EXCLUSIVE: Amid UAE ban and PIL controversy, Sanjay Dutt starrer Aakhri Sawal heads for special screening at Rashtrapati Bhavan today

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In a major development surrounding one of the year’s most talked-about films, Sanjay Dutt starrer Aakhri Sawal is set to hold a special screening at Rashtrapati Bhavan today, Bollywood Hungama has exclusively learned. The screening comes amid mounting controversy around the film. Over the past few days, Aakhri Sawal has been making headlines after reports surfaced of the film being banned in the UAE, while a PIL was also reportedly filed against the project in India. Despite the storm surrounding the film, the makers appear unfazed and are moving ahead with an aggressive rollout strategy. Sources close to the development reveal that preparations for the Rashtrapati Bhavan screening have been underway quietly over the last few days, though details regarding the guest list and attendees remain under wraps. Directed as a hard-hitting social drama, Aakhri Sawal features an ensemble cast led by Sanjay Dutt, the film has already generated substantial curiosity because of its subject matter ...
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The Animal Kingdom review – Romain Duris leads post-Covid fantasy of virus-triggered mutants

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Duris stars as a father protecting his son, who may or may not be mutating, in Thomas Cailley’s well-crafted thriller

Thomas Cailley’s sci-fi fantasy has too much sensitivity and good taste to be the proper horror-thriller or creature feature that it almost resembles. It’s a drama of emotions and ideas about post-Covid society – which is welcome enough – but with a dash of prosthetics and CGI and some scares. I felt something very similar about Bong Joon-ho’s monster film The Host back in 2006: the worthiness operates against the excitement and I found myself wanting something more gleefully crass and shocking, something more ironic or thrillingly callous. The Animal Kingdom seems squeamish about going for the jugular in the way a proper genre movie would – or a Marvel movie.

The scene is a France of the near future in which there has been an outbreak of some disease which has caused humans to mutate into animals. The government is just about on top of the situation, having established high-security clinical holding units to confine the “bestioles” (“critters”) as local people heartlessly call them. François (Romain Duris) is a stressed guy keeping his emotions in check since his wife became a “bestiole” and now has to be a single-dad to his tricky teen son Émile, in which role Paul Kircher indicates that he might be succumbing to the disease with unnervingly subtle bovine and simian mannerisms, camouflaged within classic adolescent sulkiness. Adèle Exarchopoulos rather phones in the role of a uniformed female cop who appears to have a tendresse for François.

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