Preity Zinta launches jewellery brand Jacarti; Celina Jaitly, Bobby Deol and Iulia Vantur join celebrations: “Mother of all selfies”

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Actor and entrepreneur Preity Zinta has ventured into the luxury jewellery space with the launch of her fine jewellery brand, Jacarti Jewellery. The actress recently inaugurated the brand’s new store in Mumbai’s Bandra neighbourhood, with several friends from the entertainment industry attending the celebration. Among those present at the event were actors Celina Jaitly, Bobby Deol and Iulia Vantur. The gathering marked an important milestone for Zinta as she expands her professional portfolio beyond cinema and sports into the luxury retail sector. Sharing moments from the launch on social media, Celina Jaitly congratulated Preity and praised the new collection. Posting a selfie from the event, she wrote, “CONGRATULATIONS PREITY. What a wonderful evening celebrating my darling friend Preity Zinta and the launch of her luxury fine jewellery brand, Jacarti Jewellery, and its beautiful new store in Bandra, Mumbai.” Speaking about the collection, Celina added, “Preity, congratulations on ...
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Donald Sutherland was an irreplaceable aristocrat of cinema

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The late actor was a commanding and versatile presence on the big screen, perfecting everything from villainy to sensuality in films such as Don’t Look Now and Klute

Donald Sutherland was an utterly unique actor and irreplacable star: possessed of a distinctive leonine handsomeness that the white beard of his latter years only made more majestic: watchful, cerebral, charismatic, with a refinement to his screen acting technique comparable perhaps only to Paul Scofield and his Canadian background (together with his early stage training and experience in England and Scotland) gave his American roles a certain touch of Anglo-international class. Sutherland was commanding and exacting, he gave each of his roles and films something special: he addressed his co-stars and the camera itself from a position of strength.

Even playing a weak or absurd character, as he did starring as the preposterous womaniser in Federico Fellini’s Casanova in 1976, finally reduced to the job of a librarian in a German count’s castle, brooding grotesquely over the phantoms of past lovers, Sutherland was still strong, still mesmeric, his intelligent face still sympathetic as Casanova, even though resembling a non-priapic gargoyle. For Bertolucci in his Italian epic 1900, he played an actual fascist, the gruesomely named Attila, and though certainly very far from sympathetic, he played the role with a sickeningly twinkle-eyed dynamism.

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