Delhi High Court issues notices to ‘Kala Hiran’ makers after Salman Khan moves court over personality rights

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The Delhi High Court on Friday issued notices to the makers of Kala Hiran: The Battle for Legacy after superstar Salman Khan approached the court seeking to stop the film’s release. Justice Neena Bansal Krishna directed notices to be served to producer Amit Jani, Jani FireFox Films, director Bharat Shrinate, casting director Akshay Pandey, and other concerned parties. The matter has now been scheduled for further hearing on June 19. Representing Salman Khan, advocate Nizam Pasha informed the court that a promotional poster released on May 29 featured a character bearing a strong resemblance to the actor. He pointed out that the individual in the poster was also shown wearing a bracelet similar to the one widely associated with Khan. According to the counsel, the film allegedly breaches a Delhi High Court order dated December 11, 2025, which safeguarded the actor’s personality rights. During the proceedings, Pasha reiterated that the project was in violation of the earlier judicial ord...
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Scénarios review – Jean-Luc Godard collage is his final love letter to cinema

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Completed days before his assisted death, the French New Wave master director talks through his ideas as illustrated in his hand-drawn scrapbook

Here is an intriguing footnote to Jean-Luc Godard’s extraordinary career - a docu-textual movie collage lasting just under an hour in two parts, or maybe two layers, completed just before his assisted death two years ago in Switzerland at the age of 91. His collaborator and cinematographer Fabrice Aragno calls it not the “last Godard” but a “new Godard”. In its way, this little double film shows us a very great deal about Godard’s working habits, and it’s a late example of Godard speaking intimately in his own person about his own creative process.

Scénarios appears to have grown out of thoughts generated by his last film, The Image Book, which emerged in 2018. Godard sketched out his storyboarded or scrapbooked ideas for a short piece, which would juxtapose images, quotations, musical cues and clips in his distinctive manner. Aragno edited and curated the film from this blueprint, then came back to see Godard and to shoot a brief sequence of the director reciting a text from Sartre to go at the end. This is the first short film we see.

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