The director’s witty supernatural thriller joins Psycho, Hereditary, The Brutalist and more – films in which buildings are characters in their own right The first more-or-less horror movie in the lengthy, genre-skimming career of director Steven Soderbergh , Presence is a film about grief, trauma, familial dysfunction and abusive masculinity. But it’s also, to a significant and compelling extent, about property. Beginning with a family’s first viewing of a handsome Victorian home in an unidentified stretch of suburbia, the film never ventures outside its walls for the next 85 minutes, as the ensuing chills make us consider the merits of that purchase. Wittily and unnervingly shot from the perspective of the restless spirit roaming its halls, it’s a haunted house film in which much of the tension feels determined by the shape and flow and light and shade of the house itself. It’s a while since I’ve seen a film where I could quite so exactly draw the floor plan of its primary location,...
‘The new DiCaprio’: how Leo Woodall became one of UK’s hottest exports
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One Day actor who has been cast in next Bridget Jones film has an appeal that spans generations, say pop culture experts
You’d probably never heard of him two years ago and now his blue eyes and floppy sandy hair are everywhere – from magazine covers to TikTok montages.
Searches for Leo Woodall multiplied this week with the announcement that the actor has been cast in the fourth Bridget Jones film, Mad About the Boy, crowning a whirlwind few months for the man who has stolen hearts and become one of Britain’s hottest exports.
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