Ramayana Update: Namit Malhotra announces ‘Rama’ glimpse release date on Hanuman Jayanti; global fan reveal planned

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The upcoming cinematic adaptation of the Ramayana continues to build momentum as producer Namit Malhotra confirmed a major update regarding the film’s promotional rollout. The first glimpse titled ‘Rama’ is set to be unveiled on April 2, coinciding with the auspicious occasion of Hanuman Jayanti, and will be marked by a grand global reveal for fans. The announcement came as Malhotra shared a note on social media on the occasion of Ram Navami, on Friday, March 27, offering insight into the vision and effort behind the ambitious project. In his message, he wished everyone and said, “Shubh Rama Navami. This is a story that belongs to all of us, and every step we take has been guided by a deep sense of responsibility, devotion, and care to bring our very own Ramayana to life in its truest spirit and scale with utmost sincerity. we look forward to sharing the next glimpse, ‘Rama’ On 2nd April, On the auspicious occasion of Hanuman Jayanti, as we begin to showcase all these years of our eff...
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The Second Act review – Quentin Dupieux’s likable meta comedy of actors’ private lives

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Cannes film festival
With help from an A-list cast, Dupieux brings his customary mischief to an amiable tale of imposture and role play

Cannes can always do worse than choose a comedy for its opening gala, and the festival is off to an amiable, entertaining start. Quentin Dupieux brings the wackiness onstream with this cheerfully mischievous, unrepentantly facetious fourth-wall-badgering sketch. It’s a sprightly meta gag, a movie about a movie, or perhaps a movie about a movie about a movie – or perhaps just a movie, full stop, whose point is to claim that reality as we experience it inside and outside the cinema is unitary despite the levels of imposture and role-play we bring to it. It is all just one unbroken skein of experience like the endless dolly-track (the temporary rail that lets the camera move smoothly) that Dupieux finally shows us.

There are plenty of laugh lines, though The Second Act would be a bit thin were it not for the rich, creamy thickness of the alpha-grade French acting talent involved. We see a nervy, unhappy guy called Stéphane (Manuel Guillot) open up his restaurant in the middle of nowhere, quibblingly called The Second Act. Two young men are seen walking towards the restaurant: David (Louis Garrel) and his pal Willy (Raphaël Quenard, from Dupieux’s previous film Yannick). David has a date there with a beautiful woman, whose clinginess and neediness he nonetheless finds a turnoff, so he’s brought Willy along to seduce her and take her off his hands. This woman, Florence (Léa Seydoux) is preparing to meet David, unaware of his plans to palm her off on someone else, and so confident is she that David is the One that she has actually brought her dad with her, Guillaume, played by Vincent Lindon.

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