Ranbir Kapoor starrer Ramayana trailer to launch Worldwide on July 24

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The makers of Namit Malhotra’s Ramayana have officially announced that the film’s trailer will premiere worldwide on July 24, 2026. Positioned as one of the biggest cinematic projects inspired by Indian mythology, the film aims to bring one of the country’s most celebrated epics to audiences across the globe. Earlier, the makers unveiled the Rama glimpse, offering viewers a first look at the film’s visual scale and interpretation of the timeless epic. The preview generated significant buzz and heightened anticipation for the project. With the trailer release date now confirmed, excitement surrounding the film has grown even further. Planned as a two-part theatrical event, Ramayana: Part One seeks to present the revered story on a grand cinematic canvas through large-scale visuals, emotional storytelling, and advanced visual effects. The upcoming trailer is expected to offer audiences a deeper look into the world created by the filmmakers.   View this post on Instagram   A...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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