EXCLUSIVE: Ajay Devgn's Drishyam 3 won't mirror Malayalam version; Ravi Basrur joins Ajay Devgn's October 2 release

A few days ago, news came in that the shoot of the Hindi version of Drishyam 3 was completed, and now the team of the film is gearing up for its October 2 release. The original Malayalam version was released last month, on May 21, and many are wondering whether the Hindi version will be similar to it. A trade source told Bollywood Hungama, “Drishyam (2015) and Drishyam 2 (2022) in Hindi were quite similar to the original films. But the Hindi Drishyam 3 will be an exception. The makers have drastically altered the plot and twists. At the same time, they have made sure that it does justice to the world of Drishyam.” The source also said, “The makers are also excited with the new additions. It is said that Jaideep Ahlawat and Prakash Raj have put up great acts. At the same time, Ajay Devgn, Tabu, Shriya Saran and others have once again delivered fine performances.” In a recent exclusive interview with Bollywood Hungama, director Abhishek Pathak had revealed that while both versions of Dr...

The Investigator review – harrowing documentary details search for justice after Balkan wars

Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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