Tatsuya Nakadai obituary

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One of the greatest actors of Japanese cinema best known for Ran, the 1985 film adaptation of King Lear Though he had the well-appointed bone structure of the 1950s matinee idol, it was Tatsuya Nakadai ’s eyes that seized film audiences. Using these huge brown saucers to telegraph naivety or eerie self-possession, the Japanese actor, who has died aged 92, seemed at times to be able to make them protrude from his skull. In the centrepiece scene of Akira Kurosawa ’s 1985 King Lear adaptation Ran , when Nakadai’s warlord is ejected from his burning castle, his glare of incipient madness is unbearable. Continue reading... from Film | The Guardian https://ift.tt/mu30Rqs via IFTTT
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The Surfer review – beach bum Nic Cage surfs a high tide of toxic masculinity

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An office drone must suffer the machismo of an Australian coastal town in this barmy, low-budget thriller about a would-be wave-chaser

Here is a gloriously demented B-movie thriller about a middle-aged man who wants to ride a big wave and the grinning local bullies who regard the beach as home soil. “Don’t live here, don’t surf here,” they shout at any luckless tourist who dares to visit picturesque Lunar Bay on Australia’s south-western coast, where the land is heavy with heat and colour. Tempers are fraying; it’s a hundred degrees in the shade. The picture crash-lands at the Cannes film festival like a wild-eyed, brawling drunk.

The middle-aged man is unnamed, so let’s call him Nic Cage. Lorcan Finnegan’s film, after all, is as much about Cage – his image, his career history, his acting pyrotechnics – as it is about surfing or the illusory concept of home. The Surfer sets the star up as a man on the edge – a sad-sack office drone who desperately wants to belong – and then shoves him unceremoniously clear over the cliff-edge. Before long, our hero is living out of his car in the parking lot near the dunes, drinking from puddles, foraging for food from bins, and scheming all the while to make his way down to the shore.

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