MEGA EXCLUSIVE: After Vikrant Massey’s White, Narcos cinematographer Juan Carlos Gil signs Ranveer Singh’s Pralay

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In an exciting development for Bollywood, two major upcoming films will share the same international cinematographer. Bollywood Hungama has exclusively learnt that Juan Carlos Gil, the acclaimed DOP of Netflix’s global series Narcos and who has shot Vikrant Massey’s big-scale political drama White, has come on board for Ranveer Singh’s upcoming mega-budget film Pralay. A source told Bollywood Hungama, “The team of Pralay is mounting the film on a lavish scale and wants it to have a Hollywood-style visual treatment. Juan Carlos Gil fits the bill perfectly. He is equally excited to come on board, while the team is thrilled to have him shoot this ambitious zombie film.” About Pralay Pralay is highly awaited not just because it’s a mega-budget zombie thriller but also because its Ranveer Singh’s immediate next after the all-time blockbuster, Dhurandhar. It is directed by Jai Mehta and produced by Birla Studios and Hansal Mehta. About White Vikrant Massey’s White is a big-scale human polit...
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Sting review – low-budget alien-spider horror offers laughs and out-of-your-skin shocks

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A fun-filled terror yarn featuring a flesh-eating alien secretly reared by a 12-year-old that delights in cutting its teeth on the apartment block’s pets

This killer-spider-from-outer-space movie feels like a cross between Alien and TV’s Only Murders in the Building. It’s a mostly fun throwback horror comedy set in a Brooklyn apartment block where 12-year-old Charlotte (Alyla Browne) finds a spider, puts it in a jar and calls it Sting. “Awesome,” she marvels when Sting doubles in size in two hours, hungrily tapping the glass for more cockroaches to chomp on. What Charlotte doesn’t know is that her new pet is a flesh-eater recently hatched out of an asteroid that crash landed on Earth.

At the screening I attended, someone a few rows behind couldn’t hack it and walked out after a few minutes. Which is a credit to first-time feature director Kiah Roache-Turner, who pulls off a couple of moments that will make you jump out of your skin using simple shadow tricks and oh-there-it-is! shocks. But really, the film’s mood is larky, with some big laughs as Sting cuts its teeth on the building’s pets. There’s a majestic fluffy white Persian cat, and a parakeet that steals the show acting-wise with its worried face as Sting scuttles out of an air vent.

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