The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Emilia Perez review – Jacques Audiard’s gangster trans musical barrels along in style

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A thoroughly implausible yarn about a Mexican cartel leader who hires a lawyer to arrange his transition, but is carried along by its cheesy Broadway energy

Anglo-progressives and US liberals might worry about whether or not certain stories are “theirs to tell”. But that’s not a scruple that worries French auteur Jacques Audiard who, with amazing boldness and sweep, launches into this slightly bizarre yet watchable musical melodrama of crime and gender, set in Mexico. It plays like a thriller by Amat Escalante with music and lyrics by Lin-Manuel Miranda, and a touch of Almodovar.

Argentinian trans actor Karla Sofia Gascon plays Juan “Manitas” Del Monte, a terrifyingly powerful and ruthless cartel leader in Mexico, married to Jessi (Selena Gomez), with two young children. Manitas is intrigued by a high-profile murder trial in which an obviously guilty defendant gets off due to his smart and industrious lawyer Rita (Zoe Saldana); she is nearing 40 and secretly wretched from devoting her life to protecting unrepentant slimeballs, who go on to get ever richer while she labours for pitiful fees. Manitas kidnaps Rita and makes her an offer she can’t refuse: a one-off job for an unimaginably vast amount of money on which she can retire.

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