The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t

A Family Affair review – Nicole Kidman’s hot age-gap romance quickly goes cold

Zac Efron plays a heartless airhead movie star who is much too hastily transformed into Kidman’s Mr Perfect

When it comes to age-gap films starring Nicole Kidman, Jonathan Glazer’s Birth is surely impossible to follow. But newcomer screenwriter Carrie Solomon and director Richard LaGravenese are trying it with this romcom for Netflix which, despite a very cute high concept, resolves the unresolved sexual tension too early and jettisons the irony and comedy well before the end of the first act, leaving us with something a bit solemn.

The film in fact reunites Kidman with Zac Efron; they starred together in The Paperboy in 2013. Efron plays Chris Cole, a shallow and vain young movie star in LA who mistreats his much put-upon assistant Zara, kookily played by Joey King. With much pouting and eye-rolling she has to cater to his every whim and it is especially her job to organise the purchase of the special “breakup” diamond earrings that Chris always gives to young women he’s going to dump.

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