Siddhant Chaturvedi’s Netflix film Ramree, backed by Ajay Devgn, shelved due to budget constraints: Report

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After earning acclaim for his performance in Dhadak 2, Siddhant Chaturvedi seemed set to continue his momentum with Ramree, a two-hero OTT project backed by Ajay Devgn. However, the ambitious period drama has now reportedly been shelved before going on floors. According to a report by Mid-Day, Ramree was conceived as a large-scale film set in 1945. The project, which had been under development for over a year, aimed to blend historical events with cinematic storytelling. However, given its elaborate setting and production requirements, the film’s mounting budget became a major hurdle. A source close to the development told the publication, “For an OTT film, this would have set a benchmark in scale and imagination, but budget constraints caught up with it. Even though the platform heads were excited about the story, there was too much at stake financially. So, they decided not to move forward with it.” Another insider offered a different perspective, suggesting that Ramree never reac...
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Furiosa: A Mad Max Saga review – Anya Taylor-Joy is tremendous as chase resumes

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Cannes film festival
Taylor-Joy makes a fantastic action heroine, facing down a hilariously evil Chris Hemsworth in signature high-speed fights

‘My childhood! My mother! I want them back!” With this howl of anguish, young Furiosa, played by Anya Taylor-Joy, sets the tone of vengeful rage that runs through George Miller’s immersive, spectacular prequel to his Mad Max reboot from 2015. Once again, there are the crazily colossal and weird convoy-action sequences which fuse the notion of “chase” and “violent combat” into a series of delirious high-velocity contests between motorbikes, 18-wheelers and armed parascenders all attacking and shooting at each other while fanatically zooming in the same direction. The vehicles themselves are what makes the Mad Max movies so very strange. Many films are called “surreal”, but these strange, ritualistic gladiator-vehicle displays in the reddish-brown emptiness really do look like something by Giorgio de Chirico or Max Ernst.

Furiosa is the origin story of the glamorous, one-armed badass from the first film. Incidentally, I haven’t seen an arm loss like this since 11-year-old midshipman Blakeney got his amputated aboard ship in Master and Commander – and he made a bit more of a fuss about it than Furiosa. It is of course set in Australia’s vast post-apocalyptic wilderness where warlords in their various compounds rule over precious reserves of food, water, ammo and fuel. Furiosa, played in the first film by Charlize Theron, was notionally in the service of the hateful chieftain Immortan Joe; she was in charge of leading raiding parties against rivals and enemies, and fated herself to be a rebel.

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