Raashii Khanna speaks out on Bollywood’s South remake trend; says, “Dubbed films are anyway available to watch online”

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Actress Raashii Khanna acknowledges the prevalent trend of Bollywood drawing inspiration from successful South Indian films to boost box office performance. However, she believes it’s time for the industry to shift gears. With audiences now craving original storytelling and dubbed South films easily available online, Raashii stresses the need for fresh content. In today’s pan-India cinema landscape, she agrees that Bollywood’s attempt to replicate South hits is a reality, but one that needs rethinking. Raashii told Hindustan Times, “⁠I can’t disagree that we do see remakes from the south quite often but I think the industry is also realising more and more that the audience needs newer content and that dubbed films are anyway available to watch online.” She added, “With the rise of OTT platforms, language is no longer a barrier. I can sense a shift in the industry's mindset, and I genuinely hope we start creating more original content and exploring different genres—because honestl...
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The Second Act review – Quentin Dupieux’s likable meta comedy of actors’ private lives

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Cannes film festival
With help from an A-list cast, Dupieux brings his customary mischief to an amiable tale of imposture and role play

Cannes can always do worse than choose a comedy for its opening gala, and the festival is off to an amiable, entertaining start. Quentin Dupieux brings the wackiness onstream with this cheerfully mischievous, unrepentantly facetious fourth-wall-badgering sketch. It’s a sprightly meta gag, a movie about a movie, or perhaps a movie about a movie about a movie – or perhaps just a movie, full stop, whose point is to claim that reality as we experience it inside and outside the cinema is unitary despite the levels of imposture and role-play we bring to it. It is all just one unbroken skein of experience like the endless dolly-track (the temporary rail that lets the camera move smoothly) that Dupieux finally shows us.

There are plenty of laugh lines, though The Second Act would be a bit thin were it not for the rich, creamy thickness of the alpha-grade French acting talent involved. We see a nervy, unhappy guy called Stéphane (Manuel Guillot) open up his restaurant in the middle of nowhere, quibblingly called The Second Act. Two young men are seen walking towards the restaurant: David (Louis Garrel) and his pal Willy (Raphaël Quenard, from Dupieux’s previous film Yannick). David has a date there with a beautiful woman, whose clinginess and neediness he nonetheless finds a turnoff, so he’s brought Willy along to seduce her and take her off his hands. This woman, Florence (Léa Seydoux) is preparing to meet David, unaware of his plans to palm her off on someone else, and so confident is she that David is the One that she has actually brought her dad with her, Guillaume, played by Vincent Lindon.

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