Gaurav Khanna breaks silence on Akanksha Chamola divorce rumours; says, “Main humesha support karunga Akanksha ko, meri biwi hai yaar”

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Actor and Bigg Boss 19 winner Gaurav Khanna has finally reacted to the ongoing speculation surrounding his personal life after his wife, Akanksha Chamola, made a startling revelation on the stage of Lock Upp Season 2. Before entering the reality show's prison, Akanksha claimed that she and Gaurav have been living separately for over a year and are currently in the process of getting divorced, leaving fans surprised. Amid the buzz surrounding their relationship, Gaurav has chosen to focus on extending his support to Akanksha and her participation in the reality show. The actor was recently spotted outside the sets of the comedy-cooking reality show Laughter Chefs, where paparazzi asked him about how he has been coping with the ongoing attention around his personal life. Responding to the questions, Gaurav said, “Bas yaar, wahi yaar jo pehle tha wahi haal hai abhi bhi. Pyaar abhi bhi utna hai, support abhi bhi utna hai… Main toh humesha support karunga Akanksha ko, meri biwi hai yaa...
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Donald Sutherland was an irreplaceable aristocrat of cinema

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The late actor was a commanding and versatile presence on the big screen, perfecting everything from villainy to sensuality in films such as Don’t Look Now and Klute

Donald Sutherland was an utterly unique actor and irreplacable star: possessed of a distinctive leonine handsomeness that the white beard of his latter years only made more majestic: watchful, cerebral, charismatic, with a refinement to his screen acting technique comparable perhaps only to Paul Scofield and his Canadian background (together with his early stage training and experience in England and Scotland) gave his American roles a certain touch of Anglo-international class. Sutherland was commanding and exacting, he gave each of his roles and films something special: he addressed his co-stars and the camera itself from a position of strength.

Even playing a weak or absurd character, as he did starring as the preposterous womaniser in Federico Fellini’s Casanova in 1976, finally reduced to the job of a librarian in a German count’s castle, brooding grotesquely over the phantoms of past lovers, Sutherland was still strong, still mesmeric, his intelligent face still sympathetic as Casanova, even though resembling a non-priapic gargoyle. For Bertolucci in his Italian epic 1900, he played an actual fascist, the gruesomely named Attila, and though certainly very far from sympathetic, he played the role with a sickeningly twinkle-eyed dynamism.

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