‘Coke and booze didn’t help my creativity’: Joe Eszterhas on his wild times – and his supernatural, anti-woke Basic Instinct reboot

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He was the screenwriting colossus behind Flashdance, Jagged Edge, Showgirls and more. Now clean, ‘Hollywood’s Shakespeare’ talks about today’s scared studios, his refugee trauma – and taking acid with Hunter S Thompson Joe Eszterhas was the swaggering pitchman of 80s and 90s Hollywood; the king of the high-concept, precision-tooled blockbuster. He wrote Jagged Edge, co-scripted Flashdance , and pocketed a then record $3m for his Basic Instinct screenplay. Writers typically skulk near the bottom of the industry food chain but Eszterhas flipped the script to make himself a boss and a brand. ABC called him a “living legend”, while Time magazine posed a breathless rhetorical question: “If Shakespeare were alive today, would his name be Joe Eszterhas?” Pride, as any hack writer will tell you, usually comes before a fall, and so it was with Eszterhas, who confused success with excess and barely got out of the business alive. “The coke and the booze,” he says, remembering. “Those weren’t he...
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Sting review – low-budget alien-spider horror offers laughs and out-of-your-skin shocks

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A fun-filled terror yarn featuring a flesh-eating alien secretly reared by a 12-year-old that delights in cutting its teeth on the apartment block’s pets

This killer-spider-from-outer-space movie feels like a cross between Alien and TV’s Only Murders in the Building. It’s a mostly fun throwback horror comedy set in a Brooklyn apartment block where 12-year-old Charlotte (Alyla Browne) finds a spider, puts it in a jar and calls it Sting. “Awesome,” she marvels when Sting doubles in size in two hours, hungrily tapping the glass for more cockroaches to chomp on. What Charlotte doesn’t know is that her new pet is a flesh-eater recently hatched out of an asteroid that crash landed on Earth.

At the screening I attended, someone a few rows behind couldn’t hack it and walked out after a few minutes. Which is a credit to first-time feature director Kiah Roache-Turner, who pulls off a couple of moments that will make you jump out of your skin using simple shadow tricks and oh-there-it-is! shocks. But really, the film’s mood is larky, with some big laughs as Sting cuts its teeth on the building’s pets. There’s a majestic fluffy white Persian cat, and a parakeet that steals the show acting-wise with its worried face as Sting scuttles out of an air vent.

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