Neha Dhupia's debut International Film 52 Blue to open London Indian Film Festival

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Actor Neha Dhupia is all set to mark a major milestone in her career as her first international feature film, 52 Blue, gears up to open the prestigious London Indian Film Festival with its European premiere at BFI Southbank on July 9. The film has received an overwhelmingly positive response for Neha’s striking transformation and powerful performance. Audiences and critics alike have praised the emotional depth of the film, making 52 Blue one of the most anticipated showcases at the festival this year. Adding to the excitement, globally celebrated football icon Lionel Messi is also associated with the film, further amplifying international attention around the project. The film’s global appeal, coupled with its emotionally rich storytelling, has made it a standout title on the festival circuit. Neha Dhupia will be attending the grand premiere in London alongside acclaimed actor Adil Hussain and the ensemble cast of the film. The premiere is expected to draw international cinema lovers...
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The Animal Kingdom review – Romain Duris leads post-Covid fantasy of virus-triggered mutants

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Duris stars as a father protecting his son, who may or may not be mutating, in Thomas Cailley’s well-crafted thriller

Thomas Cailley’s sci-fi fantasy has too much sensitivity and good taste to be the proper horror-thriller or creature feature that it almost resembles. It’s a drama of emotions and ideas about post-Covid society – which is welcome enough – but with a dash of prosthetics and CGI and some scares. I felt something very similar about Bong Joon-ho’s monster film The Host back in 2006: the worthiness operates against the excitement and I found myself wanting something more gleefully crass and shocking, something more ironic or thrillingly callous. The Animal Kingdom seems squeamish about going for the jugular in the way a proper genre movie would – or a Marvel movie.

The scene is a France of the near future in which there has been an outbreak of some disease which has caused humans to mutate into animals. The government is just about on top of the situation, having established high-security clinical holding units to confine the “bestioles” (“critters”) as local people heartlessly call them. François (Romain Duris) is a stressed guy keeping his emotions in check since his wife became a “bestiole” and now has to be a single-dad to his tricky teen son Émile, in which role Paul Kircher indicates that he might be succumbing to the disease with unnervingly subtle bovine and simian mannerisms, camouflaged within classic adolescent sulkiness. Adèle Exarchopoulos rather phones in the role of a uniformed female cop who appears to have a tendresse for François.

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