Welcome To The Jungle to have one of the WIDEST releases; distributor demands ALL shows in single screens, 3 shows per screen in 6+ screen multiplexes

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The month of June is expected to end on a comic note thanks to the release of Welcome To The Jungle. It is arguably the biggest multi-starrer of Hindi cinema and hence, the excitement is expected to be tremendous. Accordingly, the distributing partner, Star Studio18, has gone all out with the release strategy. As per the mail sent to the exhibitors, the distributor has asked for all shows in single-screen cinemas. In two-screen cinemas, they have asked for 7 or 8 shows, while they require 9 or 10 shows in three-screen cinemas. In 4-screen multiplexes, the requirement is 11 or 12 shows, while 13 or 14 shows are required in 5-screen plexes. For cinema halls with 6 screens, Welcome To The Jungle needs to be played in 15 or 16 shows. Finally, in multiplexes with more than 6 screens, the studio has asked them to play 3 shows of the comic caper per screen. A trade source told Bollywood Hungama, “Welcome To The Jungle is a grand film meant for the big screen. Due to the humour quotient and s...
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Deadland review – melancholy horror smuggles deep themes across the US-Mexico border

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Lance Larson’s feature debut uses horror tropes to tackle themes of racism, immigration and post-traumatic stress disorder

Screened at SXSW last year but still relevant given the ongoing debate about immigration in the US, an especially live issue in election year, this offers a border-set ghost story that’s haunting in more ways than one. For a start, it’s not especially gory or scary; the tone is more melancholy and guilt-freighted, offering a study of masculine and, in particular, paternal anxiety that’s aggravated by divided loyalties. The main protagonist is Angel Waters (Roberto Urbina), a Mexican-American border guard who is the head of his small patrol unit not far from El Paso.

The son of a Mexican father he never knew and a white American woman who has recently died, Angel is now devoted to his pregnant wife Hannah (Kendal Rae, achieving a lot with a thinly written part); he only wants to do the best he can for the people who cross the border every day, even if he’s seldom thanked for sometimes saving their lives. For example, one day he shouts warnings in Spanish that the river isn’t safe to a lone stranger (Julio Cesar Cedillo) he spots trying to cross, and minutes later the man is swept away.

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