‘Oh my God, did my dad and I fight’: Olivia Colman on the regrets triggered by new film Jimpa

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John Lithgow plays the gay and often nude septuagenarian father of Colman’s character in this bombshell-laden story of intergenerational queerness. She explains why her own dad would have ‘sat and cried all the way through it’ In Jimpa, Olivia Colman plays a woman called Hannah who leaves Adelaide with her husband and 16-year-old child to visit her father in Amsterdam. This is Jimpa – the word sticks better once you know it’s a compound of Jim and grandpa. At the airport, the teenager, Frances, who’s trans, drops a bombshell: they want to move to the Netherlands and finish their schooling there. Hannah and her husband, Harry, respond thoughtfully, not freaking out. But once they arrive in Amsterdam, Jimpa, played by John Lithgow, brings enough drama for everyone – something he’s been doing for 40 years, since he left his family for a fuller queer life than Australia at the end of the 20th century could offer. The film revels in revealing the sort of lifestyle he enjoyed instead. Cont...
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Àma Gloria review – amazing performances in sensitive drama about a kid and her nanny

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Six year old Louise Mauroy-Panzani is wonderful as Cléo, strongly bonded to her carer Gloria, who has to leave her

By rights Louise Mauroy-Panzani should be at the front of the queue for every acting award going for her role in this gorgeous French drama. Just six years old at the time of filming (the casting director spotted her in Paris arguing with her brother in the street), she gives a performance so open and natural, it has an almost transparent quality. You feel what her character Cléo feels as her world is turned upside down over one summer. Equally brilliant is another first-time actor, Ilça Moreno Zego, a real-life nanny playing Gloria, who has taken care of Cléo since she was tiny and is now moving back to Cape Verde.

The opening scenes showing us Cléo’s life with Gloria are beautifully detailed. Cléo’s mum died when she was a baby, and she lives with her dad (Arnaud Rebotini), who is gentle but remote, still reeling from grief. It’s Gloria who is the sun in Cleo’s life. Running out of school her little face, poking out from under a tangled mop of curls, lights up at the sight of her nanny. Then, one day, Gloria gets a call. Her mother in Cape Verde has died; she is going home to look after her own children.

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