The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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George Miller: ‘Where do I keep my Oscar? I swear, I don’t know’

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The Furiosa, Mad Max and Happy Feet director talks tap dancing, life as a twin and what he’d tell his younger self

What is the best thing about being a twin?

The shared experience. We spent the first 20 years of our lives together every day. We both have a similar curiosity about the world, and he practised as a doctor for 50 years. His take on human behaviour was really amusing, funny and very wise. It was always interesting to have conversations with him, so we would just compare notes. It’s why I love collaborating with people because it’s always about the discourse.

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