Beverly Hills Cop: Axel F review – fish-out-of-water Eddie Murphy chases past glories

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Murphy’s maverick cop – and his theme music – are back to fight corruption, but four decades on there’s little energy to enliven their formulaic reunion Eddie Murphy isn’t finished yet – as he proved with his barnstormer of a performance as Blaxploitation pioneer Rudy Ray Moore in Dolemite Is My Name . But there’s something a bit tired and formulaic about this further go-around for his iconic Detroit cop Axel Foley from the Beverly Hills Cop action-comedy franchise which 40 years ago made Murphy an explosive Hollywood star – and whose catchy Axel F theme became an 80s anthem, duly revived here. He’s back for the fourth film, yet again leaving his Detroit turf to be a scruffy fish-out-of-water in the hilariously chi-chi world of Beverly Hills, yet again wryly noticing from the wheel of his car, on the way in, a montage of all the crazy California stuff, including a car registration plate reading: PRE-NUP. Axel’s grownup lawyer daughter Jane (Taylour Paige) is in Beverly Hills, menace
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Mom review – Indigenous Mexican woman contemplates the price of a machismo society

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Director Xun Sero grew up fatherless and resentful. As his mother opens up about her troubled life, he must face his own role

In a culture where discussion of family trauma and gender-based abuse are still considered taboo, Xun Sero’s frank, intimate documentary seeks to find a common ground in a community fractured by precariousness and violence. Staying close to the film-maker’s mother, Hilda, Sero’s camera not only observes exteriors but also looks inward; this is a film of dialogue and self-interrogation.

Growing up in the Indigenous Tzotzil community in Mexico, from the age of nine Hilda was already promised as a wife to an older man. Her one act of rebellion as a teenager resulted in the birth of Sero, a source of shame for mother and son. During his childhood, Sero’s resentment towards his absent father was often directed at his mother, resulting in bitter accusations. As difficult, previously unasked questions are exchanged, a feeling of emotional exorcism arises, as Sero wrestles with his complicity in a society ruled by machismo.

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