REVEALED: In Ganga Ram, Salman Khan to play a character named Ganga, Sanjay Dutt to essay the role of Ram

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A few days ago, Bollywood Hungama broke the news that Salman Khan and Sanjay Dutt are expected to be seen in a film called Ganga Ram. As expected, the news broke the internet and spread like wild fire. Now, we bring to you another piece of information about this upcoming movie. A source told Bollywood Hungama, “After the Ganga Ram news came out, many began to wonder if Ganga Ram is the name of one person. Fans speculated that either Salman Khan or Sanjay Dutt will be playing Ganga Ram.” The source continued, “But that’s not the case. Ganga and Ram are the names of two principal characters. While Salman Khan will essay the role of a character named Ganga, Sanjay Dutt will reprise the role of a man named Ram.” The source also revealed, “Ganga Ram is mounted as a wholesome entertainer and will have lots of action. The makers are trying to ensure that the audience gets its money’s worth when they come to see this film starring two macho stars of Bollywood.” The film will be produced by...
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Vaychiletik review – beautifully-shot Mexican folk music study in the high arthouse style

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A tender film about the music of Mayan descendants is hampered by the alofty adherence to a documentary aesthetic where nothing is explained

This film about a flute player and farmer named José Pérez López from Zinacantán in Chiapas, Mexico, teems with beautifully shot images of folks playing music, embroidering, participating in days-long community rituals, and tending their crops of flowers in polytunnels – pretty normal everyday stuff. It feels a little more elevated because it affords a glimpse into the life of descendants of the Mayans who practice ancestor worship and polytheistic beliefs but also have shrines with Catholic saints. The film’s website has a handy chunk of text about Bats’i son ta Sots’leb, the traditional music of Zinacantán, described in fascinating musicological detail.

It’s a shame that kind of explanatory background can’t be found anywhere in the movie. In fact, the subtitles and dialogue never even give the names of the people we are observing for most of the running time. You can only work out that the old guy is named José, and the woman who laughingly scolds him for drinking so much is Elvia Pérez Suárez, presumably his wife, and that they also live with a hard-working younger man named Esteban Pérez Pérez (presumably José and Elvia’s son) and some even younger kids: Esteban’s children? Random kids from next door? Who knows, because this scrupulously verité-style film is determined to adhere to the high-arthouse documentary aesthetic wherein nothing is explained, nothing is contextualised, and there’s no sense of what point or purpose this all serves other than a little digital tourism to a far-flung corner of the globe.

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