EXCLUSIVE: Salman Khan back on Battle Of Galwan sets for 15-day additional shoot and patchwork; action scene added

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Bollywood Hungama has been at the forefront in giving out news about Salman Khan’s next, Battle Of Galwan. In December, we broke the news that the teaser of the war drama would be unveiled on Salman Khan’s birthday, on December 27. We further informed that the release date of the film will also be announced around the same time. Today, we bring you another exciting piece of information about the film. The shoot was wrapped up in December, and now, Salman is back on the sets for an additional shoot. A source told Bollywood Hungama, “Salman Khan, director Apoorva Lakhia and the team are doing patchwork for the film. At the same time, they’re also adding a few new scenes, some of which feature action. It’s a 15-day schedule.” The source explained the reason for it, “The patchwork was always intended to be done. The additional filming happened because the makers and Salman realized that those scenes are crucial to the narrative and that they would add to the impact. Salman doesn’t want t...
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The Surfer review – beach bum Nic Cage surfs a high tide of toxic masculinity

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An office drone must suffer the machismo of an Australian coastal town in this barmy, low-budget thriller about a would-be wave-chaser

Here is a gloriously demented B-movie thriller about a middle-aged man who wants to ride a big wave and the grinning local bullies who regard the beach as home soil. “Don’t live here, don’t surf here,” they shout at any luckless tourist who dares to visit picturesque Lunar Bay on Australia’s south-western coast, where the land is heavy with heat and colour. Tempers are fraying; it’s a hundred degrees in the shade. The picture crash-lands at the Cannes film festival like a wild-eyed, brawling drunk.

The middle-aged man is unnamed, so let’s call him Nic Cage. Lorcan Finnegan’s film, after all, is as much about Cage – his image, his career history, his acting pyrotechnics – as it is about surfing or the illusory concept of home. The Surfer sets the star up as a man on the edge – a sad-sack office drone who desperately wants to belong – and then shoves him unceremoniously clear over the cliff-edge. Before long, our hero is living out of his car in the parking lot near the dunes, drinking from puddles, foraging for food from bins, and scheming all the while to make his way down to the shore.

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