SCOOP: Sunny Deol-Akshaye Khanna's Netflix film Ikka expected to have fan screenings before release

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Veteran actors Sunny Deol and Akshaye Khanna are clearly on a high right now. Sunny’s career got a boost with the blockbuster success of Gadar 2 (2023). Jaat (2025) was a decent grosser while Border 2 (2026) was a huge hit, which proved that Gadar 2’s success was not a fluke. Meanwhile, Akshaye Khanna went on another level with his performance as Rehman Dakait in Dhurandhar (2025). Both these stars will now share screen space in Ikka. The film will release directly on Netflix on July 10; however, lucky fans are expected to get a chance to catch the film on the big screen. A Twitter handle named ‘LegendDeols’ revealed on June 19 that fan screenings of the film will be held in July 8 in 3-4 cities, that is, two days before the release. The handle further asked the fans to show interest in the post so that they can get tickets to this screening. Bollywood Hungama enquired about it and learned that such a screening is indeed in the works. A source told us, “The makers are indeed planning ...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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