SCOOP: Batwara’s special promo, featuring Sunny Deol and Karan Deol, expected to be unveiled on Father’s Day

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About two months remain before the release of Batwara, and the film's team is gearing up in full force to unveil the much-anticipated teaser. Recently, it was reported that the asset will be launched on June 15. Bollywood Hungama has now learned that the makers are putting together another interesting promo, which will also be out this month itself. A source told Bollywood Hungama, “Batwara stars Preity Zinta, Shabana Azmi and Ali Fazal, and it also features Sunny’s son, Karan Deol. This is the first time that the father and son will share screen space, and they have an interesting dynamic in the film. The makers wanted to present the same to the audience. Hence, a special promo is being designed to highlight their bond.” The source continued, “Father’s Day will be celebrated on June 21. Hence, the team of Batwara 1947 felt that it would be an apt day to bring the father-son asset out. A final call will be taken in the coming week, but as of now, the Father’s Day asset plan is on....
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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