Jacqueliene Fernandez to face trial as Delhi court orders framing of charges in ED’s Rs 200 crores money laundering case

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On May 30, 2026, a Delhi court ordered the framing of criminal charges against Jacqueliene Fernandez, conman Sukesh Chandrashekar, and 15 others in a high-profile Rs 200-crores money laundering case. The ruling establishes that the trial against the actor and the co-accused will formally commence following their appearance in court this week. Additional Sessions Judge (ASJ) Prashant Sharma observed that the investigative findings revealed a robust legal basis to proceed with the prosecution. "Prima facie, there is sufficient material on record based upon which a strong suspicion is raised against all the accused," the ASJ stated, as per a report by PTI. The court held that Fernandez and the others are liable to be prosecuted for the offence of money laundering under Section 3 of the Prevention of Money Laundering Act (PMLA), which is punishable under Section 4 of the same Act. The judge has directed all the accused individuals to appear physically in court on June 3 for the ...
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Donald Sutherland was an irreplaceable aristocrat of cinema

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The late actor was a commanding and versatile presence on the big screen, perfecting everything from villainy to sensuality in films such as Don’t Look Now and Klute

Donald Sutherland was an utterly unique actor and irreplacable star: possessed of a distinctive leonine handsomeness that the white beard of his latter years only made more majestic: watchful, cerebral, charismatic, with a refinement to his screen acting technique comparable perhaps only to Paul Scofield and his Canadian background (together with his early stage training and experience in England and Scotland) gave his American roles a certain touch of Anglo-international class. Sutherland was commanding and exacting, he gave each of his roles and films something special: he addressed his co-stars and the camera itself from a position of strength.

Even playing a weak or absurd character, as he did starring as the preposterous womaniser in Federico Fellini’s Casanova in 1976, finally reduced to the job of a librarian in a German count’s castle, brooding grotesquely over the phantoms of past lovers, Sutherland was still strong, still mesmeric, his intelligent face still sympathetic as Casanova, even though resembling a non-priapic gargoyle. For Bertolucci in his Italian epic 1900, he played an actual fascist, the gruesomely named Attila, and though certainly very far from sympathetic, he played the role with a sickeningly twinkle-eyed dynamism.

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