Jaideep Ahlawat confirms role in Shah Rukh Khan’s King; says, “Who could say no to Shah Rukh Khan”

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In 2023, Shah Rukh Khan made a major impact at the box office with three consecutive blockbusters — Pathaan, Jawan, and Dunki. Now, anticipation is building around his upcoming film titled King. While Saurabh Shukla had earlier confirmed his role in the project, actor Jaideep Ahlawat has also revealed in an interview with Lallantop that he is part of the film. Jaideep Ahlawat confirmed his involvement in Shah Rukh Khan’s upcoming film King and shared how he became part of the project. He recalled, “SRK sir kaafi time se soch rahe the iss cheez ko, jaisa mujhe pata laga hai, but Siddharth Anand bhai thoda hichak rahe honge ki chota part hai to offer after Jewel Thief. But Khan saab being Khan saab, he said I’ll talk to him. Ab unki baat kaun nakarega (SRK sir had been thinking about this for quite some time, as far as I know. But Siddharth (Anand) bhai was a bit hesitant to offer it since it was a small role after Jewel Thief. But Khan saab being Khan saab, he said, ‘I’ll talk to him.’...
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The Animal Kingdom review – Romain Duris leads post-Covid fantasy of virus-triggered mutants

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Duris stars as a father protecting his son, who may or may not be mutating, in Thomas Cailley’s well-crafted thriller

Thomas Cailley’s sci-fi fantasy has too much sensitivity and good taste to be the proper horror-thriller or creature feature that it almost resembles. It’s a drama of emotions and ideas about post-Covid society – which is welcome enough – but with a dash of prosthetics and CGI and some scares. I felt something very similar about Bong Joon-ho’s monster film The Host back in 2006: the worthiness operates against the excitement and I found myself wanting something more gleefully crass and shocking, something more ironic or thrillingly callous. The Animal Kingdom seems squeamish about going for the jugular in the way a proper genre movie would – or a Marvel movie.

The scene is a France of the near future in which there has been an outbreak of some disease which has caused humans to mutate into animals. The government is just about on top of the situation, having established high-security clinical holding units to confine the “bestioles” (“critters”) as local people heartlessly call them. François (Romain Duris) is a stressed guy keeping his emotions in check since his wife became a “bestiole” and now has to be a single-dad to his tricky teen son Émile, in which role Paul Kircher indicates that he might be succumbing to the disease with unnervingly subtle bovine and simian mannerisms, camouflaged within classic adolescent sulkiness. Adèle Exarchopoulos rather phones in the role of a uniformed female cop who appears to have a tendresse for François.

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