BREAKING: Producer Bhushan Kumar, Aditya Roy Kapur and director Milap Milan Zaveri join forces for an intense musical love story

After delivering the cult musical romance Aashiqui 2, Malang, Ludo and Metro… In Dino, producer Bhushan Kumar reunites with Aditya Roy Kapur for an all-new cinematic experience. Joining them is director Milap Milan Zaveri, fresh off the success of Ek Deewane Ki Deewaniyat, as the trio comes together for an intense, violent, and deeply emotional musical love story. Blending powerful romance, high-octane action, and a soul-stirring soundtrack, the yet-untitled film promises to present love in its most passionate and raw form. Backed by T-Series, the film is being mounted on a grand scale and is set to offer audiences a compelling theatrical experience. On coming back together once again, producer Bhushan Kumar said, “Our association with Aditya goes back many years and has given us films that audiences continue to love. From Aashiqui 2 to Metro… In Dino, every collaboration has been special in its own way. We share a great creative comfort, and I’m happy we’re coming together once again...

The Investigator review – harrowing documentary details search for justice after Balkan wars

Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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