Saif Ali Khan reveals he bought rights to Nilanjana Roy’s Black River for film adaptation; calls it “emotional piece”

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Saif Ali Khan has never shied away from speaking about his love for literature, and in a recent conversation with Esquire India, the actor offered rare insight into the books that have left a lasting impact on him—stories that are poetic, emotional, and deeply reflective of society and history. Speaking about a novel that struck a particularly strong chord, Saif revealed that Black River by Nilanjana Roy is among his most cherished reads. Describing it as far more than a conventional crime novel, he said, “It’s kind of a police procedural murder mystery, but it’s also really emotional and kind of moving about the murder of a very young little girl.” The actor added that the story resonated with him so deeply that he went on to acquire the rights to the book. “I love the story so much that I bought the rights to the book and we're trying to make a movie out of it,” Saif shared, while acknowledging that the adaptation process is taking time. He described the novel as “lyrical,” “dr...
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The Surfer review – beach bum Nic Cage surfs a high tide of toxic masculinity

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An office drone must suffer the machismo of an Australian coastal town in this barmy, low-budget thriller about a would-be wave-chaser

Here is a gloriously demented B-movie thriller about a middle-aged man who wants to ride a big wave and the grinning local bullies who regard the beach as home soil. “Don’t live here, don’t surf here,” they shout at any luckless tourist who dares to visit picturesque Lunar Bay on Australia’s south-western coast, where the land is heavy with heat and colour. Tempers are fraying; it’s a hundred degrees in the shade. The picture crash-lands at the Cannes film festival like a wild-eyed, brawling drunk.

The middle-aged man is unnamed, so let’s call him Nic Cage. Lorcan Finnegan’s film, after all, is as much about Cage – his image, his career history, his acting pyrotechnics – as it is about surfing or the illusory concept of home. The Surfer sets the star up as a man on the edge – a sad-sack office drone who desperately wants to belong – and then shoves him unceremoniously clear over the cliff-edge. Before long, our hero is living out of his car in the parking lot near the dunes, drinking from puddles, foraging for food from bins, and scheming all the while to make his way down to the shore.

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