Ramayana trailer FINALLY out: Sunny Deol missing but Yash AMAZES as Ravana; Ranbir Kapoor and Sai Pallavi IMPRESS in the grand 3D spectacle

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In recent times, very few films have managed to generate as much excitement as Ramayana. The promotional campaign began nearly a year and a half before its release, in July 2025. Since then, the makers have organised events across the world, with several more expected to follow. Finally, the keenly awaited trailer was unveiled online on the morning of July 30. Bollywood Hungama got a sneak peek at the promo 10 days earlier at a multiplex in Mumbai, and it was evident that the experience was on another level when viewed on the big screen in 3D. The earlier promotional asset focused on Lord Rama, played by Ranbir Kapoor, while the trailer introduces several other characters. However, the character which dominates the proceedings is Ravana, played by Yash. The trailer opens with him, and the manner in which he has been presented is sure to amaze viewers. His ferocious avatar and action sequences particularly stand out. Several actors have portrayed Ravana in the past, but Yash’s interpre...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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