Akshay Kumar, Saif Ali Khan starrer Haiwaan locks September 11, 2026 release date

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The wait is finally over for fans eager to see Akshay Kumar and Saif Ali Khan share screen space once again. The makers of Haiwaan have officially announced that the much-anticipated thriller, directed by acclaimed filmmaker Priyadarshan, will hit cinemas worldwide on September 11, 2026. Backed by KVN Productions in association with Thespian Films, Haiwaan is being positioned as an edge-of-the-seat thriller that promises suspense, gripping drama and high-stakes storytelling. The film marks a significant collaboration as Priyadarshan reunites with Akshay Kumar while also bringing together Akshay and Saif Ali Khan for a much-awaited on-screen reunion. Announcing the release date on social media, KVN Productions shared an intriguing poster along with the caption, “One obsession. One relentless pursuit. One date you’ll want to remember. #Haiwaan - A Priyadarshan Film starring Saif Ali Khan and Akshay Kumar… In cinemas 11th September 2026. Mark your calendars”. The announcement has already...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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