Songs of Forgotten Trees review – sensitive, ambiguous drama of female intimacy in Mumbai

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A sex worker and a call centre employee forge an ambiguous relationship in a film of strong feelings In a tiny crumbling Mumbai apartment two women move around each other, squeezing into the kitchen to cook, or past one another in the hallway. The cramped space hems them in – just as society limits their choices. That is surely the point first-time director Anuparna Roy is making in a gentle drama set mostly in the apartment about the closeness that develops between the two women. One of the roommates is Thooya (Naaz Shaikh), an actor and part-time sex worker. The apartment belongs to a client, Nitin (Bushan Shimpi), an arrangement that outrages the neighbours. Thooya doesn’t care what they think, and has rented the second bedroom to a stranger, Shweta (Sumi Baghel), who works from home for an IT call centre. There is an awkwardness between them at first that develops into … what exactly? Romance? It looks that way, although the film’s final scene is ambiguous. Continue reading... f...
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Deadland review – melancholy horror smuggles deep themes across the US-Mexico border

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Lance Larson’s feature debut uses horror tropes to tackle themes of racism, immigration and post-traumatic stress disorder

Screened at SXSW last year but still relevant given the ongoing debate about immigration in the US, an especially live issue in election year, this offers a border-set ghost story that’s haunting in more ways than one. For a start, it’s not especially gory or scary; the tone is more melancholy and guilt-freighted, offering a study of masculine and, in particular, paternal anxiety that’s aggravated by divided loyalties. The main protagonist is Angel Waters (Roberto Urbina), a Mexican-American border guard who is the head of his small patrol unit not far from El Paso.

The son of a Mexican father he never knew and a white American woman who has recently died, Angel is now devoted to his pregnant wife Hannah (Kendal Rae, achieving a lot with a thinly written part); he only wants to do the best he can for the people who cross the border every day, even if he’s seldom thanked for sometimes saving their lives. For example, one day he shouts warnings in Spanish that the river isn’t safe to a lone stranger (Julio Cesar Cedillo) he spots trying to cross, and minutes later the man is swept away.

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