EXCLUSIVE: CBFC censors frontal nudity scene and 2 sexually explicit visuals in Agra

After touring various festivals, Titli (2015) director Kanu Behl’s Agra will finally arrive in cinemas tomorrow, that is, November 14. The film is known not for its realism but also sexually explicit content. Several moviegoers and journalists watched the uncut version of the film at the 21st MAMI Mumbai Film Festival 2023 and were wondering if the Central Board of Film Certification (CBFC) would allow its theatrical release without any cuts. Bollywood Hungama has learned that as expected, the CBFC has asked for some modifications. Agra is a rare Hindi film to have frontal nudity and the Examining Committee of the CBFC asked the makers to replace the scene. Similarly, two sexually explicit visuals in the second half of the film were asked to be deleted. Lastly, the CBFC members asked the makers to replace obscene words. Once these changes were made, Agra was handed over an 'A' certificate on May 17, 2024. The length of the film, as mentioned on the censor certificate, is 115.0...

The Surfer review – beach bum Nic Cage surfs a high tide of toxic masculinity

An office drone must suffer the machismo of an Australian coastal town in this barmy, low-budget thriller about a would-be wave-chaser

Here is a gloriously demented B-movie thriller about a middle-aged man who wants to ride a big wave and the grinning local bullies who regard the beach as home soil. “Don’t live here, don’t surf here,” they shout at any luckless tourist who dares to visit picturesque Lunar Bay on Australia’s south-western coast, where the land is heavy with heat and colour. Tempers are fraying; it’s a hundred degrees in the shade. The picture crash-lands at the Cannes film festival like a wild-eyed, brawling drunk.

The middle-aged man is unnamed, so let’s call him Nic Cage. Lorcan Finnegan’s film, after all, is as much about Cage – his image, his career history, his acting pyrotechnics – as it is about surfing or the illusory concept of home. The Surfer sets the star up as a man on the edge – a sad-sack office drone who desperately wants to belong – and then shoves him unceremoniously clear over the cliff-edge. Before long, our hero is living out of his car in the parking lot near the dunes, drinking from puddles, foraging for food from bins, and scheming all the while to make his way down to the shore.

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