Melania Trump documentary opens to underwhelming reception: ‘It’s not a gripping film’

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$75m Amazon-produced paean to the first lady saw empty seats and faint praise as it opened in New York City At the beginning of her new documentary, Melania Trump tells the viewer that “everybody wants to know” how she spends her time. “So here it is,” she says. “Twenty days in my life.” Continue reading... from Film | The Guardian https://ift.tt/cj8TGa2 via IFTTT
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Deadland review – melancholy horror smuggles deep themes across the US-Mexico border

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Lance Larson’s feature debut uses horror tropes to tackle themes of racism, immigration and post-traumatic stress disorder

Screened at SXSW last year but still relevant given the ongoing debate about immigration in the US, an especially live issue in election year, this offers a border-set ghost story that’s haunting in more ways than one. For a start, it’s not especially gory or scary; the tone is more melancholy and guilt-freighted, offering a study of masculine and, in particular, paternal anxiety that’s aggravated by divided loyalties. The main protagonist is Angel Waters (Roberto Urbina), a Mexican-American border guard who is the head of his small patrol unit not far from El Paso.

The son of a Mexican father he never knew and a white American woman who has recently died, Angel is now devoted to his pregnant wife Hannah (Kendal Rae, achieving a lot with a thinly written part); he only wants to do the best he can for the people who cross the border every day, even if he’s seldom thanked for sometimes saving their lives. For example, one day he shouts warnings in Spanish that the river isn’t safe to a lone stranger (Julio Cesar Cedillo) he spots trying to cross, and minutes later the man is swept away.

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