Prakash Raj begins shooting for Drishyam 3, quips he is “not replacing anyone” after Akshaye Khanna’s exit from Ajay Devgn-starrer

Veteran actor Prakash Raj has officially started shooting for the much-anticipated Hindi thriller Drishyam 3. The actor confirmed his participation through a social media post, while also addressing speculation surrounding the film’s casting after Akshaye Khanna’s reported exit from the project. Taking to X, Prakash Raj shared an update from the sets and wrote: “Started shooting for this engaging franchise #Drishyam3 in Hindi. With a wonderful team and a scintillating role to play. I’m sure you will love it. (And yes, I’m not replacing anyone..)” Started shooting for this engaging franchise #Drishyam3 in hindi. With a wonderful team and a scintillating role to play . Im sure you will love it . ❤️❤️❤️( and yes im not replacing anyone..) 😛😛😛 — Prakash Raj (@prakashraaj) February 10, 2026 The post appeared to directly respond to ongoing assumptions that he might be stepping into a role earlier associated with Khanna. His clarification suggests that his character is a new addition ra...

The Investigator review – harrowing documentary details search for justice after Balkan wars

Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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