Two Much With Kajol and Twinkle sparks social media backlash: Viewers call it “unnecessary” and “try hard” after controversial remarks

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Kajol and Twinkle Khanna’s chat show Two Much With Kajol and Twinkle was launched as a refreshing, candid space where two outspoken personalities would bring out the unfiltered side of celebrity guests. But instead of earning applause for its frank conversations, the show has found itself at the centre of criticism as several comments made by the hosts and celebrities are now circulating widely on social media—sparking intense backlash. A popular page, The Indian Idiot, shared a compilation of controversial statements from the show, triggering a wave of disapproval from users. Some of the clips show Twinkle Khanna making remarks that many viewers found insensitive or dismissive. Among the quotes drawing attention was her take on modern dating, where she said, “Today's kids change their partners faster than they change their outfits" — "And I think it's a good thing.” In another exchange with Ananya Panday, she quipped, “What emotions! They are traumatised by everythi...
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Deadland review – melancholy horror smuggles deep themes across the US-Mexico border

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Lance Larson’s feature debut uses horror tropes to tackle themes of racism, immigration and post-traumatic stress disorder

Screened at SXSW last year but still relevant given the ongoing debate about immigration in the US, an especially live issue in election year, this offers a border-set ghost story that’s haunting in more ways than one. For a start, it’s not especially gory or scary; the tone is more melancholy and guilt-freighted, offering a study of masculine and, in particular, paternal anxiety that’s aggravated by divided loyalties. The main protagonist is Angel Waters (Roberto Urbina), a Mexican-American border guard who is the head of his small patrol unit not far from El Paso.

The son of a Mexican father he never knew and a white American woman who has recently died, Angel is now devoted to his pregnant wife Hannah (Kendal Rae, achieving a lot with a thinly written part); he only wants to do the best he can for the people who cross the border every day, even if he’s seldom thanked for sometimes saving their lives. For example, one day he shouts warnings in Spanish that the river isn’t safe to a lone stranger (Julio Cesar Cedillo) he spots trying to cross, and minutes later the man is swept away.

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