Ramayana FIRST LOOK Teaser introduces Ranbir Kapoor as Lord Rama; sets stage for epic Diwali 2026 release

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The much-anticipated magnum opus Ramayana has finally revealed its most crucial element — the first glimpse of Ranbir Kapoor as Lord Rama. Backed by filmmaker and producer Namit Malhotra and directed by Nitesh Tiwari, the two-part cinematic franchise is being mounted on a global scale, with the teaser offering audiences their first look at the iconic character. Positioned as a landmark cinematic moment, the ‘Rama’ teaser introduces one of mythology’s most enduring figures to a worldwide audience. The film aims to present the story with a fresh perspective while retaining the emotional depth that has made it timeless across generations. Speaking about the essence of the story, Nitesh Tiwari said, “Ramayana’s greatness lies in its emotional richness. At its heart, it is not just about good and evil, but about choices, consequences, and the weight of doing what is right. Rama’s journey is deeply human and that is what we have tried to stay true to.” Sharing his experience of stepping i...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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