Ellen DeGeneres’ Oscars selfie: was this the moment pop culture shattered into a billion pieces?

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When DeGeneres posted her A-list snap at the 2014 Academy Awards, it made a splash. But it was probably the end of monoculture – and now we’re all alone in our TikTok bubbles Name: The Oscars selfie. Age: Once upon a time (2 March 2014, to be precise), at the Oscars, the actor Bradley Cooper, who was nominated for best supporting actor, took a selfie with the host, Ellen DeGeneres, and a whole load of A-listers … Continue reading... from Film | The Guardian https://ift.tt/LPvBx0O via IFTTT
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Deadland review – melancholy horror smuggles deep themes across the US-Mexico border

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Lance Larson’s feature debut uses horror tropes to tackle themes of racism, immigration and post-traumatic stress disorder

Screened at SXSW last year but still relevant given the ongoing debate about immigration in the US, an especially live issue in election year, this offers a border-set ghost story that’s haunting in more ways than one. For a start, it’s not especially gory or scary; the tone is more melancholy and guilt-freighted, offering a study of masculine and, in particular, paternal anxiety that’s aggravated by divided loyalties. The main protagonist is Angel Waters (Roberto Urbina), a Mexican-American border guard who is the head of his small patrol unit not far from El Paso.

The son of a Mexican father he never knew and a white American woman who has recently died, Angel is now devoted to his pregnant wife Hannah (Kendal Rae, achieving a lot with a thinly written part); he only wants to do the best he can for the people who cross the border every day, even if he’s seldom thanked for sometimes saving their lives. For example, one day he shouts warnings in Spanish that the river isn’t safe to a lone stranger (Julio Cesar Cedillo) he spots trying to cross, and minutes later the man is swept away.

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