Shabana Azmi diagnosed with swine flu after Jantar Mantar protest, misses Mumbai demonstration; says she stands in solidarity with students

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Veteran actor Shabana Azmi has revealed that she has been diagnosed with H1N1 (swine flu), forcing her to miss the student protest held at Mumbai's Shivaji Park on Friday. The actor shared the health update on social media, saying she has been advised to remain in isolation for the next five days. Azmi has been one of the most prominent public figures supporting the student-led protests over the alleged NEET paper leak. Over the past three days, she actively participated in demonstrations at Delhi's Jantar Mantar, where she marched alongside students, joined the "Chalo Sansad" rally and extended support to those on hunger strike. Shabana Azmi shares health update Informing her followers about her absence from the Mumbai protest, Azmi wrote that she had planned to join demonstrators but was unable to do so after being diagnosed with H1N1. She wrote, “"My dear Mumbaikars, I was meant to join your protest yesterday, but I've come down with H1N1 and need to rema...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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