The India Story trailer out! Kajal Aggarwal and Shreyas Talpade take on pesticide farming crisis in hard-hitting social drama

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The makers of The India Story: Slow Poison in Progress have unveiled the official trailer of the upcoming social drama, offering a glimpse into a story centred around the issue of pesticide farming and its impact on society. Starring Kajal Aggarwal and Shreyas Talpade in the lead, the film aims to bring attention to a subject that affects millions while weaving it into a dramatic narrative of truth, justice and resilience. The trailer hints at an emotionally charged story that follows characters caught in the middle of a larger crisis, while raising questions about the long-term effects of pesticide farming. With its blend of courtroom drama, social commentary and emotional conflict, the film seeks to spotlight an issue that often remains overlooked. Speaking about the film, director Chettan DK said, "The India Story is more than just a film—it's a conversation we need to have. Through this story, we wanted to shine a light on an issue that silently impacts every household. T...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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