Ramayana creates HISTORY at San Diego Comic-Con: 'International superstars' Ranbir Kapoor and Yash to unveil trailer with live performances and exclusive surprises in MASSIVE 4,800-seater Ballroom 20

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A few days remain before the release of the Ramayana trailer, and excitement is tremendous. Yesterday, we reported that a 4-minute-15-second-long trailer of Ramayana was cleared by the Central Board of Film Certification (CBFC) on July 15 with a 'U' certificate. Now, we bring to you some exciting details of the trailer launch event that would take place at San Diego Comic-Con. San Diego Comic-Con is the world’s largest annual pop culture and comic book convention. On July 23, the trailer of Ramayana will be screened at the prestigious event in the presence of the film’s team. The panel will be held from 3:15 pm to 4:15 pm PDT (Pacific Daylight Time), which translates to 3:45 am to 4:45 am IST (Indian Standard Time) on Friday, July 24. According to the official website of San Diego Comic-Con, producer Namit Malhotra and director Nitesh Tiwari will be joined by 'international superstars Ranbir Kapoor (Rama) and Yash (Ravana)'. The website further states that 'The pan...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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