Rajkummar Rao, Sanya Malhotra starrer Toaster gets release date; Netflix to drop quirky dark comedy on April 15

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Netflix has announced its upcoming dark comedy Toaster, a film that turns an everyday object into the centre of an increasingly chaotic chain of events. Set to premiere on April 15, 2026, the film promises a quirky and unpredictable narrative that begins with a seemingly trivial situation—a wedding gift that refuses to be forgotten after the wedding itself is called off. Directed by Vivek Das Chaudhary, Toaster marks a significant milestone for Patralekhaa, who steps into production with her banner Kampa Film. The project brings together Rajkummar Rao and Sanya Malhotra in leading roles, supported by a vibrant ensemble that includes Archana Puran Singh, Abhishek Banerjee, Farah Khan, Upendra Limaye, Vinod Rawat, Jitendra Joshi and Seema Pahwa. The film also sees Rajkummar Rao returning to the comedy genre, a space where he has previously earned audience appreciation for his comic timing. With Toaster, he is set to headline a story that blends relatable situations with escalating absu...
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Donald Sutherland was an irreplaceable aristocrat of cinema

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The late actor was a commanding and versatile presence on the big screen, perfecting everything from villainy to sensuality in films such as Don’t Look Now and Klute

Donald Sutherland was an utterly unique actor and irreplacable star: possessed of a distinctive leonine handsomeness that the white beard of his latter years only made more majestic: watchful, cerebral, charismatic, with a refinement to his screen acting technique comparable perhaps only to Paul Scofield and his Canadian background (together with his early stage training and experience in England and Scotland) gave his American roles a certain touch of Anglo-international class. Sutherland was commanding and exacting, he gave each of his roles and films something special: he addressed his co-stars and the camera itself from a position of strength.

Even playing a weak or absurd character, as he did starring as the preposterous womaniser in Federico Fellini’s Casanova in 1976, finally reduced to the job of a librarian in a German count’s castle, brooding grotesquely over the phantoms of past lovers, Sutherland was still strong, still mesmeric, his intelligent face still sympathetic as Casanova, even though resembling a non-priapic gargoyle. For Bertolucci in his Italian epic 1900, he played an actual fascist, the gruesomely named Attila, and though certainly very far from sympathetic, he played the role with a sickeningly twinkle-eyed dynamism.

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