Saiyami Kher and Vikram Phadnis talk about Pal Bhar Ke Liye premiering at IFFM 2026

Saiyami Kher and filmmaker Vikram Phadnis are set to take their upcoming film Pal Bhar Ke Liye to the international stage, with the movie scheduled to have its World Premiere at the Indian Film Festival of Melbourne (IFFM) 2026. The film features an ensemble cast comprising Ishwak Singh, Tahir Raj Bhasin, and Viineet Kumar Siingh in pivotal roles alongside Saiyami. The premiere marks an important milestone for the cast and crew as Pal Bhar Ke Liye begins its festival journey at one of the most prominent international platforms dedicated to Indian cinema. The Indian Film Festival of Melbourne has long been known for showcasing diverse and acclaimed films, making it a significant venue for the film's global debut. For Saiyami Kher, the premiere also marks a return to IFFM after her previous appearance with Ghoomer, which opened the 2023 edition of the festival. Reflecting on her association with the festival and the upcoming premiere, the actress shared her excitement. "IFFM ha...

The Investigator review – harrowing documentary details search for justice after Balkan wars

Viktor Portel’s film follows Czech investigator Vladimír Dzuro as he returns to sites of torture and death, and meets survivors as well as supporters of perpetrators

Revisiting the blood-soaked conflicts that followed the breakup of Yugoslavia in 1991, Viktor Portel’s harrowing documentary follows Vladimír Dzuro, a Czech investigator committed to bringing war criminals to justice. Drawing from Dzuro’s bestselling book The Investigator: Demons of the Balkan War, the film primarily focuses on the atrocities committed by Serbian forces; as Dzuro returns to sites of torture and death, his encounters with the survivors as well as supporters of the perpetrators are at once riveting and heartbreaking.

The Vukovar massacre, one of the most infamous incidents of the war, is recounted in eye-opening detail. In 1991, in the final days of a battle between the Croatian National Guard and the Serb-controlled Yugoslav People’s Army (JNA) during the Croatian war of independence, the latter vetoed an agreement to evacuate the Vukovar hospital and turned it over to Serbian paramilitaries. In the end, nearly 300 people were executed in cold blood and dumped in mass graves. In 1996, Dzuro was a part of a mission to exhume the victims. Flickering archival footage of the campaign shows piles of bodies laid beneath the ground, a chilling visual manifestation of how history can be buried and erased. In contrast with the lo-fi quality of these newsreels, contemporary footage of Dzuro has the stylisation of a crime thriller. The look creates a gripping atmosphere, even if it also occasionally verges on overdramatisation, which the film’s already shocking true stories don’t necessarily need.

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