Hold the Fort review – gory goings-on at the neighbours association get-together

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A couple move from the city to a seemingly clean-cut suburb in this enjoyable comedy-horror that breezes through the grisly deaths of characters you won’t care about In this short, sharp, comedy-horror-siege movie, youngish couple Jenny (Haley Leary) and Lucas (Chris Mayers) are the newcomers in a clean-cut – or is it? – suburban neighbourhood, having moved away from the big city. Lucas is a world-class red-flag-ignorer, while in contrast, Jenny is adept at spotting the signs that something is off. When the perky moustachioed head of the local homeowners’ association Jerry (Julian Smith) invites the pair to a party celebrating the equinox, he assures them “it’s to DIE for!” in the tone of voice Ned Flanders might use in a Simpsons Halloween special. Jenny immediately asks the reasonable question: “Why would you say it like that?” Roles are soon reversed at said homeowners’ association party, as an ample helping of the local moonshine blunts Jenny’s natural caution, leaving Lucas to not...
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Deadland review – melancholy horror smuggles deep themes across the US-Mexico border

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Lance Larson’s feature debut uses horror tropes to tackle themes of racism, immigration and post-traumatic stress disorder

Screened at SXSW last year but still relevant given the ongoing debate about immigration in the US, an especially live issue in election year, this offers a border-set ghost story that’s haunting in more ways than one. For a start, it’s not especially gory or scary; the tone is more melancholy and guilt-freighted, offering a study of masculine and, in particular, paternal anxiety that’s aggravated by divided loyalties. The main protagonist is Angel Waters (Roberto Urbina), a Mexican-American border guard who is the head of his small patrol unit not far from El Paso.

The son of a Mexican father he never knew and a white American woman who has recently died, Angel is now devoted to his pregnant wife Hannah (Kendal Rae, achieving a lot with a thinly written part); he only wants to do the best he can for the people who cross the border every day, even if he’s seldom thanked for sometimes saving their lives. For example, one day he shouts warnings in Spanish that the river isn’t safe to a lone stranger (Julio Cesar Cedillo) he spots trying to cross, and minutes later the man is swept away.

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