Rosa von Praunheim, provocative pioneer of gay cinema, dies aged 83

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The film-maker, whose 1971 feature about queer life has been described as Germany’s ‘Stonewall moment’, married his long-term partner on Friday Rosa von Praunheim, a key figure of the New German Cinema movement who made taboo-breaking films about queer life and scandalised the country when he outed German celebrities on live TV, has died aged 83. German media reported that Praunheim died in Berlin in the early hours of Wednesday morning, just days after marrying his long-term partner at a ceremony in the German capital on Friday. Continue reading... from Film | The Guardian https://ift.tt/kqLpouT via IFTTT
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The Surfer review – beach bum Nic Cage surfs a high tide of toxic masculinity

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An office drone must suffer the machismo of an Australian coastal town in this barmy, low-budget thriller about a would-be wave-chaser

Here is a gloriously demented B-movie thriller about a middle-aged man who wants to ride a big wave and the grinning local bullies who regard the beach as home soil. “Don’t live here, don’t surf here,” they shout at any luckless tourist who dares to visit picturesque Lunar Bay on Australia’s south-western coast, where the land is heavy with heat and colour. Tempers are fraying; it’s a hundred degrees in the shade. The picture crash-lands at the Cannes film festival like a wild-eyed, brawling drunk.

The middle-aged man is unnamed, so let’s call him Nic Cage. Lorcan Finnegan’s film, after all, is as much about Cage – his image, his career history, his acting pyrotechnics – as it is about surfing or the illusory concept of home. The Surfer sets the star up as a man on the edge – a sad-sack office drone who desperately wants to belong – and then shoves him unceremoniously clear over the cliff-edge. Before long, our hero is living out of his car in the parking lot near the dunes, drinking from puddles, foraging for food from bins, and scheming all the while to make his way down to the shore.

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