Tiger Shroff, Abhishek Banerjee, and Elvish Yadav team up for Remo D'Souza's action franchise as Viccky Jain launches VJ Frames

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Producer and entrepreneur Viccky Jain has announced the launch of his production house, VJ Frames, marking the beginning of a new chapter in his career as a filmmaker. Making the announcement on his birthday, Jain also revealed the banner's maiden project—an ambitious action franchise that will be directed by choreographer-filmmaker Remo D'Souza and feature Tiger Shroff, Abhishek Banerjee, and Elvish Yadav in lead roles. The newly launched banner aims to back commercial entertainers across genres, with its debut project expected to combine action, spectacle and mainstream storytelling. While the makers have kept plot details under wraps, the announcement has already generated curiosity owing to the unusual casting combination of Tiger Shroff, known for his action-packed performances, alongside versatile actor Abhishek Banerjee and content creator-turned-actor Elvish Yadav. Speaking about the launch of VJ Frames, Viccky Jain described the occasion as the fulfilment of a long-ch...
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The Investigator review – harrowing documentary details search for justice after Balkan wars

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Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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