Silence took Martin Scorsese nearly 30 years to make – and it shows

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The period drama set in feudal Japan is an epic of divine proportion, tackling grand questions of faith and colonisation with remarkable fervour Get our weekend culture and lifestyle email The year is 1640. Sebastião Rodrigues (Andrew Garfield) arrives in Japan with fellow Jesuit missionary Francisco Garupe (Adam Driver) to search for their missing mentor, Cristóvão Ferreira (Liam Neeson). There, Rodrigues witnesses how “Kirishitans” – historical Japanese Catholics – must practise their faith in secret because their religion is heresy in Edo-period Japan. As he observes how the Japanese belief differs from his teachings, Rodrigues begins to question his faith. Despite praying ceaselessly, Rodrigues does not hear back from God. Silence, one of Martin Scorsese’s passion projects, was released in 2016 after nearly three decades in development. Scorsese’s dedication mirrors the spiritual journey of his protagonist. Continue reading... from Film | The Guardian https://ift.tt/2SV6T...
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The Exorcism review – Russell Crowe v the Devil in cursed horror about a cursed horror

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The actor plays an actor struggling with a demonically bad film shoot in a well-made yet increasingly messy chiller

Like many other dethroned A-listers of his generation, Oscar winner Russell Crowe has found himself a steady career hustling far further down the food chain, headlining B-movies he once would have balked at. The last few years have seen the famed actor crop up in gonzo road rage thriller Unhinged, shepherd the other Hemsworths in war drama Land of Bad, lead the barely released crime thriller Sleeping Dogs earlier this year and become the pope’s exorcist in The Pope’s Exorcist.

The latter became something of a surprise hit, first theatrically and then on Netflix, albeit in a rather jokey way, the film most easily remembered for the many memes of Crowe on a scooter. Its success was such that it not only guaranteed a sequel (The Pope’s Exorcist 2 is coming), but it also led to another of his exorcism movies getting saved from streaming hell and being delivered to the big screen instead, this weekend’s The Exorcism, a film originally shot back in 2019. It has an interesting backstory, loosely inspired by director Joshua John Miller’s experience as the son of actor Jason Miller who played Father Karras in The Exorcist. His father’s tales of a haunted set led to a film about an actor starring in a remake of what appears to be The Exorcist then becoming more explicitly plagued by demonic forces during production.

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