Brenda Fricker obituary

Actor who was the first Irish woman to win an Oscar for her role in the 1989 film classic My Left Foot Brenda Fricker, who has died aged 81, was only the second Irish actor – and the first female one – to win an Oscar, for her role as Daniel Day-Lewis’s mother in the 1989 film My Left Foot, after shooting to fame in the original cast of the BBC medical drama Casualty. As the nurse Megan Roach, she was the Mother Earth of the fictional Holby City hospital’s A&E department for the programme’s first five series (1986-90). “We knew the show had to have compassion,” said Casualty’s first producer, Geraint Morris . “We made Megan the person everyone could talk to.” Continue reading... from Film | The Guardian https://ift.tt/FexHVzJ via IFTTT

Donald Sutherland was an irreplaceable aristocrat of cinema

The late actor was a commanding and versatile presence on the big screen, perfecting everything from villainy to sensuality in films such as Don’t Look Now and Klute

Donald Sutherland was an utterly unique actor and irreplacable star: possessed of a distinctive leonine handsomeness that the white beard of his latter years only made more majestic: watchful, cerebral, charismatic, with a refinement to his screen acting technique comparable perhaps only to Paul Scofield and his Canadian background (together with his early stage training and experience in England and Scotland) gave his American roles a certain touch of Anglo-international class. Sutherland was commanding and exacting, he gave each of his roles and films something special: he addressed his co-stars and the camera itself from a position of strength.

Even playing a weak or absurd character, as he did starring as the preposterous womaniser in Federico Fellini’s Casanova in 1976, finally reduced to the job of a librarian in a German count’s castle, brooding grotesquely over the phantoms of past lovers, Sutherland was still strong, still mesmeric, his intelligent face still sympathetic as Casanova, even though resembling a non-priapic gargoyle. For Bertolucci in his Italian epic 1900, he played an actual fascist, the gruesomely named Attila, and though certainly very far from sympathetic, he played the role with a sickeningly twinkle-eyed dynamism.

Continue reading...

from Film | The Guardian https://ift.tt/L7TnYZl
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”