SCOOP: Salman Khan considering reclaiming his traditional Eid slot with Battle Of Galwan; might clash with Toxic and Dhamaal 4

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Bollywood Hungama has been at the forefront in delivering exciting and exclusive news about Battle Of Galwan, one of the most-awaited films of 2026. It stars Salman Khan in a never-before-seen avatar, as evident from the first look of the film. The film’s shoot is about to get over and the makers have still not announced the release date of the film. Earlier this month, we reported that the makers are considering releasing the film in June. But now, Bollywood Hungama has learned that Salman Khan is also eyeing the Ramzan Eid holiday. A source told Bollywood Hungama, “It’s common knowledge that Salman Khan and Eid are synonymous with each other. Earlier, Salman Khan decided not to bring Battle Of Galwan on Eid, that is, March 19, 2026, as the slot was already taken by Toxic, starring KGF star Yash and the multi-starrer Dhamaal 4. But now, the superstar is toying with the idea and considering if his war film can arrive on the holy festival.” The source further said, “The shoot would be...
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The Surfer review – beach bum Nic Cage surfs a high tide of toxic masculinity

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An office drone must suffer the machismo of an Australian coastal town in this barmy, low-budget thriller about a would-be wave-chaser

Here is a gloriously demented B-movie thriller about a middle-aged man who wants to ride a big wave and the grinning local bullies who regard the beach as home soil. “Don’t live here, don’t surf here,” they shout at any luckless tourist who dares to visit picturesque Lunar Bay on Australia’s south-western coast, where the land is heavy with heat and colour. Tempers are fraying; it’s a hundred degrees in the shade. The picture crash-lands at the Cannes film festival like a wild-eyed, brawling drunk.

The middle-aged man is unnamed, so let’s call him Nic Cage. Lorcan Finnegan’s film, after all, is as much about Cage – his image, his career history, his acting pyrotechnics – as it is about surfing or the illusory concept of home. The Surfer sets the star up as a man on the edge – a sad-sack office drone who desperately wants to belong – and then shoves him unceremoniously clear over the cliff-edge. Before long, our hero is living out of his car in the parking lot near the dunes, drinking from puddles, foraging for food from bins, and scheming all the while to make his way down to the shore.

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