‘It was pretty depressing when Stranger Things ended’: Finn Wolfhard on growing up on TV – and his new life in music

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The actor spent almost a decade fighting monsters – and making friends – on the hit Netflix show. Then, last year, it all came to an end. How’s he adjusting? Finn Wolfhard is remembering his first experience of celebrity. It was 2016 and he was 13. The first season of Stranger Things had aired that summer, and he returned to his high school in Vancouver as if nothing had changed. But things had changed. “People didn’t know how to treat me, especially the teachers. Kids that didn’t even look at me before were paying attention to me or wanting to hang out.” He remembers a girl in the year above who really wanted a photo with him. “And I was like: ‘Oh, I can’t really take photos at school.’ And she wasn’t listening to me and pulled me into, like, a side hug. I remember thinking: ‘Shit, man. I have no control over this. This seems crazy.’ So, it was definitely weird at first, and something I still haven’t totally grasped.” How strange it must be to have spent such a large part of your life...
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The Surfer review – beach bum Nic Cage surfs a high tide of toxic masculinity

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An office drone must suffer the machismo of an Australian coastal town in this barmy, low-budget thriller about a would-be wave-chaser

Here is a gloriously demented B-movie thriller about a middle-aged man who wants to ride a big wave and the grinning local bullies who regard the beach as home soil. “Don’t live here, don’t surf here,” they shout at any luckless tourist who dares to visit picturesque Lunar Bay on Australia’s south-western coast, where the land is heavy with heat and colour. Tempers are fraying; it’s a hundred degrees in the shade. The picture crash-lands at the Cannes film festival like a wild-eyed, brawling drunk.

The middle-aged man is unnamed, so let’s call him Nic Cage. Lorcan Finnegan’s film, after all, is as much about Cage – his image, his career history, his acting pyrotechnics – as it is about surfing or the illusory concept of home. The Surfer sets the star up as a man on the edge – a sad-sack office drone who desperately wants to belong – and then shoves him unceremoniously clear over the cliff-edge. Before long, our hero is living out of his car in the parking lot near the dunes, drinking from puddles, foraging for food from bins, and scheming all the while to make his way down to the shore.

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