Alia Bhatt backs students amid NEET protest in heartfelt note: “Their courage humbles me”

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Actor Alia Bhatt has become the latest celebrity to speak out on the ongoing protests over the alleged NEET paper leak and the violence reported during demonstrations at Delhi's Jantar Mantar. In an emotional note shared on Instagram, the actor expressed solidarity with the students and praised their courage and determination. Reflecting on the developments over the past few days, Alia wrote that the events had left her heartbroken while also giving her hope. "The last few days have broken my heart and then mended it, again and again, with hope," she wrote. Alia Bhatt says students represent hope and sacrifice The actor said every student participating in the movement represents years of hard work, sacrifice, and the aspirations of their families. She added that their fight extends beyond their own future and could create a better path for generations to come: "Behind every student standing their ground is a dream, a family's hope, a journey of countless sacrifi...
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Donald Sutherland was an irreplaceable aristocrat of cinema

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The late actor was a commanding and versatile presence on the big screen, perfecting everything from villainy to sensuality in films such as Don’t Look Now and Klute

Donald Sutherland was an utterly unique actor and irreplacable star: possessed of a distinctive leonine handsomeness that the white beard of his latter years only made more majestic: watchful, cerebral, charismatic, with a refinement to his screen acting technique comparable perhaps only to Paul Scofield and his Canadian background (together with his early stage training and experience in England and Scotland) gave his American roles a certain touch of Anglo-international class. Sutherland was commanding and exacting, he gave each of his roles and films something special: he addressed his co-stars and the camera itself from a position of strength.

Even playing a weak or absurd character, as he did starring as the preposterous womaniser in Federico Fellini’s Casanova in 1976, finally reduced to the job of a librarian in a German count’s castle, brooding grotesquely over the phantoms of past lovers, Sutherland was still strong, still mesmeric, his intelligent face still sympathetic as Casanova, even though resembling a non-priapic gargoyle. For Bertolucci in his Italian epic 1900, he played an actual fascist, the gruesomely named Attila, and though certainly very far from sympathetic, he played the role with a sickeningly twinkle-eyed dynamism.

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