Shots fired outside Disha Patani’s UP house, Goldy Brar claims responsibility

In the early hours of Friday, at about 4:30 AM, two shots were reportedly fired outside the residence of Bollywood actress Disha Patani, located in Civil Lines, Bareilly. The firing was reportedly an aerial discharge; no one was injured during the incident. Authorities believe the shots were fired in response to alleged comments made by Disha Patani concerning Hindu spiritual leaders Premanand Maharaj and Aniruddhacharya Maharaj. A group affiliated with Goldy Brar has claimed responsibility for the firing. Senior Superintendent of Police, Bareilly, Anurag Arya, told India Today, “Immediately, the local police and a team from the Special Operations Group (SOG) reached the house and began the investigation. At least five teams have been formed to apprehend the accused. An adequate number of security personnel have been deployed at Patani’s home to ensure the safety of the family members.” A social media post (in Hindi) surfaced shortly after the incident, naming two individuals Virend...

The Surfer review – beach bum Nic Cage surfs a high tide of toxic masculinity

An office drone must suffer the machismo of an Australian coastal town in this barmy, low-budget thriller about a would-be wave-chaser

Here is a gloriously demented B-movie thriller about a middle-aged man who wants to ride a big wave and the grinning local bullies who regard the beach as home soil. “Don’t live here, don’t surf here,” they shout at any luckless tourist who dares to visit picturesque Lunar Bay on Australia’s south-western coast, where the land is heavy with heat and colour. Tempers are fraying; it’s a hundred degrees in the shade. The picture crash-lands at the Cannes film festival like a wild-eyed, brawling drunk.

The middle-aged man is unnamed, so let’s call him Nic Cage. Lorcan Finnegan’s film, after all, is as much about Cage – his image, his career history, his acting pyrotechnics – as it is about surfing or the illusory concept of home. The Surfer sets the star up as a man on the edge – a sad-sack office drone who desperately wants to belong – and then shoves him unceremoniously clear over the cliff-edge. Before long, our hero is living out of his car in the parking lot near the dunes, drinking from puddles, foraging for food from bins, and scheming all the while to make his way down to the shore.

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