Rakesh Roshan shuts down reports of Hrithik Roshan-YRF budget clash over Krrish 4: “There are no issues”

The development of Krrish 4 has been under intense scrutiny ever since reports surfaced claiming there were disagreements between Hrithik Roshan and Yash Raj Films over the film's budget. However, filmmaker Rakesh Roshan has now firmly dismissed such speculation, calling the reports baseless and reiterating that the ambitious superhero project is progressing smoothly. Over the past few months, industry chatter suggested that Hrithik Roshan, who is set to make his directorial debut with Krrish 4, was keen on mounting the film on a massive scale with world-class visual effects and action sequences. Reports further claimed that while Hrithik envisioned a budget of around Rs 500 crores, Yash Raj Films preferred to keep production costs closer to Rs 350 crores to ensure commercial viability. Addressing these rumours, Rakesh Roshan told Mid-Day, “It’s all nonsense that Hrithik has asked for a Rs 500 crore budget for top-tier VFX and world-class action for his directorial debut, while YR...

Àma Gloria review – amazing performances in sensitive drama about a kid and her nanny

Six year old Louise Mauroy-Panzani is wonderful as Cléo, strongly bonded to her carer Gloria, who has to leave her

By rights Louise Mauroy-Panzani should be at the front of the queue for every acting award going for her role in this gorgeous French drama. Just six years old at the time of filming (the casting director spotted her in Paris arguing with her brother in the street), she gives a performance so open and natural, it has an almost transparent quality. You feel what her character Cléo feels as her world is turned upside down over one summer. Equally brilliant is another first-time actor, Ilça Moreno Zego, a real-life nanny playing Gloria, who has taken care of Cléo since she was tiny and is now moving back to Cape Verde.

The opening scenes showing us Cléo’s life with Gloria are beautifully detailed. Cléo’s mum died when she was a baby, and she lives with her dad (Arnaud Rebotini), who is gentle but remote, still reeling from grief. It’s Gloria who is the sun in Cleo’s life. Running out of school her little face, poking out from under a tangled mop of curls, lights up at the sight of her nanny. Then, one day, Gloria gets a call. Her mother in Cape Verde has died; she is going home to look after her own children.

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