‘Bored? You’re never good enough to get bored!’ Oscar-winner Helen Hunt on great roles, unruly audiences and her RSC debut

The formidable actor talks about the challenge of finding meaty characters, tough times in the US – and co-starring with her dad’s hero Kenneth Branagh in The Cherry Orchard It’s lunchtime in Stratford-upon-Avon and Helen Hunt has 30 minutes to spare. She’s preparing for her Royal Shakespeare Company debut and is taking time out to speak to me via Zoom, just her head and shoulders, with what looks like a sleek-surfaced kitchen in the backdrop. Hunt is all sleek surfaces herself: polite smiles, even tones and an inscrutability so strained it makes me wonder what might be bubbling underneath. Hunt is starring alongside Kenneth Branagh and Bill Pullman in a new version of The Cherry Orchard. She plays Madame Ranevskaya, the Russian aristocrat and matriarch who returns home to find her family estate in jeopardy. The play, like so many of Chekhov’s, is about the apathy of the elite class in the dying days of the Russian empire. So why this play, for her, and why now? Continue reading... ...

Sting review – low-budget alien-spider horror offers laughs and out-of-your-skin shocks

A fun-filled terror yarn featuring a flesh-eating alien secretly reared by a 12-year-old that delights in cutting its teeth on the apartment block’s pets

This killer-spider-from-outer-space movie feels like a cross between Alien and TV’s Only Murders in the Building. It’s a mostly fun throwback horror comedy set in a Brooklyn apartment block where 12-year-old Charlotte (Alyla Browne) finds a spider, puts it in a jar and calls it Sting. “Awesome,” she marvels when Sting doubles in size in two hours, hungrily tapping the glass for more cockroaches to chomp on. What Charlotte doesn’t know is that her new pet is a flesh-eater recently hatched out of an asteroid that crash landed on Earth.

At the screening I attended, someone a few rows behind couldn’t hack it and walked out after a few minutes. Which is a credit to first-time feature director Kiah Roache-Turner, who pulls off a couple of moments that will make you jump out of your skin using simple shadow tricks and oh-there-it-is! shocks. But really, the film’s mood is larky, with some big laughs as Sting cuts its teeth on the building’s pets. There’s a majestic fluffy white Persian cat, and a parakeet that steals the show acting-wise with its worried face as Sting scuttles out of an air vent.

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