‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

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Film-maker who directed Keaton in Something’s Gotta Give, and wrote Baby Boom and Father of the Bride, says ‘we have lost a giant’ Film-maker Nancy Meyers has paid tribute to the late Diane Keaton, her “friend of almost 40 years” and collaborator on celebrated comedies Something’s Gotta Give, Baby Boom and Father of the Bride. On Monday, Meyers wrote on Instagram that she’d had a difficult 48 hours since Keaton’s death was announced on Saturday, but “seeing all of your tributes to Diane has been a comfort.” Continue reading... from Film | The Guardian https://ift.tt/TFc820j via IFTTT
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Emilia Perez review – Jacques Audiard’s gangster trans musical barrels along in style

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A thoroughly implausible yarn about a Mexican cartel leader who hires a lawyer to arrange his transition, but is carried along by its cheesy Broadway energy

Anglo-progressives and US liberals might worry about whether or not certain stories are “theirs to tell”. But that’s not a scruple that worries French auteur Jacques Audiard who, with amazing boldness and sweep, launches into this slightly bizarre yet watchable musical melodrama of crime and gender, set in Mexico. It plays like a thriller by Amat Escalante with music and lyrics by Lin-Manuel Miranda, and a touch of Almodovar.

Argentinian trans actor Karla Sofia Gascon plays Juan “Manitas” Del Monte, a terrifyingly powerful and ruthless cartel leader in Mexico, married to Jessi (Selena Gomez), with two young children. Manitas is intrigued by a high-profile murder trial in which an obviously guilty defendant gets off due to his smart and industrious lawyer Rita (Zoe Saldana); she is nearing 40 and secretly wretched from devoting her life to protecting unrepentant slimeballs, who go on to get ever richer while she labours for pitiful fees. Manitas kidnaps Rita and makes her an offer she can’t refuse: a one-off job for an unimaginably vast amount of money on which she can retire.

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