Cannes film festival
Francis Ford Coppola’s question – can the US empire last forever? – may be valid but flashes of humour cannot rescue this conspiracy thriller from awful acting and dull effects
Everyone who loves cinema owes Francis Ford Coppola a very great deal … including honesty.
His ambitious and earnestly intended new film, resoundingly dedicated to his late wife Eleanor, has some flashes of humour and verve. Jon Voight’s scene with his bow-and-arrow shoots a witty dart. The film’s heavily furnished art deco theatricality sometimes creates an interestingly self-aware spectacle, like an old-fashioned modern dress production of Shakespeare.
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