The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

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Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role. Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the ...
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Furiosa: A Mad Max Saga review – Anya Taylor-Joy is tremendous as chase resumes

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Cannes film festival
Taylor-Joy makes a fantastic action heroine, facing down a hilariously evil Chris Hemsworth in signature high-speed fights

‘My childhood! My mother! I want them back!” With this howl of anguish, young Furiosa, played by Anya Taylor-Joy, sets the tone of vengeful rage that runs through George Miller’s immersive, spectacular prequel to his Mad Max reboot from 2015. Once again, there are the crazily colossal and weird convoy-action sequences which fuse the notion of “chase” and “violent combat” into a series of delirious high-velocity contests between motorbikes, 18-wheelers and armed parascenders all attacking and shooting at each other while fanatically zooming in the same direction. The vehicles themselves are what makes the Mad Max movies so very strange. Many films are called “surreal”, but these strange, ritualistic gladiator-vehicle displays in the reddish-brown emptiness really do look like something by Giorgio de Chirico or Max Ernst.

Furiosa is the origin story of the glamorous, one-armed badass from the first film. Incidentally, I haven’t seen an arm loss like this since 11-year-old midshipman Blakeney got his amputated aboard ship in Master and Commander – and he made a bit more of a fuss about it than Furiosa. It is of course set in Australia’s vast post-apocalyptic wilderness where warlords in their various compounds rule over precious reserves of food, water, ammo and fuel. Furiosa, played in the first film by Charlize Theron, was notionally in the service of the hateful chieftain Immortan Joe; she was in charge of leading raiding parties against rivals and enemies, and fated herself to be a rebel.

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