Satluj row deepens: PIL filed in Punjab and Haryana High Court over Zee5 removal of Diljit Dosanjh film

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The controversy surrounding Diljit Dosanjh's Satluj continues to intensify. A public interest litigation (PIL) has now been filed before the Punjab and Haryana High Court, challenging the sudden removal of the film from streaming platform Zee5 and seeking its restoration across the country. The PIL has been filed by Sharwan Singh, with the Union Government, the Central Board of Film Certification (CBFC), the Punjab Government, Zee Entertainment Enterprises Limited, and ZEE5 named as respondents. The petition questions why the film, which is based on the life and work of human rights activist Jaswant Singh Kalra, was removed from the platform without any judicial, legal, or government directive. Filed under Article 226 of the Constitution of India, the petition argues that the removal of Satluj infringes upon the fundamental right to freedom of speech and expression. It further contends that the explanation citing only "current circumstances" is vague and fails to specify...
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Àma Gloria review – amazing performances in sensitive drama about a kid and her nanny

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Six year old Louise Mauroy-Panzani is wonderful as Cléo, strongly bonded to her carer Gloria, who has to leave her

By rights Louise Mauroy-Panzani should be at the front of the queue for every acting award going for her role in this gorgeous French drama. Just six years old at the time of filming (the casting director spotted her in Paris arguing with her brother in the street), she gives a performance so open and natural, it has an almost transparent quality. You feel what her character Cléo feels as her world is turned upside down over one summer. Equally brilliant is another first-time actor, Ilça Moreno Zego, a real-life nanny playing Gloria, who has taken care of Cléo since she was tiny and is now moving back to Cape Verde.

The opening scenes showing us Cléo’s life with Gloria are beautifully detailed. Cléo’s mum died when she was a baby, and she lives with her dad (Arnaud Rebotini), who is gentle but remote, still reeling from grief. It’s Gloria who is the sun in Cleo’s life. Running out of school her little face, poking out from under a tangled mop of curls, lights up at the sight of her nanny. Then, one day, Gloria gets a call. Her mother in Cape Verde has died; she is going home to look after her own children.

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