‘Suspension of entry into the US’, paparazzi – and wine: three other reasons George Clooney moved to France

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A UK government warning that Amal Clooney risks US sanctions over her role in the issuing of an arrest warrant for the Israeli prime minister is key among reasons the couple have sought French citizenship The exodus from Hollywood to shores not presided over by Donald Trump has been busy and loud. Ellen DeGeneres, Robin Wright and Courtney Love moved to England; Rosie O’Donnell opted for Ireland; Eva Longoria, Spain. Other Trump critics, including Richard Gere, Lena Dunham and Ryan Gosling, have upped sticks without citing the re-election as a motivating factor. In the case of Clooney, however, there has appeared little doubt that his decision to gain French citizenship was primarily because of Trump, whose re-election he energetically campaigned against. Yet amid the heat and headlines generated by the pair’s war of words, some of the actor’s reasons for relocating may have flown under the radar. Continue reading... from Film | The Guardian https://ift.tt/GULvaWe via IFTTT
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The Investigator review – harrowing documentary details search for justice after Balkan wars

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Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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