Evil Dead Burn review – wildly gory horror tears a grieving family to pieces

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The latest new chapter in Sam Raimi’s classic franchise goes harder than ever before but there’s something missing With the release of Evil Dead Burn, there are now just as many Evil Dead movies not directed by Sam Raimi or starring Bruce Campbell as there are entries with that original team in place. The next film, Evil Dead Wrath, is already set for a 2028 release, when it will officially tip the balance toward non-Raimi film-makers. And unlike the non-James Cameron Terminators or the Spielberg-free Jaws sequels, these post-Raimi Evil Dead movies (which retain the director’s services as a seemingly enthusiastic producer) have so far enjoyed box office success, decent critical notices and appreciation from their horror fanbase. Yet all three of the post-Raimi Evil Deads still feel as if they take place in the shadows of what came before – specifically, the original 1983 indie horror classic about a bunch of young people who stumble upon the Book of the Dead in a cabin and accidentally...
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The Investigator review – harrowing documentary details search for justice after Balkan wars

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Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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