Costner writes, directs and stars alongside Sienna Miller and Sam Worthington in a big vain slog up familiar old west alleys
After three saddle-sore hours, Kevin Costner’s handsome-looking but oddly listless new western doesn’t get much done in the way of satisfying storytelling.
Admittedly, this is supposed to be just the first of a multi-part saga for which Costner is director, co-writer and star. But it somehow doesn’t establish anything exciting for its various unresolved storylines, and doesn’t leave us suspensefully hanging for anything else.
In fact, the ploddingly paced epic ends by suddenly accelerating into a very peculiar preview montage of part two, with Costner speeding around punching people we’ve never seen before – as if someone had accidentally leant on the fast-forward button and we got to watch the whole of the second section in 25 seconds.
It certainly starts at a gallop. The various plot strands in Montana, Wyoming and Kansas entwine around a new white pioneer settlement in the 1860s American west, called Horizon, attracting any number of hardy or naive souls who don’t know or haven’t been told that the Apaches will not surrender this territory without a fight.
After a mysterious attempted slaying of a man in a remote shack (the storyline which is subject to the most conspicuously deferred explanation) we witness, on one terrible night, apaches attacking the Horizon settlement and burning it to the ground, killing many, and making a widow of a homesteader’s wife: Frances (Sienna Miller) leaving her children fatherless. It is a genuinely gripping sequence.
A retaliatory raiding party is organised by vindictive trackers who don’t care if they capture the actual apaches responsible – just any native Americans – to get the bounty cash. They are reluctantly permitted to do by the Unionist soldiers, exasperated by the existence of the Horizon township which is situated in open country almost impossible for them to defend.
They are led by modest, handsome First Lt Trent Gephardt (Sam Worthington) who supposedly experiences a romantic connection with Frances – and Miller has to pivot her character on a dime from the grief and horror of seeing her husband killed, to a state of simpering, skittish flirting with hunky Trent.
Meanwhile, the apaches are deeply divided about how to handle the thread from the settlers; hotheaded young Pionsenay (Owen Crow Shoe) is furious at his father’s lack of direct action.
Another plot strand has a gruelling wagon train led by Matthew Van Weyden (Luke Wilson) having to deal with food and water shortages, the ever-present risk of attack and a couple of lazy entitled Brits who won’t pull their weight.
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