Pankaj Tripathi’s brother hospitalised after alleged sharp-weapon assault in Bihar

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Bijendra Nath Tiwari, the brother of acclaimed actor Pankaj Tripathi, has reportedly sustained serious injuries following an alleged attack in Bihar. According to reports, the incident took place in Belsand village, which falls under the jurisdiction of the Madhopur police station. As per information shared by news agency IANS, Tiwari was injured in a sharp-weapon assault that is believed to be connected to a long-standing dispute. Following the attack, he was initially taken to a local medical facility before being shifted to Patna for advanced treatment due to the severity of his condition. Attack on Pankaj Tripathi’s brother allegedly linked to old rivalry Reports suggest that the attackers had allegedly been waiting in the village and targeted Tiwari over an old feud. According to the complaint cited in media reports, the assailants allegedly launched a sudden attack using sharp weapons, leaving him with serious injuries. IANS shared an update on social media regarding the inciden...
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The Investigator review – harrowing documentary details search for justice after Balkan wars

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Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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