EXCLUSIVE: Sunny Deol-starrer Gabru postponed; won’t release on May 8

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Sunny Deol's stardom went on another level with the blockbuster success of Gadar 2 (2023). His next, Jaat (2025), also had a decent trend at the box office, proving that the success of Gadar 2 was not a fluke. The veteran star began 2026 on a rocking note with the Rs. 300 crore plus grosser, Border 2. As a result, expectations are tremendous for his next film, Gabru. The film was scheduled for release on May 8 and fans will have to wait a little more to experience the emotional drama as it has been pushed further ahead. A source told Bollywood Hungama, “Gabru has been postponed and won’t arrive in cinemas on May 8. The makers plan to lock the new release date in a few days, after which they’ll make an official announcement.” Earlier, Gabru was supposed to release on March 13 and was postponed to May 8, possibly because the holy month of Ramzan was going on and moreover, the much-awaited film, Dhurandhar The Revenge, was to arrive in cinemas 6 days later, on March 19. Gabru is di...
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The Animal Kingdom review – Romain Duris leads post-Covid fantasy of virus-triggered mutants

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Duris stars as a father protecting his son, who may or may not be mutating, in Thomas Cailley’s well-crafted thriller

Thomas Cailley’s sci-fi fantasy has too much sensitivity and good taste to be the proper horror-thriller or creature feature that it almost resembles. It’s a drama of emotions and ideas about post-Covid society – which is welcome enough – but with a dash of prosthetics and CGI and some scares. I felt something very similar about Bong Joon-ho’s monster film The Host back in 2006: the worthiness operates against the excitement and I found myself wanting something more gleefully crass and shocking, something more ironic or thrillingly callous. The Animal Kingdom seems squeamish about going for the jugular in the way a proper genre movie would – or a Marvel movie.

The scene is a France of the near future in which there has been an outbreak of some disease which has caused humans to mutate into animals. The government is just about on top of the situation, having established high-security clinical holding units to confine the “bestioles” (“critters”) as local people heartlessly call them. François (Romain Duris) is a stressed guy keeping his emotions in check since his wife became a “bestiole” and now has to be a single-dad to his tricky teen son Émile, in which role Paul Kircher indicates that he might be succumbing to the disease with unnervingly subtle bovine and simian mannerisms, camouflaged within classic adolescent sulkiness. Adèle Exarchopoulos rather phones in the role of a uniformed female cop who appears to have a tendresse for François.

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