Jaideep Ahlawat confirms role in Shah Rukh Khan’s King; says, “Who could say no to Shah Rukh Khan”

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In 2023, Shah Rukh Khan made a major impact at the box office with three consecutive blockbusters — Pathaan, Jawan, and Dunki. Now, anticipation is building around his upcoming film titled King. While Saurabh Shukla had earlier confirmed his role in the project, actor Jaideep Ahlawat has also revealed in an interview with Lallantop that he is part of the film. Jaideep Ahlawat confirmed his involvement in Shah Rukh Khan’s upcoming film King and shared how he became part of the project. He recalled, “SRK sir kaafi time se soch rahe the iss cheez ko, jaisa mujhe pata laga hai, but Siddharth Anand bhai thoda hichak rahe honge ki chota part hai to offer after Jewel Thief. But Khan saab being Khan saab, he said I’ll talk to him. Ab unki baat kaun nakarega (SRK sir had been thinking about this for quite some time, as far as I know. But Siddharth (Anand) bhai was a bit hesitant to offer it since it was a small role after Jewel Thief. But Khan saab being Khan saab, he said, ‘I’ll talk to him.’...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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