Priyamani boards Rohit Shetty’s Golmaal 5 as shoot begins in Mumbai, reunites with Maidaan co-star Ajay Devgn: Report

Actress Priyamani has reportedly joined the cast of Golmaal 5, the latest instalment of Rohit Shetty’s popular comedy franchise. The development marks her reunion with Ajay Devgn after their collaboration in Maidaan. According to Variety India, the first shooting schedule is expected to span approximately a month. Filming for the film commenced on Monday, February 23, in Mumbai, with Ajay Devgn slated to join the sets on February 25. While details about Priyamani’s character are being kept under wraps, reports suggest that she has already begun shooting her portions. The Golmaal franchise remains one of Hindi cinema’s most commercially successful comedy series, known for its ensemble-driven storytelling and recurring characters. The fifth instalment will see the return of its core cast, including Ajay Devgn, Arshad Warsi, Tusshar Kapoor, Kunal Kemmu and Shreyas Talpade. Veteran performers Johnny Lever, Sanjay Mishra, Mukesh Tiwari and Ashwini Kalsekar are also set to reprise their po...

The Shrouds review – David Cronenberg gets wrapped up in grief

Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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