Beverly Hills Cop: Axel F review – fish-out-of-water Eddie Murphy chases past glories

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Murphy’s maverick cop – and his theme music – are back to fight corruption, but four decades on there’s little energy to enliven their formulaic reunion Eddie Murphy isn’t finished yet – as he proved with his barnstormer of a performance as Blaxploitation pioneer Rudy Ray Moore in Dolemite Is My Name . But there’s something a bit tired and formulaic about this further go-around for his iconic Detroit cop Axel Foley from the Beverly Hills Cop action-comedy franchise which 40 years ago made Murphy an explosive Hollywood star – and whose catchy Axel F theme became an 80s anthem, duly revived here. He’s back for the fourth film, yet again leaving his Detroit turf to be a scruffy fish-out-of-water in the hilariously chi-chi world of Beverly Hills, yet again wryly noticing from the wheel of his car, on the way in, a montage of all the crazy California stuff, including a car registration plate reading: PRE-NUP. Axel’s grownup lawyer daughter Jane (Taylour Paige) is in Beverly Hills, menace
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A dog in the dock and another doing red carpet interviews: why has Cannes gone canine crazy?

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Once a celebration of arthouse raunch, the film festival has had to change in the #MeToo era. Is that why, on screen and off, pooches are everywhere this year? Our writer goes walkies on the Côte d’Azur

One of the most eagerly anticipated talents about to grace the red carpet at Cannes this week is tall, blond, leggy and has a seductively husky voice. Par for the course, you might think, at the glitzy, notoriously libidinous film festival on the sun-kissed Côte d’Azur – were it not for that lolling tongue and the fact that the bag in the hands of the entourage is more likely to be a doggy-doo than a Birkin or Chanel.

Fawn-maned griffon cross Kodi is the star of French-Swiss actor Laetitia Dosch’s directorial debut Dog on Trial, a film that feels precision-engineered for Cannes’ 77th edition in more ways than one. Dosch tells me the following origin story about her first feature. Three years ago, while the script was taking shape inside her head, she bumped into the director Justine Triet on the train from Cannes to Paris.

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