Ahan Shetty joins Vikram Bhatt's 1920: Cold Winter; shoot expected to begin in November: Report

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Actor Ahan Shetty may soon be seen exploring the horror genre for the first time. According to the latest reports, the Border 2 actor has reportedly come on board for filmmaker Vikram Bhatt's 1920: Cold Winter, the sixth instalment in the long-running 1920 franchise. As per a Mid-Day report, the film is currently in the scripting stage. A source quoted by the publication claimed that Ahan was looking to diversify his filmography after making his debut with Tadap and recently returning to the big screen with Border 2. "This will be Ahan's first brush with the supernatural genre. He wants to do a variety of roles, after being launched in the romantic action drama Tadap. That's why he is carefully choosing movies that belong to different genres," the source said. The report further stated that Vikram Bhatt and producer Anand Pandit are currently searching for the film's female lead. They are reportedly looking to cast a reasonably well-known actress rather than ...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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