Ye confirms India concert at Delhi’s Jawaharlal Nehru Stadium on may 23

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Global rapper and producer Kanye West has officially confirmed his India performance, putting an end to ongoing speculation after sharing the Ye Live in India tour flyer on social media. The announcement has quickly gained traction online, with fans reacting to the news across platforms. The concert is scheduled to take place on May 23, 2026, at Jawaharlal Nehru Stadium, marking a major addition to India’s live music calendar. With the confirmation coming directly from the artist, the event is now being seen as one of the most high-profile international concerts to be hosted in the country in recent years. Kanye West is known for delivering large-scale performances that go beyond conventional concerts. His shows often feature elaborate stage setups, experimental visuals, and a strong focus on creating an immersive experience for audiences. While specific details about the India show remain undisclosed, expectations are high that it will reflect his signature style of production. The...
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The Animal Kingdom review – Romain Duris leads post-Covid fantasy of virus-triggered mutants

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Duris stars as a father protecting his son, who may or may not be mutating, in Thomas Cailley’s well-crafted thriller

Thomas Cailley’s sci-fi fantasy has too much sensitivity and good taste to be the proper horror-thriller or creature feature that it almost resembles. It’s a drama of emotions and ideas about post-Covid society – which is welcome enough – but with a dash of prosthetics and CGI and some scares. I felt something very similar about Bong Joon-ho’s monster film The Host back in 2006: the worthiness operates against the excitement and I found myself wanting something more gleefully crass and shocking, something more ironic or thrillingly callous. The Animal Kingdom seems squeamish about going for the jugular in the way a proper genre movie would – or a Marvel movie.

The scene is a France of the near future in which there has been an outbreak of some disease which has caused humans to mutate into animals. The government is just about on top of the situation, having established high-security clinical holding units to confine the “bestioles” (“critters”) as local people heartlessly call them. François (Romain Duris) is a stressed guy keeping his emotions in check since his wife became a “bestiole” and now has to be a single-dad to his tricky teen son Émile, in which role Paul Kircher indicates that he might be succumbing to the disease with unnervingly subtle bovine and simian mannerisms, camouflaged within classic adolescent sulkiness. Adèle Exarchopoulos rather phones in the role of a uniformed female cop who appears to have a tendresse for François.

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