Solo Sunny review – a rueful East German gem of ambition, loneliness and faded dreams

Konrad Wolf’s 1980 drama follows a singer trying to escape the drab compromises of GDR life, capturing the melancholy of thwarted ambition with warmth and wit The terrible sadness, tattiness and poisoned idealism of the old GDR is preserved as if in a time capsule in this East German film from 1980; it could be a kind of B-side to Bob Fosse’s Cabaret. The heroine, would-be solo pop singer Sunny, is told by her ungallant MC that she is no Liza Minnelli; Cabaret fans might well incidentally recognise here the brusque German word “bumsen”. Solo Sunny is the work of Konrad “Koni” Wolf, a director with an impressive and strange pedigree: he was a garlanded state-sanctioned artist in East Germany, much admired at the Berlin film festival, whose older brother Markus happened to be one of the highest-ranking officials in the Stasi. It makes Wolf the second most politically compromised German film-maker in history. (The disillusioned communist East German character in Jenny Erpenbeck’s novel Ka...

Blue Lock the Movie: Episode Nagi review – football anime gets the battle royale-treatment

From Terminator-eyed strikers to flame-wreathed shots on goal, no bombast is too much in this feature-length extrapolation of Muneyuki Kaneshiro’s popular series

Like Squid Game meets Shaolin Soccer, this feature-length extrapolation of Muneyuki Kaneshiro’s popular manga and anime set in a football training academy treats the beautiful game like an epic showdown between demonic forces or a Kurosawa-esque assault on a mountain fortress. Terminator-eyed strikers, flame-wreathed shots on goal, players zoning out in an amniotic limbo; no bombast is too much when hammering home Blue Lock’s key message: a star centre-forward must have an almighty ego.

The head coach is even called Jinpachi Ego. In trying to identify a unique attacking talent for the Japanese national team at the elite Blue Lock academy, he is unimpressed by the close-knit bond between the two final recruits: rich kid Reo (voiced by Yuma Uchida) and his diffident schoolmate Nagi (Nobunaga Shimazaki). The latter especially is an enigma: a twinkle-toed footballing genius who declares everything a “hassle” and would rather be gaming than on the pitch. Both Nagi’s Eeyore-ish attitude and the pair’s alliance may have to be jettisoned if one is to triumph in Ego-san’s elimination process.

Continue reading...

from Film | The Guardian https://ift.tt/F1i5vxU
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”