The Wrong Girls review – Kristen Stewart fumbles through forgettable stoner comedy

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First time director Dylan Meyer’s female twist on the genre is let down by silly stereotypes and jokes that land with a thud Want to feel old? Superbad turns 20 next year. It’s been decades since the stoner comedy ruled the box office. In fact, the genre’s best theatrically released film of recent years – the hilarious buddy movie One of Them Days – didn’t feature any weed smoking at all despite hitting all the usual outlandish beats of a stoner flick. If the streaming success of Hulu’s recent R-rated bong-ripper Pizza Movie is anything to go by, audiences would rather watch this particular strain of movie on the couch where they can spark up in peace. The Wrong Girls aims to reverse that trend with a nationwide US theatrical rollout by Neon, the arty distributor which propelled Parasite and Anora to Oscar glory. Best friends Molly ( Alia Shawkat ) and Frankie ( Kristen Stewart ) live in a PeeWee’s Playhouse-coded stoner cave with macrame decor, a life-size cutout of Céline Dion, mu...
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Àma Gloria review – amazing performances in sensitive drama about a kid and her nanny

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Six year old Louise Mauroy-Panzani is wonderful as Cléo, strongly bonded to her carer Gloria, who has to leave her

By rights Louise Mauroy-Panzani should be at the front of the queue for every acting award going for her role in this gorgeous French drama. Just six years old at the time of filming (the casting director spotted her in Paris arguing with her brother in the street), she gives a performance so open and natural, it has an almost transparent quality. You feel what her character Cléo feels as her world is turned upside down over one summer. Equally brilliant is another first-time actor, Ilça Moreno Zego, a real-life nanny playing Gloria, who has taken care of Cléo since she was tiny and is now moving back to Cape Verde.

The opening scenes showing us Cléo’s life with Gloria are beautifully detailed. Cléo’s mum died when she was a baby, and she lives with her dad (Arnaud Rebotini), who is gentle but remote, still reeling from grief. It’s Gloria who is the sun in Cleo’s life. Running out of school her little face, poking out from under a tangled mop of curls, lights up at the sight of her nanny. Then, one day, Gloria gets a call. Her mother in Cape Verde has died; she is going home to look after her own children.

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