BREAKING: The RajaSaab ends with the promise of a sequel titled RajaSaab 2: Circus 1935

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The Prabhas-starrer The RajaSaab has sprung a major surprise on audiences, with the film ending on a clear hint that the story is far from over. In a move that will set social media buzzing, the makers reveal in the final moments that the film will continue in a sequel titled RajaSaab 2: Circus 1935. While The RajaSaab largely plays out as a horror-comedy mounted on a lavish scale, its closing stretch opens the doors to a much bigger universe. The title Circus 1935 suggests that the sequel will travel back in time, promising a blend of vintage aesthetics, mystery and spectacle, elements that align well with director Maruthi’s penchant for mixing genre thrills with mass entertainment. With The RajaSaab already generating strong buzz for its scale, visuals and Prabhas’ larger-than-life presence, the announcement of RajaSaab 2: Circus 1935 has only amplified the excitement among fans. Interestingly, the title hints at a darker, more enigmatic setting, with a circus backdrop from the 19...
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Scénarios review – Jean-Luc Godard collage is his final love letter to cinema

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Completed days before his assisted death, the French New Wave master director talks through his ideas as illustrated in his hand-drawn scrapbook

Here is an intriguing footnote to Jean-Luc Godard’s extraordinary career - a docu-textual movie collage lasting just under an hour in two parts, or maybe two layers, completed just before his assisted death two years ago in Switzerland at the age of 91. His collaborator and cinematographer Fabrice Aragno calls it not the “last Godard” but a “new Godard”. In its way, this little double film shows us a very great deal about Godard’s working habits, and it’s a late example of Godard speaking intimately in his own person about his own creative process.

Scénarios appears to have grown out of thoughts generated by his last film, The Image Book, which emerged in 2018. Godard sketched out his storyboarded or scrapbooked ideas for a short piece, which would juxtapose images, quotations, musical cues and clips in his distinctive manner. Aragno edited and curated the film from this blueprint, then came back to see Godard and to shoot a brief sequence of the director reciting a text from Sartre to go at the end. This is the first short film we see.

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