MEGA EXCLUSIVE: Raveena Tandon and Parineeti Chopra join the cast of Malamaal Weekly 2

Bollywood Hungama was the first one to confirm in February 2026 that Malamaal Weekly 2 is in the works. Two months later, in April 2026, we revealed that Amit Joshi of Teri Baaton Mein Aisa Uljha Jiya (2024) fame has been signed to direct the comic caper. We now bring you another exciting piece of news from this upcoming project. Bollywood Hungama has exclusively learned that two talented actresses, Raveena Tandon and Parineeti Chopra, have joined the cast of Malamaal Weekly 2. A source told Bollywood Hungama, "Both the actresses are perfect as per the requirement of the script. Hence, the makers were really keen to have them on board. Thankfully, both Raveena Tandon and Parineeti Chopra loved the script and their respective characters. They readily signed the film." The source continued, "Both actresses are talented and have great comic timing. Raveena has proved her worth with the numerous comedies she has starred in during the 1990s and early 2000s, as well as the re...

The Investigator review – harrowing documentary details search for justice after Balkan wars

Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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