Akshay Kumar teams up with Vipul Shah for alien action thriller Samuk; Hollywood creature and action experts join project

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Actor Akshay Kumar is set to headline a new large-scale sci-fi action thriller titled Samuk, directed by Kanishk Varma and produced by Vipul Amrutlal Shah. Positioned as an ambitious alien survival thriller, the film is currently in development and is expected to go on floors soon. The project marks Akshay Kumar’s return to a full-scale action role and will reportedly combine elements of survival horror, military realism, and alien thriller storytelling. The makers are also bringing together an international technical team with experience across several Hollywood franchise films. Speaking about the project, producer Vipul Shah said, “We always try to challenge ourselves with different genres, and Samuk is something Indian cinema hasn’t attempted before. Our aim is to create a world-class alien thriller for audiences.” Director Kanishk Varma, known for projects such as Sanak and Inside Edge, revealed that the idea for the film emerged from his interest in survival thrillers and elite s...
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The Surfer review – beach bum Nic Cage surfs a high tide of toxic masculinity

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An office drone must suffer the machismo of an Australian coastal town in this barmy, low-budget thriller about a would-be wave-chaser

Here is a gloriously demented B-movie thriller about a middle-aged man who wants to ride a big wave and the grinning local bullies who regard the beach as home soil. “Don’t live here, don’t surf here,” they shout at any luckless tourist who dares to visit picturesque Lunar Bay on Australia’s south-western coast, where the land is heavy with heat and colour. Tempers are fraying; it’s a hundred degrees in the shade. The picture crash-lands at the Cannes film festival like a wild-eyed, brawling drunk.

The middle-aged man is unnamed, so let’s call him Nic Cage. Lorcan Finnegan’s film, after all, is as much about Cage – his image, his career history, his acting pyrotechnics – as it is about surfing or the illusory concept of home. The Surfer sets the star up as a man on the edge – a sad-sack office drone who desperately wants to belong – and then shoves him unceremoniously clear over the cliff-edge. Before long, our hero is living out of his car in the parking lot near the dunes, drinking from puddles, foraging for food from bins, and scheming all the while to make his way down to the shore.

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