The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Anora, tale of a stripper who marries a Russian oligarch, wins Palme d’Or at Cannes

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Karla Sofía Gascón becomes the first trans woman to share best acting award in the film Emilia Pérez

Anora, a tragi-comic modern-day Cinderella story about a stripper who marries a multimillionare, made by the American director Sean Baker, has won the coveted Palme d’Or at the 77th Cannes Film Festival.

Baker, 53, dedicated the award to “all sex workers past and present” as he accepted the honour from the Star Wars creator George Lucas in front of an audience of stars gathered in the Palais des Festivals on the Cote D’Azur.

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