EXCLUSIVE: Shabana Azmi joins the cast of Awarapan 2; to be seen in a pivotal role in the Emraan Hashmi-starrer

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Awarapan 2 is surely one of the highly awaited films of 2026, thanks to the craze and popularity of the first part. Moreover, lead actor Emraan Hashmi’s star power got a boost recently with a cameo in The Ba***ds Of Bollywood. And now, the excitement for Awarapan 2 has gone many notches higher as Bollywood Hungama has learned that none other than Shabana Azmi has joined the star cast. A source told Bollywood Hungama, “Shabana Azmi has come on board for Awarapan 2. The role is apt for her and she was more than happy to bag the coveted part. It’s an interesting and powerful creative decision by producer Vishesh Bhatt that significantly intensifies the film’s emotional core and conflict. Interestingly, this marks Shabana Azmi’s first-ever collaboration with Vishesh Films.” The source also said, “Also, Awarapan 2 marks her first on-screen pairing with Emraan Hashmi, creating a new and formidable dramatic tension audiences have never seen before. Moreover, the casting is in sync with the ...
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The Surfer review – beach bum Nic Cage surfs a high tide of toxic masculinity

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An office drone must suffer the machismo of an Australian coastal town in this barmy, low-budget thriller about a would-be wave-chaser

Here is a gloriously demented B-movie thriller about a middle-aged man who wants to ride a big wave and the grinning local bullies who regard the beach as home soil. “Don’t live here, don’t surf here,” they shout at any luckless tourist who dares to visit picturesque Lunar Bay on Australia’s south-western coast, where the land is heavy with heat and colour. Tempers are fraying; it’s a hundred degrees in the shade. The picture crash-lands at the Cannes film festival like a wild-eyed, brawling drunk.

The middle-aged man is unnamed, so let’s call him Nic Cage. Lorcan Finnegan’s film, after all, is as much about Cage – his image, his career history, his acting pyrotechnics – as it is about surfing or the illusory concept of home. The Surfer sets the star up as a man on the edge – a sad-sack office drone who desperately wants to belong – and then shoves him unceremoniously clear over the cliff-edge. Before long, our hero is living out of his car in the parking lot near the dunes, drinking from puddles, foraging for food from bins, and scheming all the while to make his way down to the shore.

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