Harshvardhan Rane to lead Ektaa R. Kapoor’s Shootout in Dubai: Report

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Bollywood actor Harshvardhan Rane is being linked with the next chapter of the popular Shootout franchise, with multiple reports suggesting he may headline a new project titled Shootout in Dubai. While neither the makers nor Rane have officially confirmed the film, reports say plans are moving forward for the franchise’s first international instalment. According to a Mid-Day report, Shootout in Dubai is envisioned as a fresh entry that takes the gritty crime series beyond Mumbai’s underworld and into a fictional crime narrative set against Dubai’s cosmopolitan backdrop. The film is said to be produced by Ektaa R. Kapoor in collaboration with veteran filmmaker Sanjay Gupta, who co-created the original Shootout films. The Shootout franchise began with Shootout at Lokhandwala in 2007, a dramatized retelling of one of Mumbai’s most notorious police encounters, followed by Shootout at Wadala in 2013. Both films were produced by Kapoor and Gupta and built a reputation for stylized action r...
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The Surfer review – beach bum Nic Cage surfs a high tide of toxic masculinity

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An office drone must suffer the machismo of an Australian coastal town in this barmy, low-budget thriller about a would-be wave-chaser

Here is a gloriously demented B-movie thriller about a middle-aged man who wants to ride a big wave and the grinning local bullies who regard the beach as home soil. “Don’t live here, don’t surf here,” they shout at any luckless tourist who dares to visit picturesque Lunar Bay on Australia’s south-western coast, where the land is heavy with heat and colour. Tempers are fraying; it’s a hundred degrees in the shade. The picture crash-lands at the Cannes film festival like a wild-eyed, brawling drunk.

The middle-aged man is unnamed, so let’s call him Nic Cage. Lorcan Finnegan’s film, after all, is as much about Cage – his image, his career history, his acting pyrotechnics – as it is about surfing or the illusory concept of home. The Surfer sets the star up as a man on the edge – a sad-sack office drone who desperately wants to belong – and then shoves him unceremoniously clear over the cliff-edge. Before long, our hero is living out of his car in the parking lot near the dunes, drinking from puddles, foraging for food from bins, and scheming all the while to make his way down to the shore.

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