EXCLUSIVE: Scam 1992 writer Sumit Purohit to co-direct Scam 2010 with Hansal Mehta; shooting underway

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In 2020, Hansal Mehta made his digital debut with Scam 1992: The Harshad Mehta Story, a biographical financial thriller that became a groundbreaking success for SonyLIV and one of the most acclaimed Indian web series of its time. Mehta directed the Pratik Gandhi-led show with his filmmaker son Jai Mehta. Three years later, the franchise returned with Scam 2003: The Telgi Story; however, Hansal served only as showrunner, handing over directorial duties to Tushar Hiranandani. As the third season of the franchise, Scam 2010, takes shape, Hansal is set to return to the director’s chair, this time alongside a new co-director. Bollywood Hungama has exclusively learned that Sumit Purohit will co-direct Scam 2010 with Hansal Mehta. Purohit was among the writers of the first season and is intimately familiar with the franchise’s tone and storytelling approach, making him a natural fit for the job. The screenwriter made his directorial debut with the espionage thriller series Saare Jahan Se Acc...
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Àma Gloria review – amazing performances in sensitive drama about a kid and her nanny

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Six year old Louise Mauroy-Panzani is wonderful as Cléo, strongly bonded to her carer Gloria, who has to leave her

By rights Louise Mauroy-Panzani should be at the front of the queue for every acting award going for her role in this gorgeous French drama. Just six years old at the time of filming (the casting director spotted her in Paris arguing with her brother in the street), she gives a performance so open and natural, it has an almost transparent quality. You feel what her character Cléo feels as her world is turned upside down over one summer. Equally brilliant is another first-time actor, Ilça Moreno Zego, a real-life nanny playing Gloria, who has taken care of Cléo since she was tiny and is now moving back to Cape Verde.

The opening scenes showing us Cléo’s life with Gloria are beautifully detailed. Cléo’s mum died when she was a baby, and she lives with her dad (Arnaud Rebotini), who is gentle but remote, still reeling from grief. It’s Gloria who is the sun in Cleo’s life. Running out of school her little face, poking out from under a tangled mop of curls, lights up at the sight of her nanny. Then, one day, Gloria gets a call. Her mother in Cape Verde has died; she is going home to look after her own children.

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