Shraddha Kapoor joins Aamir Khan in Rahul Mody’s Ashneer Grover biopic: Report

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Actor Shraddha Kapoor is reportedly set to play Madhuri Jain Grover in the upcoming biopic on BharatPe co-founder Ashneer Grover, which is expected to feature Aamir Khan in the lead role. Filmmaker Rahul Mody is developing the film. According to a report by Mid-Day, Kapoor has been associated with the project since its early stages. A source told the publication that it had been decided early in development that she would play the female lead and had closely followed the screenplay’s evolution over time. The film is reportedly based on Grover’s journey as an entrepreneur and the controversies surrounding his exit from BharatPe in 2022, when allegations surfaced that he and members of his family had misused company funds. Madhuri Jain Grover had served as the company’s Head of Controls before her termination the same year. Mody has been working on the screenplay for nearly three years. The filmmaker previously contributed as a writer to Sonu Ke Titu Ki Sweety (2018). He is also rumou...
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The Animal Kingdom review – Romain Duris leads post-Covid fantasy of virus-triggered mutants

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Duris stars as a father protecting his son, who may or may not be mutating, in Thomas Cailley’s well-crafted thriller

Thomas Cailley’s sci-fi fantasy has too much sensitivity and good taste to be the proper horror-thriller or creature feature that it almost resembles. It’s a drama of emotions and ideas about post-Covid society – which is welcome enough – but with a dash of prosthetics and CGI and some scares. I felt something very similar about Bong Joon-ho’s monster film The Host back in 2006: the worthiness operates against the excitement and I found myself wanting something more gleefully crass and shocking, something more ironic or thrillingly callous. The Animal Kingdom seems squeamish about going for the jugular in the way a proper genre movie would – or a Marvel movie.

The scene is a France of the near future in which there has been an outbreak of some disease which has caused humans to mutate into animals. The government is just about on top of the situation, having established high-security clinical holding units to confine the “bestioles” (“critters”) as local people heartlessly call them. François (Romain Duris) is a stressed guy keeping his emotions in check since his wife became a “bestiole” and now has to be a single-dad to his tricky teen son Émile, in which role Paul Kircher indicates that he might be succumbing to the disease with unnervingly subtle bovine and simian mannerisms, camouflaged within classic adolescent sulkiness. Adèle Exarchopoulos rather phones in the role of a uniformed female cop who appears to have a tendresse for François.

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