Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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A Dry White Season review – Marlon Brando heads starry cast in ground-breaking apartheid drama

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This first Hollywood studio feature with a black female director is a compelling account of a South African who turns against the ruling caste

In the late 80s, there were a number of films about apartheid South Africa that somehow made the black experience dramatically subordinate to white liberal activism. Chris Menges’s A World Apart from 1988 had Barbara Hershey as the white campaigner based on anti-apartheid activist Ruth First; the year before that, Richard Attenborough’s excruciatingly well-intentioned Cry Freedom was supposedly about the friendship between white journalist Donald Woods (Kevin Kline) and Steve Biko (Denzel Washington), but contrived to put Woods at the centre of the action, all but forgetting about Biko. Euzhan Palcy’s A Dry White Season from 1989, now released on Blu-ray, looks on the face of it to be the same sort of thing. And yet this movie is much tougher and shrewder on what it would actually mean for white people in apartheid South Africa to side against their own caste.

Donald Sutherland plays well-regarded white schoolmaster and former rugby star Ben Du Toit, who lives comfortably and is entirely content with the racist world of South Africa; he is deeply troubled, however, when his black gardener Gordon (Winston Ntshona) tells him his son has been beaten and then taken away by police – and decent, thoughtful Du Toit is radicalised by what he finds out. Janet Suzman plays his thin-lipped wife who disapproves of her husband’s unaccountable and dangerous soft-heartedness. German star Jürgen Prochnow plays the chilling secret policeman Captain Stolz, while John Kani plays lawyer Julius, and Marlon Brando almost walks off with the whole movie as progressive barrister Ian McKenzie who is hired by Du Toit to challenge the brutal regime in court. This is a role showcasing Brando’s remarkably effective, quasi-Shakespearean English accent, which snaps his entire performance into shape.

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