Time Hoppers: The Silk Road review – plucky kids’ time travel yarn takes in medieval Baghdad

Four children zip around to meet historical characters such as 9th-century mathematician Al-Khwarizmi, but there’s more educational value than entertainment value There are not many children’s animated adventures that include 9th-century Baghdad during the Islamic Golden Age among their settings, or which can boast the historical figure Muhammad ibn Musa al-Khwarizmi as a featured character. Who he? As one of a plucky quartet of gifted children explains, “That’s the father of mathematics! … he’s why we have algorithms!” This interesting backdrop is one of several – as the title suggests, the kids hop to different timelines – which is among the film’s strengths. Another boon are some pretty good Christmas-cracker style jokes, usually made in passing by background characters such as these two guards trading witticisms: “Why should you never race a Muslim during Ramadan? Because they fast.” Continue reading... from Film | The Guardian https://ift.tt/jEt57FX via IFTTT

Sting review – low-budget alien-spider horror offers laughs and out-of-your-skin shocks

A fun-filled terror yarn featuring a flesh-eating alien secretly reared by a 12-year-old that delights in cutting its teeth on the apartment block’s pets

This killer-spider-from-outer-space movie feels like a cross between Alien and TV’s Only Murders in the Building. It’s a mostly fun throwback horror comedy set in a Brooklyn apartment block where 12-year-old Charlotte (Alyla Browne) finds a spider, puts it in a jar and calls it Sting. “Awesome,” she marvels when Sting doubles in size in two hours, hungrily tapping the glass for more cockroaches to chomp on. What Charlotte doesn’t know is that her new pet is a flesh-eater recently hatched out of an asteroid that crash landed on Earth.

At the screening I attended, someone a few rows behind couldn’t hack it and walked out after a few minutes. Which is a credit to first-time feature director Kiah Roache-Turner, who pulls off a couple of moments that will make you jump out of your skin using simple shadow tricks and oh-there-it-is! shocks. But really, the film’s mood is larky, with some big laughs as Sting cuts its teeth on the building’s pets. There’s a majestic fluffy white Persian cat, and a parakeet that steals the show acting-wise with its worried face as Sting scuttles out of an air vent.

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