Post your questions for John Hannah

Your mum’s favourite star of Four Weddings and a Funeral, Sliding Doors, Spartacus and a new GoPro-filmed thriller is ready to answer your quetions He’s your mum’s favourite, after playing the jolly nice man who is jolly nice to Gwyneth Paltrow in Sliding Doors, and the jolly nice man who delivers the heartbreaking WH Auden eulogy for his partner in Four Weddings and a Funeral . But there is far more to John Hannah than a Scottish accent, magnificent eyebrows and an unrivalled ability to look soulfully concerned. In The Mummy films, he played treasure-hunting comic relief Jonathan Carnahan. In 2002’s Dr Jekyll and Mr Hyde, he took on both halves of Robert Louis Stevenson’s character. He played a psychopathic killer in Truth or Dare, and appeared opposite Denzel Washington in The Hurricane. On TV, he has been a transhumanist scientist in Marvel’s Agents of SHIELD ; a gruff but compassionate emergency medicine chief in Transplant; and a gladiator school owner in the blood-soaked, boobs-...

Sting review – low-budget alien-spider horror offers laughs and out-of-your-skin shocks

A fun-filled terror yarn featuring a flesh-eating alien secretly reared by a 12-year-old that delights in cutting its teeth on the apartment block’s pets

This killer-spider-from-outer-space movie feels like a cross between Alien and TV’s Only Murders in the Building. It’s a mostly fun throwback horror comedy set in a Brooklyn apartment block where 12-year-old Charlotte (Alyla Browne) finds a spider, puts it in a jar and calls it Sting. “Awesome,” she marvels when Sting doubles in size in two hours, hungrily tapping the glass for more cockroaches to chomp on. What Charlotte doesn’t know is that her new pet is a flesh-eater recently hatched out of an asteroid that crash landed on Earth.

At the screening I attended, someone a few rows behind couldn’t hack it and walked out after a few minutes. Which is a credit to first-time feature director Kiah Roache-Turner, who pulls off a couple of moments that will make you jump out of your skin using simple shadow tricks and oh-there-it-is! shocks. But really, the film’s mood is larky, with some big laughs as Sting cuts its teeth on the building’s pets. There’s a majestic fluffy white Persian cat, and a parakeet that steals the show acting-wise with its worried face as Sting scuttles out of an air vent.

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