R. Madhavan to portray pioneering inventor GD Naidu in upcoming biopic GDN; trailer out!

The makers of GDN, the upcoming biopic on pioneering Indian inventor G.D. Naidu, have unveiled the film's trailer, offering audiences a first look at R. Madhavan in the lead role. The film is scheduled to release in theatres on July 17. The trailer introduces Madhavan as G.D. Naidu, widely regarded as one of India's most influential inventors and industrialists. It showcases the actor in a markedly different avatar as he steps into the life of the visionary known for his contributions to engineering and innovation. Over the years, R. Madhavan has built a career across multiple film industries, working in Tamil, Hindi and other language films. Known for portraying a wide variety of characters, the actor has consistently balanced commercial entertainers with performance-driven projects. With GDN, Madhavan takes on another biographical role, portraying a real-life figure whose work left a lasting impact on India's technological landscape. The trailer hints at the challenges, ...

The Shrouds review – David Cronenberg gets wrapped up in grief

Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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