REVEALED: Haunted – Echoes Of The Past got NCLT nod for June 12 release; makers directed to deposit all revenues in separate bank account

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On June 10, the National Company Law Tribunal (NCLT), Mumbai Bench III, permitted the release of Vikram Bhatt's horror film Haunted – Echoes Of The Past on June 12, even as the project remains embroiled in an insolvency-related legal dispute. However, the Tribunal has imposed strict conditions to safeguard the interests of the ongoing Corporate Insolvency Resolution Process (CIRP). The order was passed in connection with proceedings involving K Sera Sera & Vikram Bhatt Studiovirtual World Pvt. Ltd. and Hare Krishna Media Tech Pvt. Ltd. While hearing the matter, the NCLT noted that the Resolution Professional (RP) had sought to restrain the film's release and prevent the creation of third-party rights in the movie. The Tribunal also allowed the RP to implead four additional respondents in the matter and directed them to file their replies before the next hearing. A Resolution Professional is an insolvency professional appointed by the NCLT to manage the affairs of a company...
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Donald Sutherland was an irreplaceable aristocrat of cinema

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The late actor was a commanding and versatile presence on the big screen, perfecting everything from villainy to sensuality in films such as Don’t Look Now and Klute

Donald Sutherland was an utterly unique actor and irreplacable star: possessed of a distinctive leonine handsomeness that the white beard of his latter years only made more majestic: watchful, cerebral, charismatic, with a refinement to his screen acting technique comparable perhaps only to Paul Scofield and his Canadian background (together with his early stage training and experience in England and Scotland) gave his American roles a certain touch of Anglo-international class. Sutherland was commanding and exacting, he gave each of his roles and films something special: he addressed his co-stars and the camera itself from a position of strength.

Even playing a weak or absurd character, as he did starring as the preposterous womaniser in Federico Fellini’s Casanova in 1976, finally reduced to the job of a librarian in a German count’s castle, brooding grotesquely over the phantoms of past lovers, Sutherland was still strong, still mesmeric, his intelligent face still sympathetic as Casanova, even though resembling a non-priapic gargoyle. For Bertolucci in his Italian epic 1900, he played an actual fascist, the gruesomely named Attila, and though certainly very far from sympathetic, he played the role with a sickeningly twinkle-eyed dynamism.

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