‘Put an end to this war’: Russian director Andrey Zvyagintsev makes new plea to Putin

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After winning the Grand Prix at Cannes film festival, the exiled auteur sent a direct message to the Russian president urging him to stop the war Accoladed director Andrey Zvyagintsev has sent a direct message to Vladimir Putin urging him to start listening to the Russian people and end the “senseless” war in Ukraine, continuing a war of words between Russia’s most revered living film-maker and the Kremlin that started at the Cannes film festival awards ceremony over the weekend. “Except for the limbs torn off from your fellow citizens in the name of an illusory goal, except for the massacre of young people that the country needs to build life and the future – nothing good is on the horizon if we don’t stop,” the exiled auteur said in a message sent to the Russian president’s press secretary through official channels on Tuesday. Continue reading... from Film | The Guardian https://ift.tt/Sp9enha via IFTTT
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Àma Gloria review – amazing performances in sensitive drama about a kid and her nanny

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Six year old Louise Mauroy-Panzani is wonderful as Cléo, strongly bonded to her carer Gloria, who has to leave her

By rights Louise Mauroy-Panzani should be at the front of the queue for every acting award going for her role in this gorgeous French drama. Just six years old at the time of filming (the casting director spotted her in Paris arguing with her brother in the street), she gives a performance so open and natural, it has an almost transparent quality. You feel what her character Cléo feels as her world is turned upside down over one summer. Equally brilliant is another first-time actor, Ilça Moreno Zego, a real-life nanny playing Gloria, who has taken care of Cléo since she was tiny and is now moving back to Cape Verde.

The opening scenes showing us Cléo’s life with Gloria are beautifully detailed. Cléo’s mum died when she was a baby, and she lives with her dad (Arnaud Rebotini), who is gentle but remote, still reeling from grief. It’s Gloria who is the sun in Cleo’s life. Running out of school her little face, poking out from under a tangled mop of curls, lights up at the sight of her nanny. Then, one day, Gloria gets a call. Her mother in Cape Verde has died; she is going home to look after her own children.

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