Malamaal Weekly 2 EXCLUSIVE: Riteish Deshmukh, Elvish Yadav, Paresh Rawal and Rajpal Yadav locked in leads, shoot begins in November

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In February, Bollywood Hungama exclusively revealed that Priyadarshan’s 2006 comedy Malamaal Weekly is getting a sequel. Since then, we have been regularly updating about the film and we recently also unveiled the leading female cast, which includes Parineeti Chopra, Raveena Tandon and Shilpa Shirodkar. Now, we can reveal the male leads of the project. Bollywood Hungama has exclusively learned that Riteish Deshmukh, Elvish Yadav, Paresh Rawal and Rajpal Yadav have been locked for Malamaal Weekly 2. Though Riteish is leading the film, sources close to the production have said that he is still reading the script and is yet to sign on the dotted line. The sequel is moving ahead with the original trio of Riteish, Paresh and Rajpal returning for the leads, along with Elvish Yadav joining as a new casting addition to the principal cast. Yadav is a popular YouTube content creator and the winner of Big Boss OTT Season 2 (2023), and this film will mark his second Bollywood outing following his...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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