Kangana Ranaut-starrer Bharat Bhhagya Viddhaata declared tax-free in Haryana

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Actor and BJP MP Kangana Ranaut's latest film Bharat Bhhagya Viddhaata has received a major boost in Haryana. Chief Minister Nayab Singh Saini announced that the film will be declared tax-free in the state after attending a special screening in Chandigarh. The screening was held on Sunday evening and was attended by Kangana Ranaut, who personally welcomed the Chief Minister upon his arrival. She also briefed him about the film before the screening began. After watching the film, Saini praised its message and said such films should reach a wider audience. Speaking to the media, the Haryana Chief Minister said, "I have said that such motivational films which inspire us should be watched by all of us. We will declare this 'tax-free' in Haryana because this inspires us and makes us feel our duties." #WATCH | Chandigarh: After watching the film 'Bharat Bhagya Vidhata', Haryana CM Nayab Singh Saini says, "I have said that such motivational films which insp...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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