EXCLUSIVE: Not just the mirror mistake, Dhurandhar The Revenge's new print also censors some abuses; Sanjay Dutt's abusive dialogue and few other abuses muted

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A few days ago, Bollywood Hungama exclusively informed readers that a revised print of Dhurandhar The Revenge has been sent to cinemas since last weekend. The earlier print of the Ranveer Singh-Sanjay Dutt-R Madhavan-Arjun Rampal starrer had a minor blunder – the cameraman’s reflection was visible in the mirror in a crucial scene in the second half featuring Hamza aka Jaskirat Singh Rangi (Ranveer Singh) amd Gurbaaz Singh aka Pinda (Udaybir Sandhu). This blunder was rectified in the revised print. Bollywood Hungama has now learned that the makers have made one more change as well. A source told Bollywood Hungama, “In the earlier version, some abuses were muted but many of them were left untouched. In the new print, more cuss words have been censored. The dialogue where (Sanjay Dutt) says ‘L***d c******a kya’ in the Operation Lyari sequence has been muted, though the gesture made by the actor while mouthing the dialogue remains. The abuse, ‘B******a’, said by Rakesh Bedi while getting ...
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The Second Act review – Quentin Dupieux’s likable meta comedy of actors’ private lives

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Cannes film festival
With help from an A-list cast, Dupieux brings his customary mischief to an amiable tale of imposture and role play

Cannes can always do worse than choose a comedy for its opening gala, and the festival is off to an amiable, entertaining start. Quentin Dupieux brings the wackiness onstream with this cheerfully mischievous, unrepentantly facetious fourth-wall-badgering sketch. It’s a sprightly meta gag, a movie about a movie, or perhaps a movie about a movie about a movie – or perhaps just a movie, full stop, whose point is to claim that reality as we experience it inside and outside the cinema is unitary despite the levels of imposture and role-play we bring to it. It is all just one unbroken skein of experience like the endless dolly-track (the temporary rail that lets the camera move smoothly) that Dupieux finally shows us.

There are plenty of laugh lines, though The Second Act would be a bit thin were it not for the rich, creamy thickness of the alpha-grade French acting talent involved. We see a nervy, unhappy guy called Stéphane (Manuel Guillot) open up his restaurant in the middle of nowhere, quibblingly called The Second Act. Two young men are seen walking towards the restaurant: David (Louis Garrel) and his pal Willy (Raphaël Quenard, from Dupieux’s previous film Yannick). David has a date there with a beautiful woman, whose clinginess and neediness he nonetheless finds a turnoff, so he’s brought Willy along to seduce her and take her off his hands. This woman, Florence (Léa Seydoux) is preparing to meet David, unaware of his plans to palm her off on someone else, and so confident is she that David is the One that she has actually brought her dad with her, Guillaume, played by Vincent Lindon.

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