Kangana Ranaut-starrer Bharat Bhhagya Viddhaata declared tax-free in Haryana

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Actor and BJP MP Kangana Ranaut's latest film Bharat Bhhagya Viddhaata has received a major boost in Haryana. Chief Minister Nayab Singh Saini announced that the film will be declared tax-free in the state after attending a special screening in Chandigarh. The screening was held on Sunday evening and was attended by Kangana Ranaut, who personally welcomed the Chief Minister upon his arrival. She also briefed him about the film before the screening began. After watching the film, Saini praised its message and said such films should reach a wider audience. Speaking to the media, the Haryana Chief Minister said, "I have said that such motivational films which inspire us should be watched by all of us. We will declare this 'tax-free' in Haryana because this inspires us and makes us feel our duties." #WATCH | Chandigarh: After watching the film 'Bharat Bhagya Vidhata', Haryana CM Nayab Singh Saini says, "I have said that such motivational films which insp...
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Donald Sutherland was an irreplaceable aristocrat of cinema

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The late actor was a commanding and versatile presence on the big screen, perfecting everything from villainy to sensuality in films such as Don’t Look Now and Klute

Donald Sutherland was an utterly unique actor and irreplacable star: possessed of a distinctive leonine handsomeness that the white beard of his latter years only made more majestic: watchful, cerebral, charismatic, with a refinement to his screen acting technique comparable perhaps only to Paul Scofield and his Canadian background (together with his early stage training and experience in England and Scotland) gave his American roles a certain touch of Anglo-international class. Sutherland was commanding and exacting, he gave each of his roles and films something special: he addressed his co-stars and the camera itself from a position of strength.

Even playing a weak or absurd character, as he did starring as the preposterous womaniser in Federico Fellini’s Casanova in 1976, finally reduced to the job of a librarian in a German count’s castle, brooding grotesquely over the phantoms of past lovers, Sutherland was still strong, still mesmeric, his intelligent face still sympathetic as Casanova, even though resembling a non-priapic gargoyle. For Bertolucci in his Italian epic 1900, he played an actual fascist, the gruesomely named Attila, and though certainly very far from sympathetic, he played the role with a sickeningly twinkle-eyed dynamism.

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