Arshad Warsi earns nearly Rs. 4 crores profit as he sells Mumbai commercial property for Rs. 6.25 crores: Report

Bollywood actor Arshad Warsi has made a significant gain from a real estate transaction after selling a commercial property in Mumbai's sought-after Lokhandwala Complex. According to property registration documents accessed by real estate data analytics firm Liases Foras, the actor has sold the commercial unit for Rs. 6.25 crores, generating an estimated profit of nearly Rs. 4 crores over his original purchase price. As per these documents, the property is situated in Andheri West's Lokhandwala area and comprises a carpet area of 63.87 square metres (684 square feet). The unit was acquired by Umang Rajkumar Budhraja for Rs. 6.25 crores. The transaction was officially registered with the Maharashtra Inspector General of Registration on July 1, 2026. The registration records further indicate that the buyer paid a stamp duty of Rs. 37.50 lakhs to complete the purchase. Based on the transaction value and the property's carpet area, the deal translates to an approximate price o...

The Investigator review – harrowing documentary details search for justice after Balkan wars

Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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