Chandrachur Singh interacts with officials during Gurugram demolition drive outside his residence

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Actor Chandrachur Singh has found himself in the spotlight after a video of him interacting with officials during Gurugram's ongoing anti-encroachment drive surfaced on social media. The clip, which has since gone viral, shows the actor speaking with police personnel and officials from the Department of Town and Country Planning (DTCP) outside his residence in DLF. Reportedly, the interaction took place during the DTCP's large-scale enforcement drive across DLF Phases 1 to 5. The campaign is aimed at removing alleged encroachments, illegal constructions and the unauthorised commercial use of residential properties in an effort to reclaim public land and enforce urban planning regulations. Authorities also took action against an alleged illegal structure outside Chandrachur Singh's residence. During the inspection, DTP Amit Madholia reportedly briefed the actor about the enforcement being carried out. According to Navbharat Times, officials alleged that a boundary wall outs...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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