Charli xcx, Natalie Portman and Salman Rushdie lead 2026 Sundance lineup

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The festival says goodbye to both founder Robert Redford and its longtime home of Park City, Utah, with a selection of provocative documentaries and starry new films New films starring Charli xcx, Natalie Portman and Salman Rushdie will all receive their world premieres at next month’s Sundance film festival. The festival will be held for the last time in Park City, Utah, before it moves to Boulder, Colorado, in 2027. Over the years, it has been home to the first screenings of films including Get Out, Four Weddings and a Funeral, The Blair Witch Project, Past Lives, Napoleon Dynamite, Precious and Little Miss Sunshine. Continue reading... from Film | The Guardian https://ift.tt/phDYZ7N via IFTTT
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Donald Sutherland was an irreplaceable aristocrat of cinema

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The late actor was a commanding and versatile presence on the big screen, perfecting everything from villainy to sensuality in films such as Don’t Look Now and Klute

Donald Sutherland was an utterly unique actor and irreplacable star: possessed of a distinctive leonine handsomeness that the white beard of his latter years only made more majestic: watchful, cerebral, charismatic, with a refinement to his screen acting technique comparable perhaps only to Paul Scofield and his Canadian background (together with his early stage training and experience in England and Scotland) gave his American roles a certain touch of Anglo-international class. Sutherland was commanding and exacting, he gave each of his roles and films something special: he addressed his co-stars and the camera itself from a position of strength.

Even playing a weak or absurd character, as he did starring as the preposterous womaniser in Federico Fellini’s Casanova in 1976, finally reduced to the job of a librarian in a German count’s castle, brooding grotesquely over the phantoms of past lovers, Sutherland was still strong, still mesmeric, his intelligent face still sympathetic as Casanova, even though resembling a non-priapic gargoyle. For Bertolucci in his Italian epic 1900, he played an actual fascist, the gruesomely named Attila, and though certainly very far from sympathetic, he played the role with a sickeningly twinkle-eyed dynamism.

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