Savage House review – Claire Foy and Richard E Grant sell it hard in bewigged 18th-century caper

The leads are the most watchable thing in this raucous period yarn about a grimy pair of status-obsessed nobles Black-belt performances from Claire Foy and Richard E Grant put some vim and vigour into this haranguingly one-note and unidirectional period romp of the raucously bewigged and be-poxed 18th century. It’s written and directed by American film-maker Peter Glanz, who gives us candlelit interiors like a knockoff Barry Lyndon, and periodic deafening orchestral stabs with a touch of Amadeus as furious people in costume storm down corridors. But Grant and Foy are always there, selling it hard and there are one or two nice lines. They play Sir Chauncey and Lady Savage, who are living in a vast crumbling country estate: he’s a parvenu, an adventurer, a lover of the new Hanover dispensation who loathes Jacobites, but fundamentally a social alpinist who married for money and took his wife’s noble name. She was entranced by his roguish ways and she forgave him everything but is, however...

‘They just make you happy’: the Queensland farmers who took a chance on a million sunflowers

Battling drought, Jenny and Russell Jenner tore out their failing crops. Could fields of sunflowers for selfies save their Queensland farm?

There is the smell of freshly cut hay as you travel the country road towards the yellow that dusts the landscape in the distance. Row upon row of sunflowers run away down the hills. Little bursts of sunshine sway on the top of tall stems. With their bright optimistic faces – their sheer yellowness – they reach towards the sun, bringing the positive.

But in 2021 there was no yellow in this landscape. Everything was brown, dead, desiccated in the heat haze. After seven years of drought the Moogerah Dam in south-east Queensland’s scenic rim was nearly empty. “There was no water left,” says Jenny Jenner, “and they were cutting off our allocation. And you can’t grow anything without water.” The quaint country towns in the area were depressed; no one was buying seed, fertiliser, fuel or food. “It wears people down,” the farmer adds. “You forget what years and years of drought do to people and the stress that it puts them under. I was trying to think, how could we diversify the farm? I was trying to think out of the box.

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