Sense and Sensibility review – blue-chip cast decorates Emma Thompson’s pleasurable Austen adaptation

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Thirty years later, this richly enjoyable film is back with its quality lineup including Kate Winslet and Hugh Grant alongside Thompson herself Emma Thompson won a screenplay Oscar for this buoyant, vibrant, richly enjoyable adaptation of Jane Austen’s novel. Released in 1995, it was directed by Ang Lee and is a movie with the pleasures of a golden age studio picture of the kind made by William Wyler. It was the second half of Thompson’s Oscar double – she won her first one in 1993 for acting in Howards End – and she is still the only person in Academy Award history to win for acting and writing. With marvellous lightness and gaiety, Thompson found a response to Austen’s comic register, expertly marrying it up to the romance, and 1995 now looks like the golden age of Austen adaptation, having also seen the Colin Firth/Jennifer Ehle Pride and Prejudice on television and Amy Heckerling’s Emma-homage Clueless at the movies. Thompson paid due attention to Austen’s unique and toughly real...
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Furiosa: A Mad Max Saga review – Anya Taylor-Joy is tremendous as chase resumes

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Cannes film festival
Taylor-Joy makes a fantastic action heroine, facing down a hilariously evil Chris Hemsworth in signature high-speed fights

‘My childhood! My mother! I want them back!” With this howl of anguish, young Furiosa, played by Anya Taylor-Joy, sets the tone of vengeful rage that runs through George Miller’s immersive, spectacular prequel to his Mad Max reboot from 2015. Once again, there are the crazily colossal and weird convoy-action sequences which fuse the notion of “chase” and “violent combat” into a series of delirious high-velocity contests between motorbikes, 18-wheelers and armed parascenders all attacking and shooting at each other while fanatically zooming in the same direction. The vehicles themselves are what makes the Mad Max movies so very strange. Many films are called “surreal”, but these strange, ritualistic gladiator-vehicle displays in the reddish-brown emptiness really do look like something by Giorgio de Chirico or Max Ernst.

Furiosa is the origin story of the glamorous, one-armed badass from the first film. Incidentally, I haven’t seen an arm loss like this since 11-year-old midshipman Blakeney got his amputated aboard ship in Master and Commander – and he made a bit more of a fuss about it than Furiosa. It is of course set in Australia’s vast post-apocalyptic wilderness where warlords in their various compounds rule over precious reserves of food, water, ammo and fuel. Furiosa, played in the first film by Charlize Theron, was notionally in the service of the hateful chieftain Immortan Joe; she was in charge of leading raiding parties against rivals and enemies, and fated herself to be a rebel.

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