‘I think my mum’s going to like it’: Alexander Skarsgård on his gay biker ‘dom-com’ Pillion

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In May, Cannes went weak at the knees for Harry Lighton’s tale of BDSM and bootlicking in suburbia. Ahead of its release, the director and his stars reveal the explicit shots snipped from the final cut and discuss why Pride has become too sanitised Harry Melling knows the secret to being a good boot-licker. “You want to give a decent, satisfying, sexy lick,” says the 36-year-old actor, who has the umlaut eyes and nasal tones of Nicholas Lyndhurst. “Once you get to the toe-cap, you need to make sure they can really feel your tongue through the leather.” Melling, barely recognisable from his childhood role as wretched Dudley Dursley in the Harry Potter films, learned this new skill while preparing for the award-winning BDSM romcom Pillion. He plays Colin, a timid traffic warden who becomes the willing submissive to a taciturn biker named Ray. Listening intently to Melling’s boot-licking tips in this London hotel room are his Pillion partners-in-kink: Harry Lighton, the film’s 33-year-o...
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The Surfer review – beach bum Nic Cage surfs a high tide of toxic masculinity

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An office drone must suffer the machismo of an Australian coastal town in this barmy, low-budget thriller about a would-be wave-chaser

Here is a gloriously demented B-movie thriller about a middle-aged man who wants to ride a big wave and the grinning local bullies who regard the beach as home soil. “Don’t live here, don’t surf here,” they shout at any luckless tourist who dares to visit picturesque Lunar Bay on Australia’s south-western coast, where the land is heavy with heat and colour. Tempers are fraying; it’s a hundred degrees in the shade. The picture crash-lands at the Cannes film festival like a wild-eyed, brawling drunk.

The middle-aged man is unnamed, so let’s call him Nic Cage. Lorcan Finnegan’s film, after all, is as much about Cage – his image, his career history, his acting pyrotechnics – as it is about surfing or the illusory concept of home. The Surfer sets the star up as a man on the edge – a sad-sack office drone who desperately wants to belong – and then shoves him unceremoniously clear over the cliff-edge. Before long, our hero is living out of his car in the parking lot near the dunes, drinking from puddles, foraging for food from bins, and scheming all the while to make his way down to the shore.

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