BREAKING: Producer Bhushan Kumar, Aditya Roy Kapur and director Milap Milan Zaveri join forces for an intense musical love story

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After delivering the cult musical romance Aashiqui 2, Malang, Ludo and Metro… In Dino, producer Bhushan Kumar reunites with Aditya Roy Kapur for an all-new cinematic experience. Joining them is director Milap Milan Zaveri, fresh off the success of Ek Deewane Ki Deewaniyat, as the trio comes together for an intense, violent, and deeply emotional musical love story. Blending powerful romance, high-octane action, and a soul-stirring soundtrack, the yet-untitled film promises to present love in its most passionate and raw form. Backed by T-Series, the film is being mounted on a grand scale and is set to offer audiences a compelling theatrical experience. On coming back together once again, producer Bhushan Kumar said, “Our association with Aditya goes back many years and has given us films that audiences continue to love. From Aashiqui 2 to Metro… In Dino, every collaboration has been special in its own way. We share a great creative comfort, and I’m happy we’re coming together once again...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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