Aryan Khan to work on his first theatrical release before directing Shah Rukh Khan in planned 2027 film: Report

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Aryan Khan, who recently earned appreciation for his debut Netflix directorial The Ba***ds of Bollywood, is already moving ahead with his next set of projects. The series, which featured Lakshya, Raghav Juyal, Bobby Deol and an ensemble cast, marked Aryan’s official entry as a director and showcased his inclination towards bold storytelling. With the streaming debut now behind him, the filmmaker is preparing for a larger leap — a theatrical feature. According to industry sources, Aryan's next directorial will be a full-fledged film intended for a big-screen release. The young filmmaker is reportedly determined to establish himself in the theatrical space before stepping into what will arguably be the most anticipated collaboration of his career — directing his father, superstar Shah Rukh Khan. A source quoted by Pinkvilla revealed that Aryan is taking a measured, merit-driven approach to his career choices. “Aryan wants to deliver a theatrical success and prove himself as a filmm...
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Emilia Perez review – Jacques Audiard’s gangster trans musical barrels along in style

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A thoroughly implausible yarn about a Mexican cartel leader who hires a lawyer to arrange his transition, but is carried along by its cheesy Broadway energy

Anglo-progressives and US liberals might worry about whether or not certain stories are “theirs to tell”. But that’s not a scruple that worries French auteur Jacques Audiard who, with amazing boldness and sweep, launches into this slightly bizarre yet watchable musical melodrama of crime and gender, set in Mexico. It plays like a thriller by Amat Escalante with music and lyrics by Lin-Manuel Miranda, and a touch of Almodovar.

Argentinian trans actor Karla Sofia Gascon plays Juan “Manitas” Del Monte, a terrifyingly powerful and ruthless cartel leader in Mexico, married to Jessi (Selena Gomez), with two young children. Manitas is intrigued by a high-profile murder trial in which an obviously guilty defendant gets off due to his smart and industrious lawyer Rita (Zoe Saldana); she is nearing 40 and secretly wretched from devoting her life to protecting unrepentant slimeballs, who go on to get ever richer while she labours for pitiful fees. Manitas kidnaps Rita and makes her an offer she can’t refuse: a one-off job for an unimaginably vast amount of money on which she can retire.

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