Love & War cast gears up for grand song shoot with 200 dancers at Royal Palms: Report

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Sanjay Leela Bhansali's ambitious period drama Love & War is set to resume filming on June 18 after a brief production break. The upcoming schedule will bring lead actors Ranbir Kapoor, Alia Bhatt and Vicky Kaushal back together for one of the film's biggest sequences to date. The project has been in the spotlight in recent months due to speculation surrounding its shooting schedule and release plans. However, Bhansali recently clarified that the film remains largely on track, with around 90 per cent of the principal photography already completed. According to a report by Mid-Day, the next phase of filming will focus on an elaborate song sequence mounted on a massive scale. The sequence is expected to feature nearly 200 dancers along with the lead cast. A production insider told the publication, “It's being designed as a spectacle. It was originally to kick off on June 8, but is now starting on the 18th at Royal Palms.” The song will reportedly be filmed over several d...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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