SCOOP: Aamir Khan opts out of Ashneer Grover biopic over creative differences; Rahul Mody and Shraddha Kapoor on hunt for a new actor

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Earlier in the year, there were reports about Aamir Khan teaming up with debutant director Rahul Mody for a film based on the life of controversial start-up king, Ashneer Grover. The news spread like wildfire, leading to all sorts of conversations in the digital world. Soon after, it was revealed that Shraddha Kapoor will play the female lead in the film alongside Aamir and it would go on floors in March 2027, once Aamir is done shooting for a period-drama with Ashutosh Gowarikar. But the latest we learnt that Aamir Khan has decided to opt out of the Ashneer Grover film due to creative differences. "Aamir is fascinated by the world of start-ups, and was keen to get into the zone with the Ashneer Grover biopic. He sat on the script and developed it to the best of his sensibilities. But eventually, he ended up having creative differences with Rahul Mody, leading to the duo parting ways," a source told Bollywood Hungama. The source also informs that Rahul Mody and Shraddha Kapo...
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Àma Gloria review – amazing performances in sensitive drama about a kid and her nanny

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Six year old Louise Mauroy-Panzani is wonderful as Cléo, strongly bonded to her carer Gloria, who has to leave her

By rights Louise Mauroy-Panzani should be at the front of the queue for every acting award going for her role in this gorgeous French drama. Just six years old at the time of filming (the casting director spotted her in Paris arguing with her brother in the street), she gives a performance so open and natural, it has an almost transparent quality. You feel what her character Cléo feels as her world is turned upside down over one summer. Equally brilliant is another first-time actor, Ilça Moreno Zego, a real-life nanny playing Gloria, who has taken care of Cléo since she was tiny and is now moving back to Cape Verde.

The opening scenes showing us Cléo’s life with Gloria are beautifully detailed. Cléo’s mum died when she was a baby, and she lives with her dad (Arnaud Rebotini), who is gentle but remote, still reeling from grief. It’s Gloria who is the sun in Cleo’s life. Running out of school her little face, poking out from under a tangled mop of curls, lights up at the sight of her nanny. Then, one day, Gloria gets a call. Her mother in Cape Verde has died; she is going home to look after her own children.

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