SCOOP: No Eid release for Battle Of Galwan; Salman Khan-starrer to probably release in January or June 2026

After Sikandar (2025), Salman Khan is now geared up to bring his next film, Battle Of Galwan, to cinemas. The first look of the film has been appreciated as it showcased Salman Khan in a never-before-seen avatar. As the war film is all set to go on floors, the trade, industry, and fans are asking when Battle Of Galwan will be released. As is widely known, Salman’s films are typically released on Eid. Hence, can the superstar’s war drama be expected to arrive next year on the festival? A source told Bollywood Hungama, “The makers are not looking at releasing the film on Eid. This is because three films are already scheduled for release on March 19, 2026 – Yash-starer Toxic, the comic caper Dhamaal 4 and Sanjay Leela Bhansali’s intense romantic drama Love & War, starring Ranbir Kapoor, Alia Bhatt and Vicky Kaushal. Love & War might not make it on Eid and even if we take this film out, two other movies have already taken the slot. Salman is fair in such matters and hence, doesn’t...

The G review – Dale Dickey is gamechanging gangster granny out for vengeance

Dickey is a revelation as a harder-than-nails woman exploited by the US’s legal guardian system in an otherwise overcooked thriller

The “G” in this low budget revenge thriller is 72-year-old Ann Hunter. That’s “G” as in “Granny”, a nickname given to her by her granddaughter. The joke is that Ann does not fit anyone’s stereotype of a granny. To call her hard-as-nails would be an understatement: nails can bend, but the G is harder, cold, mean and sarcastic. When she reaches for a bottle, dirty washing stacked up around the sink, no clean glass to hand, she pours her vodka neat into an empty yoghurt pot.

The G is played by character actor Dale Dickey, whose TV credits include Breaking Bad and My Name Is Earl. On film, she’s best known for a supporting part in Winter’s Bone, but I have to confess I didn’t recognise her. Having seen her in action here, I’m a convert. The G is heartless and unlikable, her battered face set in a permanent scowl – and yet Dickey conveys a woman shaped by her experience; there’s a backstory eventually about her childhood in Texas explaining the rage and anger. Her performance is a much-needed plus in a film that would otherwise lack a bit of substance.

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