Ranveer Singh turns 40: Arjun Rampal calls Dhurandhar co-star “Sher” in heartfelt birthday wish BTS montage

Ranveer Singh is celebrating his 40th birthday on July 6, 2026, and has received warm wishes from friends, colleagues, and fans across social media. Among those celebrating the occasion is his Dhurandhar co-star Arjun Rampal, who shared a heartfelt birthday message accompanied by a special video montage that revisited memorable moments from the making of the Aditya Dhar-directed duology. The video featured a collection of fan artworks dedicated to Ranveer Singh along with behind-the-scenes glimpses from the sets of Dhurandhar. The montage was set to ‘Main Aur Tu,’ one of the popular tracks associated with the film, making it a nostalgic tribute for fans of the franchise. Sharing the video, Arjun wrote, "Happy Happy birthday Sher e, to more fabulous memories, performances, successes, love, ice baths, laughs, celebrations. Have a fabulous year ahead @ranveersingh big love and a huge hug." The post quickly caught the attention of fans, who flooded the comments section with birt...

Donald Sutherland was an irreplaceable aristocrat of cinema

The late actor was a commanding and versatile presence on the big screen, perfecting everything from villainy to sensuality in films such as Don’t Look Now and Klute

Donald Sutherland was an utterly unique actor and irreplacable star: possessed of a distinctive leonine handsomeness that the white beard of his latter years only made more majestic: watchful, cerebral, charismatic, with a refinement to his screen acting technique comparable perhaps only to Paul Scofield and his Canadian background (together with his early stage training and experience in England and Scotland) gave his American roles a certain touch of Anglo-international class. Sutherland was commanding and exacting, he gave each of his roles and films something special: he addressed his co-stars and the camera itself from a position of strength.

Even playing a weak or absurd character, as he did starring as the preposterous womaniser in Federico Fellini’s Casanova in 1976, finally reduced to the job of a librarian in a German count’s castle, brooding grotesquely over the phantoms of past lovers, Sutherland was still strong, still mesmeric, his intelligent face still sympathetic as Casanova, even though resembling a non-priapic gargoyle. For Bertolucci in his Italian epic 1900, he played an actual fascist, the gruesomely named Attila, and though certainly very far from sympathetic, he played the role with a sickeningly twinkle-eyed dynamism.

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