State of Statelessness review – Dalai Lama presides over intimate dramas about Tibetans’ life of exile

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Tibetan directors, who all live outside Tibet, deliver a quartet of films that explore the pain of separation and migration The wrench of exile is the theme of this quartet of short films from Tibetan directors, who themselves all live outside Tibet. Their intimate, emotional family dramas tell stories of separation and migration. In two of them, the 90-year-old Dalai Lama smiles out from photographs on shrines, a reminder of the precariousness of Tibet’s future. As a character in one of the films puts it bluntly: will there be anything to stop China erasing Tibetan identity when its rock-star spiritual leader is no longer around? In the first film a Tibetan man lives in a kind of complicated happiness in Vietnam. He loves his wife, and they both adore their sunny-natured little daughter, but he has mournful eyes. Home is a town on the banks of the Mekong River, which has its source in Tibet. The river is a constant reminder of the region – and of Chinese might too, since Chinese hyd...
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Àma Gloria review – amazing performances in sensitive drama about a kid and her nanny

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Six year old Louise Mauroy-Panzani is wonderful as Cléo, strongly bonded to her carer Gloria, who has to leave her

By rights Louise Mauroy-Panzani should be at the front of the queue for every acting award going for her role in this gorgeous French drama. Just six years old at the time of filming (the casting director spotted her in Paris arguing with her brother in the street), she gives a performance so open and natural, it has an almost transparent quality. You feel what her character Cléo feels as her world is turned upside down over one summer. Equally brilliant is another first-time actor, Ilça Moreno Zego, a real-life nanny playing Gloria, who has taken care of Cléo since she was tiny and is now moving back to Cape Verde.

The opening scenes showing us Cléo’s life with Gloria are beautifully detailed. Cléo’s mum died when she was a baby, and she lives with her dad (Arnaud Rebotini), who is gentle but remote, still reeling from grief. It’s Gloria who is the sun in Cleo’s life. Running out of school her little face, poking out from under a tangled mop of curls, lights up at the sight of her nanny. Then, one day, Gloria gets a call. Her mother in Cape Verde has died; she is going home to look after her own children.

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