Aamir Khan to drop a full 3-hour documentary on special needs artists of Sitaare Zameen Par

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Bollywood’s Mr. Perfectionist, Aamir Khan, has once again chosen substance over spectacle. In a heartfelt move that reflects his deep-rooted commitment to meaningful cinema, Aamir has developed and shot a three-hour documentary focusing on the special needs artists featured in his upcoming film Sitaare Zameen Par. This documentary is far more than just a behind-the-scenes look. It is a standalone narrative, spotlighting the personal journeys, daily struggles, and extraordinary resilience of the specially abled cast members who play integral roles in the film. Through intimate interviews, observational footage, and real-life moments, the documentary aims to celebrate their talents while fostering a deeper understanding of their lived experiences. What makes this documentary even more unique is that it has been directed by multiple young filmmakers, each bringing their own perspective and storytelling style. These individual segments form an anthology of stories, weaving together to cr...
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A Dry White Season review – Marlon Brando heads starry cast in ground-breaking apartheid drama

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This first Hollywood studio feature with a black female director is a compelling account of a South African who turns against the ruling caste

In the late 80s, there were a number of films about apartheid South Africa that somehow made the black experience dramatically subordinate to white liberal activism. Chris Menges’s A World Apart from 1988 had Barbara Hershey as the white campaigner based on anti-apartheid activist Ruth First; the year before that, Richard Attenborough’s excruciatingly well-intentioned Cry Freedom was supposedly about the friendship between white journalist Donald Woods (Kevin Kline) and Steve Biko (Denzel Washington), but contrived to put Woods at the centre of the action, all but forgetting about Biko. Euzhan Palcy’s A Dry White Season from 1989, now released on Blu-ray, looks on the face of it to be the same sort of thing. And yet this movie is much tougher and shrewder on what it would actually mean for white people in apartheid South Africa to side against their own caste.

Donald Sutherland plays well-regarded white schoolmaster and former rugby star Ben Du Toit, who lives comfortably and is entirely content with the racist world of South Africa; he is deeply troubled, however, when his black gardener Gordon (Winston Ntshona) tells him his son has been beaten and then taken away by police – and decent, thoughtful Du Toit is radicalised by what he finds out. Janet Suzman plays his thin-lipped wife who disapproves of her husband’s unaccountable and dangerous soft-heartedness. German star Jürgen Prochnow plays the chilling secret policeman Captain Stolz, while John Kani plays lawyer Julius, and Marlon Brando almost walks off with the whole movie as progressive barrister Ian McKenzie who is hired by Du Toit to challenge the brutal regime in court. This is a role showcasing Brando’s remarkably effective, quasi-Shakespearean English accent, which snaps his entire performance into shape.

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