The Mastermind review – Josh O’Connor is world’s worst art thief in Kelly Reichardt’s unlikely heist movie

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Cannes film festival Reichardt’s quietist, observational style is unexpectedly successful at creating a super-naturalistic depiction of an art gallery robbery It needs hardly be said that the title is ironic. The abject non-hero of Kelly Reichardt’s engrossingly downbeat heist movie, set in 1970s Massachusetts, is weak, vain and utterly clueless. By the end, he’s a weirdly Updikean figure, though without the self-awareness: going on the run with no money and without a change of clothes, to escape from the grotesque mess he has made for himself and his family. This is James, played with hangdog near-charm by Josh O’Connor; he is an art school dropout and would-be architectural designer with two young sons, married to Terri (a minor complaint is that the excellent Alana Haim is not given enough to do). James depends on the social standing of his father Bill, a judge, formidably played by Bill Camp, and is borrowing large sums of money from his patrician mother Sarah (Hope Davis), oste...
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Anora, tale of a stripper who marries a Russian oligarch, wins Palme d’Or at Cannes

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Karla Sofía Gascón becomes the first trans woman to share best acting award in the film Emilia Pérez

Anora, a tragi-comic modern-day Cinderella story about a stripper who marries a multimillionare, made by the American director Sean Baker, has won the coveted Palme d’Or at the 77th Cannes Film Festival.

Baker, 53, dedicated the award to “all sex workers past and present” as he accepted the honour from the Star Wars creator George Lucas in front of an audience of stars gathered in the Palais des Festivals on the Cote D’Azur.

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