Sunny Deol to honour real-life changemakers during Batwara 1947 promotional tour across India: Report

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The promotional campaign for Batwara 1947 is underway, with the film's cast travelling across multiple cities ahead of its theatrical release on August 14, 2026. Now, a new report suggests that the makers have planned a unique initiative during the city tour, with lead actor Sunny Deol expected to honour individuals who have made noteworthy contributions to society. Directed by Rajkumar Santoshi and produced under the banner of Aamir Khan Productions, Batwara 1947 stars Shabana Azmi, Sunny Deol and Preity G Zinta in leading roles. Set against the backdrop of the Partition of India, the film explores the human stories that emerged during one of the most defining moments in the subcontinent's history. According to a source associated with the project, the promotional campaign will go beyond conventional film events by recognising real-life changemakers in every city the team visits. “Makers has planned a very special initiative during the Batwara 1947 promotional city tour. In e...
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The Shrouds review – David Cronenberg gets wrapped up in grief

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Cannes film festival
Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached

David Cronenberg’s new film is a contorted sphinx without a secret, an eroticised necrophiliac meditation on grief, longing and loss that returns this director to his now very familiar Ballardian fetishes. It’s intriguing and exhausting: a quasi-murder mystery and doppelganger sex drama combined with a sci-fi conspiracy thriller which comes very close to participating in that very xenophobia it purports to satirise. And among its exasperating plot convolutions, there is a centrally important oncologist who was having a possible affair with the hero’s dead wife and who had also been her first sexual partner as a teenager – but who never appears on camera.

Yet for all this, the film has its own creepy, enveloping mausoleum atmosphere of disquiet, helped by the jarring electronic score by Howard Shore. We are in Toronto of the present or near future in which a wealthy and stylish widower and entrepreneur called Karsh (Vincent Cassel) has founded a restaurant with a cemetery attached: a state of the art burial place where people can bury their loved ones with a new “shroud” whose thousands of tiny cameras can record and transmit real time, 8K pictures of the body’s decay, which you can watch on your smartphone.

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