Primitive War review – it’s Green Berets vs dinosaurs in cheerfully cheesy Vietnam war gorefest

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Set to an on-the-nose soundtrack of Creedence Clearwater, an elite squad of soldiers are suitably unprepared for their large-toothed assailants in this jungle thriller Aimed squarely and unabashedly at viewers who love soldiers, gore and dinosaurs – as well as dinosaurs goring soldiers – this adaptation of Ethan Pettus’s 2017 novel is deeply repetitive but weirdly watchable. Although shot in Australia with a mostly Australian cast sprinkled with a few American actors, it’s supposed to be set in Vietnam in the late 1960s as the US armed forces take on the Viet Cong. But there are other forces to contend with, and we don’t just mean covert Chinese or Soviet operatives, although the latter do feature significantly here. It turns out a nefarious scientific experiment by one of the aforementioned factions has accidentally ushered a whole army of dinosaurs into the jungle and they’ve begun gaily munching their way through anyone who gets in their way. When one squad of Green Berets go miss...
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The Surfer review – beach bum Nic Cage surfs a high tide of toxic masculinity

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An office drone must suffer the machismo of an Australian coastal town in this barmy, low-budget thriller about a would-be wave-chaser

Here is a gloriously demented B-movie thriller about a middle-aged man who wants to ride a big wave and the grinning local bullies who regard the beach as home soil. “Don’t live here, don’t surf here,” they shout at any luckless tourist who dares to visit picturesque Lunar Bay on Australia’s south-western coast, where the land is heavy with heat and colour. Tempers are fraying; it’s a hundred degrees in the shade. The picture crash-lands at the Cannes film festival like a wild-eyed, brawling drunk.

The middle-aged man is unnamed, so let’s call him Nic Cage. Lorcan Finnegan’s film, after all, is as much about Cage – his image, his career history, his acting pyrotechnics – as it is about surfing or the illusory concept of home. The Surfer sets the star up as a man on the edge – a sad-sack office drone who desperately wants to belong – and then shoves him unceremoniously clear over the cliff-edge. Before long, our hero is living out of his car in the parking lot near the dunes, drinking from puddles, foraging for food from bins, and scheming all the while to make his way down to the shore.

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