Janhvi Kapoor calls out oversexualisation: “Zooming into body parts without consent is invasive”

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Actor Janhvi Kapoor has spoken candidly about being oversexualised in the public eye, addressing concerns around consent, paparazzi culture, and the growing misuse of digital content. During a conversation on the Raj Shamani Podcast, the actress shared how such experiences have shaped her personal and professional decisions. Recalling a recent interaction with paparazzi, Kapoor said, “I actually had a conversation with paparazzi recently. I told them—this is bad for us, it feels invasive and non-consensual. Even if we dress a certain way, we’re not expecting someone to zoom in on specific body parts. And more than us, it reflects badly on them—that they’re commodifying a woman’s body for money and views.” While she noted that the photographers appeared receptive, Kapoor acknowledged the issue runs deeper. “They seemed receptive, but the issue is larger—it’s about consumption. Globally, content that objectifies women is the most consumed. That’s why it keeps getting circulated. Since ...
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Sting review – low-budget alien-spider horror offers laughs and out-of-your-skin shocks

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A fun-filled terror yarn featuring a flesh-eating alien secretly reared by a 12-year-old that delights in cutting its teeth on the apartment block’s pets

This killer-spider-from-outer-space movie feels like a cross between Alien and TV’s Only Murders in the Building. It’s a mostly fun throwback horror comedy set in a Brooklyn apartment block where 12-year-old Charlotte (Alyla Browne) finds a spider, puts it in a jar and calls it Sting. “Awesome,” she marvels when Sting doubles in size in two hours, hungrily tapping the glass for more cockroaches to chomp on. What Charlotte doesn’t know is that her new pet is a flesh-eater recently hatched out of an asteroid that crash landed on Earth.

At the screening I attended, someone a few rows behind couldn’t hack it and walked out after a few minutes. Which is a credit to first-time feature director Kiah Roache-Turner, who pulls off a couple of moments that will make you jump out of your skin using simple shadow tricks and oh-there-it-is! shocks. But really, the film’s mood is larky, with some big laughs as Sting cuts its teeth on the building’s pets. There’s a majestic fluffy white Persian cat, and a parakeet that steals the show acting-wise with its worried face as Sting scuttles out of an air vent.

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