REVEALED: NO IMAX release for Spider-Man: Brand New Day as Christopher Nolan’s The Odyssey EXCLUSIVELY blocks IMAX screens for three weeks

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July is expected to be huge for Hollywood in India, as two highly anticipated films are set to arrive in cinemas. The Odyssey will release on July 17, while Spider-Man: Brand New Day will hit theatres in India on July 30. Though both films are still a month away from release, their advance bookings have already opened for Indian audiences. The bookings of The Odyssey went live on June 8, while yesterday, June 17, viewers got a chance to book tickets for Spider-Man: Brand New Day. The tickets of both films are selling like hot cakes, indicating that they are headed for a strong start at the box office. Spider-Man films have traditionally enjoyed an IMAX release, but Spider-Man: Brand New Day will be an exception. As of now, bookings have opened only in PXL, 4DX, ScreenX, Marco XE and other such premium formats. A user asked in the comments section of the film’s trailer, posted by Sony Pictures India, whether Spider-Man: Brand New Day would release in IMAX. Sony confirmed, “No IMAX rele...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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