Singer-Composer Leslee Lewis makes Bollywood playback comeback after 26 years

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Veteran singer-composer Leslee Lewis is set to make a comeback as a playback singer in Hindi cinema after a gap of 26 years, marking a significant moment in his long musical journey. Known for shaping India’s Indi-pop movement in the 1990s, Lewis is returning with the song Zorr Ka Dhakka, which will mark his re-entry into Bollywood playback singing. Lewis rose to national fame as part of the iconic duo Colonial Cousins alongside Hariharan. Their fusion of Indian classical and Western pop in the mid-1990s helped redefine the independent music scene in India and earned them international recognition, including the MTV Asia Viewer’s Choice Award and the Billboard Viewer’s Choice Award. Speaking about his return, Lewis shared his excitement about reconnecting with Bollywood after decades. “I was relevant then and I’m still relevant now,” he said while discussing his comeback and his continued passion for music. He added that singing for a composition by another musician after so many yea...
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Deadland review – melancholy horror smuggles deep themes across the US-Mexico border

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Lance Larson’s feature debut uses horror tropes to tackle themes of racism, immigration and post-traumatic stress disorder

Screened at SXSW last year but still relevant given the ongoing debate about immigration in the US, an especially live issue in election year, this offers a border-set ghost story that’s haunting in more ways than one. For a start, it’s not especially gory or scary; the tone is more melancholy and guilt-freighted, offering a study of masculine and, in particular, paternal anxiety that’s aggravated by divided loyalties. The main protagonist is Angel Waters (Roberto Urbina), a Mexican-American border guard who is the head of his small patrol unit not far from El Paso.

The son of a Mexican father he never knew and a white American woman who has recently died, Angel is now devoted to his pregnant wife Hannah (Kendal Rae, achieving a lot with a thinly written part); he only wants to do the best he can for the people who cross the border every day, even if he’s seldom thanked for sometimes saving their lives. For example, one day he shouts warnings in Spanish that the river isn’t safe to a lone stranger (Julio Cesar Cedillo) he spots trying to cross, and minutes later the man is swept away.

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