Madras High Court restrains illegal broadcast of Dhurandhar The Revenge till April 15

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The Madras High Court on Wednesday passed an ad interim injunction restraining internet service providers and cable TV operators from unlawfully broadcasting Dhurandhar The Revenge ahead of its theatrical release on March 19, 2026. Justice Senthilkumar Ramamoorthy issued the order while hearing applications filed by Reliance Industries Limited and its media arm Jio Studios. The producers had approached the court seeking urgent protection against potential copyright infringement. In its plea, Reliance alleged that several intermediaries, including internet service providers and cable TV operators, may illegally stream or transmit the film without authorisation. The company also submitted the certification issued by the Central Board of Film Certification, identifying it as the producer of the film. The court noted that the film is scheduled for release on March 19 and observed that in such cases, the risk of irreparable harm is significant if interim relief is not granted. At the sam...
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The G review – Dale Dickey is gamechanging gangster granny out for vengeance

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Dickey is a revelation as a harder-than-nails woman exploited by the US’s legal guardian system in an otherwise overcooked thriller

The “G” in this low budget revenge thriller is 72-year-old Ann Hunter. That’s “G” as in “Granny”, a nickname given to her by her granddaughter. The joke is that Ann does not fit anyone’s stereotype of a granny. To call her hard-as-nails would be an understatement: nails can bend, but the G is harder, cold, mean and sarcastic. When she reaches for a bottle, dirty washing stacked up around the sink, no clean glass to hand, she pours her vodka neat into an empty yoghurt pot.

The G is played by character actor Dale Dickey, whose TV credits include Breaking Bad and My Name Is Earl. On film, she’s best known for a supporting part in Winter’s Bone, but I have to confess I didn’t recognise her. Having seen her in action here, I’m a convert. The G is heartless and unlikable, her battered face set in a permanent scowl – and yet Dickey conveys a woman shaped by her experience; there’s a backstory eventually about her childhood in Texas explaining the rage and anger. Her performance is a much-needed plus in a film that would otherwise lack a bit of substance.

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