Singer-Composer Leslee Lewis makes Bollywood playback comeback after 26 years

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Veteran singer-composer Leslee Lewis is set to make a comeback as a playback singer in Hindi cinema after a gap of 26 years, marking a significant moment in his long musical journey. Known for shaping India’s Indi-pop movement in the 1990s, Lewis is returning with the song Zorr Ka Dhakka, which will mark his re-entry into Bollywood playback singing. Lewis rose to national fame as part of the iconic duo Colonial Cousins alongside Hariharan. Their fusion of Indian classical and Western pop in the mid-1990s helped redefine the independent music scene in India and earned them international recognition, including the MTV Asia Viewer’s Choice Award and the Billboard Viewer’s Choice Award. Speaking about his return, Lewis shared his excitement about reconnecting with Bollywood after decades. “I was relevant then and I’m still relevant now,” he said while discussing his comeback and his continued passion for music. He added that singing for a composition by another musician after so many yea...
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The Investigator review – harrowing documentary details search for justice after Balkan wars

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Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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