King leak controversy: Siddharth Anand issues strong warning after Shah Rukh Khan, Deepika Padukone set photos go viral

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Just a day after social media was flooded with leaked photos from the sets of the much-anticipated action-drama King, director Siddharth Anand has issued an official statement addressing the situation. The viral images, reportedly featuring Shah Rukh Khan and Deepika Padukone shooting in Cape Town, sparked massive excitement among fans, but have also left the film’s team concerned about preserving the cinematic experience. Taking to social media, Siddharth Anand shared a note requesting fans and online platforms to refrain from circulating unauthorized content from the shoot. Emphasizing the importance of maintaining the film’s intrigue, the filmmaker urged audiences to wait for official reveals. "Request to all the fans. Please do not post or circulate any leaked multimedia from the sets of King. The team is working round the clock to ensure the best cinematic experience for everyone. Let us wait for the surprise on the big screen and for the assets to be revealed as the team of...
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The Second Act review – Quentin Dupieux’s likable meta comedy of actors’ private lives

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Cannes film festival
With help from an A-list cast, Dupieux brings his customary mischief to an amiable tale of imposture and role play

Cannes can always do worse than choose a comedy for its opening gala, and the festival is off to an amiable, entertaining start. Quentin Dupieux brings the wackiness onstream with this cheerfully mischievous, unrepentantly facetious fourth-wall-badgering sketch. It’s a sprightly meta gag, a movie about a movie, or perhaps a movie about a movie about a movie – or perhaps just a movie, full stop, whose point is to claim that reality as we experience it inside and outside the cinema is unitary despite the levels of imposture and role-play we bring to it. It is all just one unbroken skein of experience like the endless dolly-track (the temporary rail that lets the camera move smoothly) that Dupieux finally shows us.

There are plenty of laugh lines, though The Second Act would be a bit thin were it not for the rich, creamy thickness of the alpha-grade French acting talent involved. We see a nervy, unhappy guy called Stéphane (Manuel Guillot) open up his restaurant in the middle of nowhere, quibblingly called The Second Act. Two young men are seen walking towards the restaurant: David (Louis Garrel) and his pal Willy (Raphaël Quenard, from Dupieux’s previous film Yannick). David has a date there with a beautiful woman, whose clinginess and neediness he nonetheless finds a turnoff, so he’s brought Willy along to seduce her and take her off his hands. This woman, Florence (Léa Seydoux) is preparing to meet David, unaware of his plans to palm her off on someone else, and so confident is she that David is the One that she has actually brought her dad with her, Guillaume, played by Vincent Lindon.

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