‘The emotion you get from the game is insane’: the Roy Keane bust-up film leading a new type of football movie

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Saipan, about Keane’s infamous World Cup row with manager Mick McCarthy, has become a hit film in its native Ireland – as it opens in the UK screenwriter Paul Frasier explains how he aimed to avoid the mistakes of the past The best bit of football action in Saipan happens on a tennis court. The forthcoming movie about the schism between Mick McCarthy and Roy Keane that led to the latter departing the 2002 World Cup before it started does not attempt to recreate any of the action from the tournament. In fact, it largely takes place in a decrepit hotel. But we do get one exception: Keane, played by Éanna Hardwicke, practising alone in the grounds. At the back of a court, the sullen, spartan athlete stands as a ball is fired up and over the net towards him. He tracks it with his eyes, opens up his right foot, takes the ball on his instep and kills it dead. And with that, his sporting bona fides are confirmed. Saipan is a movie about masculinity, about men and their egos. It’s also about...
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Sting review – low-budget alien-spider horror offers laughs and out-of-your-skin shocks

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A fun-filled terror yarn featuring a flesh-eating alien secretly reared by a 12-year-old that delights in cutting its teeth on the apartment block’s pets

This killer-spider-from-outer-space movie feels like a cross between Alien and TV’s Only Murders in the Building. It’s a mostly fun throwback horror comedy set in a Brooklyn apartment block where 12-year-old Charlotte (Alyla Browne) finds a spider, puts it in a jar and calls it Sting. “Awesome,” she marvels when Sting doubles in size in two hours, hungrily tapping the glass for more cockroaches to chomp on. What Charlotte doesn’t know is that her new pet is a flesh-eater recently hatched out of an asteroid that crash landed on Earth.

At the screening I attended, someone a few rows behind couldn’t hack it and walked out after a few minutes. Which is a credit to first-time feature director Kiah Roache-Turner, who pulls off a couple of moments that will make you jump out of your skin using simple shadow tricks and oh-there-it-is! shocks. But really, the film’s mood is larky, with some big laughs as Sting cuts its teeth on the building’s pets. There’s a majestic fluffy white Persian cat, and a parakeet that steals the show acting-wise with its worried face as Sting scuttles out of an air vent.

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