Shabana Azmi diagnosed with swine flu after Jantar Mantar protest, misses Mumbai demonstration; says she stands in solidarity with students

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Veteran actor Shabana Azmi has revealed that she has been diagnosed with H1N1 (swine flu), forcing her to miss the student protest held at Mumbai's Shivaji Park on Friday. The actor shared the health update on social media, saying she has been advised to remain in isolation for the next five days. Azmi has been one of the most prominent public figures supporting the student-led protests over the alleged NEET paper leak. Over the past three days, she actively participated in demonstrations at Delhi's Jantar Mantar, where she marched alongside students, joined the "Chalo Sansad" rally and extended support to those on hunger strike. Shabana Azmi shares health update Informing her followers about her absence from the Mumbai protest, Azmi wrote that she had planned to join demonstrators but was unable to do so after being diagnosed with H1N1. She wrote, “"My dear Mumbaikars, I was meant to join your protest yesterday, but I've come down with H1N1 and need to rema...
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Donald Sutherland was an irreplaceable aristocrat of cinema

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The late actor was a commanding and versatile presence on the big screen, perfecting everything from villainy to sensuality in films such as Don’t Look Now and Klute

Donald Sutherland was an utterly unique actor and irreplacable star: possessed of a distinctive leonine handsomeness that the white beard of his latter years only made more majestic: watchful, cerebral, charismatic, with a refinement to his screen acting technique comparable perhaps only to Paul Scofield and his Canadian background (together with his early stage training and experience in England and Scotland) gave his American roles a certain touch of Anglo-international class. Sutherland was commanding and exacting, he gave each of his roles and films something special: he addressed his co-stars and the camera itself from a position of strength.

Even playing a weak or absurd character, as he did starring as the preposterous womaniser in Federico Fellini’s Casanova in 1976, finally reduced to the job of a librarian in a German count’s castle, brooding grotesquely over the phantoms of past lovers, Sutherland was still strong, still mesmeric, his intelligent face still sympathetic as Casanova, even though resembling a non-priapic gargoyle. For Bertolucci in his Italian epic 1900, he played an actual fascist, the gruesomely named Attila, and though certainly very far from sympathetic, he played the role with a sickeningly twinkle-eyed dynamism.

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