Firing reported outside Rohit Shetty’s Juhu residence; police investigate

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Early Sunday morning, unidentified individuals fired several gunshots outside the home of Bollywood filmmaker Rohit Shetty in the Juhu area of western Mumbai, prompting an immediate police response and a detailed investigation. According to police sources, the incident occurred at around 12:45 am, when multiple rounds were discharged near Shetty’s residential building. Initial reports indicate that four to five shots were fired, though the precise number of rounds remains under verification by authorities. Mumbai Police, along with crime branch teams, responded swiftly to the scene. Security around the building was heightened, and investigators cordoned off the area as a precautionary measure. Forensic experts and ballistic teams were reportedly brought in to collect evidence, and CCTV footage from the surrounding area is being reviewed to trace the movements of the suspects. #WATCH | Mumbai, Maharashtra | Police and forensic teams reach Director Rohit Shetty's residence, after ...
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The Animal Kingdom review – Romain Duris leads post-Covid fantasy of virus-triggered mutants

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Duris stars as a father protecting his son, who may or may not be mutating, in Thomas Cailley’s well-crafted thriller

Thomas Cailley’s sci-fi fantasy has too much sensitivity and good taste to be the proper horror-thriller or creature feature that it almost resembles. It’s a drama of emotions and ideas about post-Covid society – which is welcome enough – but with a dash of prosthetics and CGI and some scares. I felt something very similar about Bong Joon-ho’s monster film The Host back in 2006: the worthiness operates against the excitement and I found myself wanting something more gleefully crass and shocking, something more ironic or thrillingly callous. The Animal Kingdom seems squeamish about going for the jugular in the way a proper genre movie would – or a Marvel movie.

The scene is a France of the near future in which there has been an outbreak of some disease which has caused humans to mutate into animals. The government is just about on top of the situation, having established high-security clinical holding units to confine the “bestioles” (“critters”) as local people heartlessly call them. François (Romain Duris) is a stressed guy keeping his emotions in check since his wife became a “bestiole” and now has to be a single-dad to his tricky teen son Émile, in which role Paul Kircher indicates that he might be succumbing to the disease with unnervingly subtle bovine and simian mannerisms, camouflaged within classic adolescent sulkiness. Adèle Exarchopoulos rather phones in the role of a uniformed female cop who appears to have a tendresse for François.

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