Huma Qureshi heads to Cannes 2026 after making waves at TIFF and BIFF with Bayaan

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Huma Qureshi is all set to return to the prestigious Cannes Film Festival, adding another milestone to her steadily growing international journey. Over the years, the actor has built a strong reputation for balancing mainstream cinema with content-driven performances, and her Cannes 2026 appearance further highlights her expanding global footprint. Having attended Cannes previously as well, Huma has consistently represented Indian cinema on international platforms through her unconventional film choices and impactful performances. Whether it was her breakthrough role in Gangs of Wasseypur or critically appreciated performances in projects like Maharani, Monica O My Darling, Tarla and Leila, the actor has continuously backed stories that stand apart. She also expanded her global reach with Army of the Dead, directed by Zack Snyder. Last year proved to be particularly significant for Huma on the international front. The actor attended both the Toronto International Film Festival and the...
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The Investigator review – harrowing documentary details search for justice after Balkan wars

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Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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