Priyadarshan to direct Bhoot Police 2 without Saif Ali Khan, Arjun Kapoor: Report

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Veteran filmmaker Priyadarshan is reportedly set to direct the sequel to the 2021 horror-comedy Bhoot Police, with significant changes to its cast and production approach. According to industry reports, Priyadarshan has been brought on board with a substantial fee of Rs 21 crores to lead the project, underlining confidence in his creative vision for the franchise’s next chapter. Sources familiar with the development told entertainment portal Pinkvilla that while Bhoot Police 2 will maintain the core blend of humour and supernatural elements that defined the first film, it will not feature the original leads — Saif Ali Khan and Arjun Kapoor. “While the sequel retains the core idea of a horror-comedy, the casting will see a complete refresh. Saif Ali Khan and Arjun Kapoor will not be returning for the second instalment,” the source said. “The idea is to reinvent the franchise with a new duo. The makers are looking at two actors — one senior and one junior — to create an interesting com...
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The Investigator review – harrowing documentary details search for justice after Balkan wars

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Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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