EXCLUSIVE: Not just the mirror mistake, Dhurandhar The Revenge's new print also censors some abuses; Sanjay Dutt's abusive dialogue and few other abuses muted

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A few days ago, Bollywood Hungama exclusively informed readers that a revised print of Dhurandhar The Revenge has been sent to cinemas since last weekend. The earlier print of the Ranveer Singh-Sanjay Dutt-R Madhavan-Arjun Rampal starrer had a minor blunder – the cameraman’s reflection was visible in the mirror in a crucial scene in the second half featuring Hamza aka Jaskirat Singh Rangi (Ranveer Singh) amd Gurbaaz Singh aka Pinda (Udaybir Sandhu). This blunder was rectified in the revised print. Bollywood Hungama has now learned that the makers have made one more change as well. A source told Bollywood Hungama, “In the earlier version, some abuses were muted but many of them were left untouched. In the new print, more cuss words have been censored. The dialogue where (Sanjay Dutt) says ‘L***d c******a kya’ in the Operation Lyari sequence has been muted, though the gesture made by the actor while mouthing the dialogue remains. The abuse, ‘B******a’, said by Rakesh Bedi while getting ...
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Àma Gloria review – amazing performances in sensitive drama about a kid and her nanny

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Six year old Louise Mauroy-Panzani is wonderful as Cléo, strongly bonded to her carer Gloria, who has to leave her

By rights Louise Mauroy-Panzani should be at the front of the queue for every acting award going for her role in this gorgeous French drama. Just six years old at the time of filming (the casting director spotted her in Paris arguing with her brother in the street), she gives a performance so open and natural, it has an almost transparent quality. You feel what her character Cléo feels as her world is turned upside down over one summer. Equally brilliant is another first-time actor, Ilça Moreno Zego, a real-life nanny playing Gloria, who has taken care of Cléo since she was tiny and is now moving back to Cape Verde.

The opening scenes showing us Cléo’s life with Gloria are beautifully detailed. Cléo’s mum died when she was a baby, and she lives with her dad (Arnaud Rebotini), who is gentle but remote, still reeling from grief. It’s Gloria who is the sun in Cleo’s life. Running out of school her little face, poking out from under a tangled mop of curls, lights up at the sight of her nanny. Then, one day, Gloria gets a call. Her mother in Cape Verde has died; she is going home to look after her own children.

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