MEGA EXCLUSIVE: Raveena Tandon and Parineeti Chopra join the cast of Malamaal Weekly 2

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Bollywood Hungama was the first one to confirm in February 2026 that Malamaal Weekly 2 is in the works. Two months later, in April 2026, we revealed that Amit Joshi of Teri Baaton Mein Aisa Uljha Jiya (2024) fame has been signed to direct the comic caper. We now bring you another exciting piece of news from this upcoming project. Bollywood Hungama has exclusively learned that two talented actresses, Raveena Tandon and Parineeti Chopra, have joined the cast of Malamaal Weekly 2. A source told Bollywood Hungama, "Both the actresses are perfect as per the requirement of the script. Hence, the makers were really keen to have them on board. Thankfully, both Raveena Tandon and Parineeti Chopra loved the script and their respective characters. They readily signed the film." The source continued, "Both actresses are talented and have great comic timing. Raveena has proved her worth with the numerous comedies she has starred in during the 1990s and early 2000s, as well as the re...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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