INSIDE Anshula Kapoor's "surprise" Mehendi ceremony planned by Janhvi and Khushi Kapoor!

For Anshula Kapoor, her mehendi was as much about meaning as it was about celebration. Hosted at home by sisters Janhvi Kapoor and Khushi Kapoor, the intimate gathering brought together close family and friends for an afternoon centred on love, tradition and togetherness, with every detail thoughtfully planned as a surprise for the bride-to-be. The occasion also marked a personal tribute to the family she is stepping into. For the ceremony, Anshula chose a bespoke teal blue lehenga by Arpita Mehta, inspired by Gujarat's rich Patola textile tradition while incorporating the designer's signature mirror work. The ensemble also marks Arpita Mehta's very first Patola-inspired bridal lehenga. Sharing the inspiration behind her look, Anshula wrote: "For my mehendi, I wanted my outfit to honour the family I was stepping into. This incredible teal blue lehenga by @arpitamehtaofficial is inspired by the rich legacy of Patola, while beautifully incorporating her signature mirror...

The Shrouds review – David Cronenberg gets wrapped up in grief

Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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