No Time for Goodbye review – well intentioned drama about the loneliness of the asylum-seeker

Journalist Don Ng’s debut feature raises interesting questions about the asylum experience – but his film is too sentimental and superficial to truly answer them This is a film made with the best of intentions – and it has some good insights into the loneliness and isolation of seeking asylum in the UK. But there are a few too many sentimental moments to properly work as social-realism, or anything close to convincing drama, which is disappointing given its creator, Don Ng, is a journalist-turned-director making his feature debut. It’s set in London, where Bosco (a sensitive performance by Yiu-Sing Lam) has arrived from Hong Kong fleeing the government’s crackdown on political freedom, though he doesn’t really talk much about the situation back home. Bosco is sent to live with other asylum seekers on a military base while his application is processed. Some of the best scenes turn out to be gentle observations of his sense of dislocation: walking around the local corner shop, for exam...

The Investigator review – harrowing documentary details search for justice after Balkan wars

Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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