Shah Rukh Khan’s manager Pooja Dadlani buys Rs.38 crores sea-facing apartments in Bandra

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Pooja Dadlani, Shah Rukh Khan’s longtime manager and one of the most trusted members of his inner circle, has reportedly made a major real estate investment in Mumbai. According to property registration documents reviewed by CRE Matrix, Dadlani and her family have purchased three luxury sea-facing apartments in Bandra for a combined value of Rs.38.21 crores. The reported purchase has quickly become one of the most talked-about celebrity property deals of the year. The apartments are located in an upscale redevelopment project on Carter Road, one of Mumbai’s most sought-after residential stretches known for its premium sea-facing properties and celebrity residents. As per the reports, the ownership of the three apartments has been divided between Pooja Dadlani, her husband Hitesh Prakash Gurnani, and her father Mohan Seoram Dadlani, with one unit registered in each of their names. The homes are situated on one of the higher floors of a building named Varun, which is being developed by...
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The Second Act review – Quentin Dupieux’s likable meta comedy of actors’ private lives

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Cannes film festival
With help from an A-list cast, Dupieux brings his customary mischief to an amiable tale of imposture and role play

Cannes can always do worse than choose a comedy for its opening gala, and the festival is off to an amiable, entertaining start. Quentin Dupieux brings the wackiness onstream with this cheerfully mischievous, unrepentantly facetious fourth-wall-badgering sketch. It’s a sprightly meta gag, a movie about a movie, or perhaps a movie about a movie about a movie – or perhaps just a movie, full stop, whose point is to claim that reality as we experience it inside and outside the cinema is unitary despite the levels of imposture and role-play we bring to it. It is all just one unbroken skein of experience like the endless dolly-track (the temporary rail that lets the camera move smoothly) that Dupieux finally shows us.

There are plenty of laugh lines, though The Second Act would be a bit thin were it not for the rich, creamy thickness of the alpha-grade French acting talent involved. We see a nervy, unhappy guy called Stéphane (Manuel Guillot) open up his restaurant in the middle of nowhere, quibblingly called The Second Act. Two young men are seen walking towards the restaurant: David (Louis Garrel) and his pal Willy (Raphaël Quenard, from Dupieux’s previous film Yannick). David has a date there with a beautiful woman, whose clinginess and neediness he nonetheless finds a turnoff, so he’s brought Willy along to seduce her and take her off his hands. This woman, Florence (Léa Seydoux) is preparing to meet David, unaware of his plans to palm her off on someone else, and so confident is she that David is the One that she has actually brought her dad with her, Guillaume, played by Vincent Lindon.

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