The Man I Love review – Rami Malek needs a lighter touch in Ira Sachs’ 80s Aids drama

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Cannes film festival: Sachs’ film about an HIV-positive actor in the homophobic Reagan-era 80s is well-intended, but Malek’s mannered performance is hard to love This film from writer-director Ira Sachs gives us premium-strength, undiluted Rami Malek – but I have to say that his overripe performance and self-conscious mannerisms here are perhaps even more oppressively insistent for being conveyed relatively quietly in spoken dialogue. And not quietly at all in the singing scenes. Malek is a performer whose style is as distinctive as those of John Malkovich or Jeff Goldblum. But it works best with a light touch in the direction and material. Things never really come together here. The Man I Love is a film about gay culture in 1980s New York, at the height of the reactionary homophobia of Reagan’s America, with HIV-positive men coming to terms with their condition and with the callous bigotry of the political zeitgeist. In one hospital scene, we see the authorities’ icily unsympathetic ...
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George Miller: ‘Where do I keep my Oscar? I swear, I don’t know’

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The Furiosa, Mad Max and Happy Feet director talks tap dancing, life as a twin and what he’d tell his younger self

What is the best thing about being a twin?

The shared experience. We spent the first 20 years of our lives together every day. We both have a similar curiosity about the world, and he practised as a doctor for 50 years. His take on human behaviour was really amusing, funny and very wise. It was always interesting to have conversations with him, so we would just compare notes. It’s why I love collaborating with people because it’s always about the discourse.

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