MTV Splitsvilla X6 to premiere on January 9 with new format; details inside!

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Finding love has just been taken a notch higher as India’s biggest youth dating reality show, MTV Splitsvilla, returns with its 16th season, i.e. bigger, bolder and spicier. Hosted by the ultimate Queen of Hearts - Sunny Leone, who recently celebrated a decade of her iconic journey with the show, joined by her charming co-host, the King of Hearts - Karan Kundrra. This time the drama dose has doubled up with our Mischief Maker duo - Nia Sharma and Uorfi. Gear up for MTV Splitsvilla X6: Pyaar ya Paisa, set against the scenic coast of Mahabalipuram, Tamil Nadu, where 32 hot & single girls and boys step up their game to win 'Pyaar ya Paisa'. Instax Fujifilm presents MTV Splitsvilla X6 Co-powered by Sofy, NEWME, Envy Perfumes and Philips Body Groomer starting 9th January on Fri, Sat & Sun at 7 pm on MTV India and JioHotstar. ‘MTV Splitsvilla X6: Pyaar Ya Paisa’ brings a new twist, picking up from where ex-contestants Digvijay and Kashish left off last season. This time, con...
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Donald Sutherland was an irreplaceable aristocrat of cinema

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The late actor was a commanding and versatile presence on the big screen, perfecting everything from villainy to sensuality in films such as Don’t Look Now and Klute

Donald Sutherland was an utterly unique actor and irreplacable star: possessed of a distinctive leonine handsomeness that the white beard of his latter years only made more majestic: watchful, cerebral, charismatic, with a refinement to his screen acting technique comparable perhaps only to Paul Scofield and his Canadian background (together with his early stage training and experience in England and Scotland) gave his American roles a certain touch of Anglo-international class. Sutherland was commanding and exacting, he gave each of his roles and films something special: he addressed his co-stars and the camera itself from a position of strength.

Even playing a weak or absurd character, as he did starring as the preposterous womaniser in Federico Fellini’s Casanova in 1976, finally reduced to the job of a librarian in a German count’s castle, brooding grotesquely over the phantoms of past lovers, Sutherland was still strong, still mesmeric, his intelligent face still sympathetic as Casanova, even though resembling a non-priapic gargoyle. For Bertolucci in his Italian epic 1900, he played an actual fascist, the gruesomely named Attila, and though certainly very far from sympathetic, he played the role with a sickeningly twinkle-eyed dynamism.

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