Sydney Sweeney says her silence over jeans advert backlash ‘widened the divide’

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Actor speaks out over controversy around American Eagle advert in the summer that critics say flirted with eugenics The actor Sydney Sweeney has said she should have addressed the controversy surrounding her American Eagle jeans advert, which was accused by critics of flirting with eugenics, saying not doing so “widened the divide” between people. Sweeney, who made her name in HBO’s Euphoria and has since become a leading Hollywood star, told People magazine she regretted staying silent during the row, in which Donald Trump at one point intervened. Continue reading... from Film | The Guardian https://ift.tt/EUs64j1 via IFTTT
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Deadland review – melancholy horror smuggles deep themes across the US-Mexico border

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Lance Larson’s feature debut uses horror tropes to tackle themes of racism, immigration and post-traumatic stress disorder

Screened at SXSW last year but still relevant given the ongoing debate about immigration in the US, an especially live issue in election year, this offers a border-set ghost story that’s haunting in more ways than one. For a start, it’s not especially gory or scary; the tone is more melancholy and guilt-freighted, offering a study of masculine and, in particular, paternal anxiety that’s aggravated by divided loyalties. The main protagonist is Angel Waters (Roberto Urbina), a Mexican-American border guard who is the head of his small patrol unit not far from El Paso.

The son of a Mexican father he never knew and a white American woman who has recently died, Angel is now devoted to his pregnant wife Hannah (Kendal Rae, achieving a lot with a thinly written part); he only wants to do the best he can for the people who cross the border every day, even if he’s seldom thanked for sometimes saving their lives. For example, one day he shouts warnings in Spanish that the river isn’t safe to a lone stranger (Julio Cesar Cedillo) he spots trying to cross, and minutes later the man is swept away.

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