‘I turned down Gandhi because I’m terrified of snakes’: the amazing movie memories of Bruce Dern

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Famed for playing loners, cranks and wayward angels, the Hollywood star is now a wolfish 90 – but he still jogs daily. As he takes his latest film to Edinburgh, we meet the man Hitchcock called ‘the golden calf’ ‘Can you take another story?” asks the veteran actor Bruce Dern towards the end of our talk, as though every tale is a drink and the landlord has called last orders. He doesn’t want to keep me and knows we’re running out of time. It’s just that one memory sparks another and these tales won’t tell themselves. He says that the next one is a doozy. “It’s about Marilyn Monroe.” Throw out all the questions and turn the clocks to the wall. One does not interview Dern so much as say hello, hit record and sit back. The man began his career acting alongside Montgomery Clift and Mary Astor and has collaborated with everyone from John Wayne to Tom Hanks, Hitchcock to Tarantino. He’s the lawless survivor of American movies, blown in from the past, and talking 19 to the dozen. “I’m 90 fucki...
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The Investigator review – harrowing documentary details search for justice after Balkan wars

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Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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