapataa Ladies (2024) fame, has come on board as the female lead. Hundred is produced by Amar Butala’s Guilty By Association Media and Ekta Kapoor and Shobha Kapoor’s Balaji Telefilms. Amar Butala has earlier produced Sidharth Malhotra-Rashmika Mandanna starrer Mission Majnu ...
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The Investigator review – harrowing documentary details search for justice after Balkan wars

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Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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