Deepak Mukut claims Do Aur Do Paanch remake rights; reveals, “I wanted to remake it with Bobby Deol and Abhishek Bachchan”

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Amid reports suggesting that Rohit Shetty’s Golmaal 5 would adapt the 1980 classic Do Aur Do Paanch, producer Deepak Mukut has set the record straight. Mukut, who owns the remake rights to the film, confirms that he, and not Shetty who is developing a new version of Do Aur Do Paanch, and intends to take it on floors soon. “I don’t know where or how the news of someone else doing Do Aur Do Paanch came from. I had to issue a public notice to prevent anyone else from remaking it. I am very serious about doing the film. For nearly ten years, I wanted to remake it with Bobby Deol and Abhishek Bachchan,” says Mukut. The original film, directed by Rakesh Kumar, featured Amitabh Bachchan and Shashi Kapoor as two small-time crooks posing as schoolteachers in a plot to kidnap a wealthy businessman’s son. Hema Malini played a genuine teacher at the same school, adding romance and comic tension to the caper. Interestingly, when Do Aur Do Paanch released in 1980, it turned out to be a rare box-o...
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Àma Gloria review – amazing performances in sensitive drama about a kid and her nanny

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Six year old Louise Mauroy-Panzani is wonderful as Cléo, strongly bonded to her carer Gloria, who has to leave her

By rights Louise Mauroy-Panzani should be at the front of the queue for every acting award going for her role in this gorgeous French drama. Just six years old at the time of filming (the casting director spotted her in Paris arguing with her brother in the street), she gives a performance so open and natural, it has an almost transparent quality. You feel what her character Cléo feels as her world is turned upside down over one summer. Equally brilliant is another first-time actor, Ilça Moreno Zego, a real-life nanny playing Gloria, who has taken care of Cléo since she was tiny and is now moving back to Cape Verde.

The opening scenes showing us Cléo’s life with Gloria are beautifully detailed. Cléo’s mum died when she was a baby, and she lives with her dad (Arnaud Rebotini), who is gentle but remote, still reeling from grief. It’s Gloria who is the sun in Cleo’s life. Running out of school her little face, poking out from under a tangled mop of curls, lights up at the sight of her nanny. Then, one day, Gloria gets a call. Her mother in Cape Verde has died; she is going home to look after her own children.

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