Tiger Shroff and Vidyut Jammwal to star together in Milap Zaveri’s next action romance: Report

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Bollywood action stars Tiger Shroff and Vidyut Jammwal are set to share screen space for the first time in director Milap Zaveri’s upcoming film, according to a recent report by PinkVilla. The project, which remains untitled, is shaping up as an action-romance and is expected to go on floors in February 2026. Sources familiar with the development say the film is designed to leverage the distinct on-screen personas of both actors, who are among Hindi cinema’s most physically commanding performers. The pairing of Shroff and Jammwal has generated significant interest among fans, as audiences have long anticipated seeing the two action stars together. According to the report, Kirti Shetty has been roped in as the female lead, marking another notable project in her growing filmography. “Kirti Shetty has been roped in as the female lead, which will mark another big Bollywood outing for her,” a source told the portal. “This film is designed as a full-fledged, intense action love story. The ...
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The Animal Kingdom review – Romain Duris leads post-Covid fantasy of virus-triggered mutants

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Duris stars as a father protecting his son, who may or may not be mutating, in Thomas Cailley’s well-crafted thriller

Thomas Cailley’s sci-fi fantasy has too much sensitivity and good taste to be the proper horror-thriller or creature feature that it almost resembles. It’s a drama of emotions and ideas about post-Covid society – which is welcome enough – but with a dash of prosthetics and CGI and some scares. I felt something very similar about Bong Joon-ho’s monster film The Host back in 2006: the worthiness operates against the excitement and I found myself wanting something more gleefully crass and shocking, something more ironic or thrillingly callous. The Animal Kingdom seems squeamish about going for the jugular in the way a proper genre movie would – or a Marvel movie.

The scene is a France of the near future in which there has been an outbreak of some disease which has caused humans to mutate into animals. The government is just about on top of the situation, having established high-security clinical holding units to confine the “bestioles” (“critters”) as local people heartlessly call them. François (Romain Duris) is a stressed guy keeping his emotions in check since his wife became a “bestiole” and now has to be a single-dad to his tricky teen son Émile, in which role Paul Kircher indicates that he might be succumbing to the disease with unnervingly subtle bovine and simian mannerisms, camouflaged within classic adolescent sulkiness. Adèle Exarchopoulos rather phones in the role of a uniformed female cop who appears to have a tendresse for François.

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