Peter Asher on being music’s incredible ‘Everywhere Man’: ‘The secret is simple’

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As the musician and producer reaches 82, a new documentary reveals his life working with everyone from James Taylor to Carole King to Paul McCartney Peter Asher didn’t want to do this interview. He had the same reaction several years ago when directors Dayna Goldfine and Dan Geller approached him about making a documentary about his life and career. “I don’t think so,” he recalled telling them in our interview, which wound up taking place only after several entreaties from the film’s publicist that he do this one sit-down. “My life has been startlingly devoid of the standard rock’n’roll drug-and-sex dramas,” Asher said. “So I thought a documentary about me isn’t something people will want to see. It sounds boring.” On the contrary, Asher’s story stands among the most dramatic and consequential in music history, spurred by achievements that shifted the course of pop more than once. Through Asher’s pivotal role in the lives of stars like James Taylor and Carole King, he played a key role...
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Sting review – low-budget alien-spider horror offers laughs and out-of-your-skin shocks

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A fun-filled terror yarn featuring a flesh-eating alien secretly reared by a 12-year-old that delights in cutting its teeth on the apartment block’s pets

This killer-spider-from-outer-space movie feels like a cross between Alien and TV’s Only Murders in the Building. It’s a mostly fun throwback horror comedy set in a Brooklyn apartment block where 12-year-old Charlotte (Alyla Browne) finds a spider, puts it in a jar and calls it Sting. “Awesome,” she marvels when Sting doubles in size in two hours, hungrily tapping the glass for more cockroaches to chomp on. What Charlotte doesn’t know is that her new pet is a flesh-eater recently hatched out of an asteroid that crash landed on Earth.

At the screening I attended, someone a few rows behind couldn’t hack it and walked out after a few minutes. Which is a credit to first-time feature director Kiah Roache-Turner, who pulls off a couple of moments that will make you jump out of your skin using simple shadow tricks and oh-there-it-is! shocks. But really, the film’s mood is larky, with some big laughs as Sting cuts its teeth on the building’s pets. There’s a majestic fluffy white Persian cat, and a parakeet that steals the show acting-wise with its worried face as Sting scuttles out of an air vent.

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