Ranbir Kapoor leases five floors in Andheri for 20 years to revive RK Studios

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Bollywood star Ranbir Kapoor and his family are taking a major step toward reviving their cinematic legacy by leasing five floors in a commercial complex in Andheri East, Mumbai, for 20 years to establish a new iteration of the legendary RK Studios. The development, reported by multiple outlets, signals a significant return for a brand that once defined Hindi cinema. The original RK Studios, founded by Ranbir’s grandfather, the late “Showman” Raj Kapoor — was located in Chembur but was sold in 2018 after a devastating fire and mounting maintenance challenges. This new lease is seen as a bold attempt to bring the prestige and infrastructure of the studio back to life in a modern setting. According to industry reports, the five-floor space at Kanakia Wall Street will be transformed into a cutting-edge production and creative hub. Plans include soundstages equipped for virtual production, editing and post-production suites, screening rooms, VFX facilities and dedicated offices for the Ka...
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The Surfer review – beach bum Nic Cage surfs a high tide of toxic masculinity

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An office drone must suffer the machismo of an Australian coastal town in this barmy, low-budget thriller about a would-be wave-chaser

Here is a gloriously demented B-movie thriller about a middle-aged man who wants to ride a big wave and the grinning local bullies who regard the beach as home soil. “Don’t live here, don’t surf here,” they shout at any luckless tourist who dares to visit picturesque Lunar Bay on Australia’s south-western coast, where the land is heavy with heat and colour. Tempers are fraying; it’s a hundred degrees in the shade. The picture crash-lands at the Cannes film festival like a wild-eyed, brawling drunk.

The middle-aged man is unnamed, so let’s call him Nic Cage. Lorcan Finnegan’s film, after all, is as much about Cage – his image, his career history, his acting pyrotechnics – as it is about surfing or the illusory concept of home. The Surfer sets the star up as a man on the edge – a sad-sack office drone who desperately wants to belong – and then shoves him unceremoniously clear over the cliff-edge. Before long, our hero is living out of his car in the parking lot near the dunes, drinking from puddles, foraging for food from bins, and scheming all the while to make his way down to the shore.

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