Alia Bhatt and Sharvari shoot with Samay Raina for India’s Got Latent Season 2 in viral photo

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A viral picture featuring Alia Bhatt, Sharvari and comedian Samay Raina has taken social media by storm, sparking widespread speculation around the return of India’s Got Latent. The photos, reportedly clicked at The Habitat in Mumbai, have led fans to believe that the actresses may be appearing as part of the promotional campaign for their upcoming spy-universe film Alpha. While there has been no official confirmation from the makers or the actors involved, the viral images have already triggered intense discussions online. Many fans appeared excited at the possibility of seeing Alia and Sharvari participate in Samay Raina’s popular digital talent-roast format, especially given the enormous online popularity the show achieved after its launch in 2024. Created by Samay Raina, India’s Got Latent quickly became one of the most talked-about digital shows in the country due to its unfiltered humour, unpredictable format, and viral guest interactions. However, the show also attracted contro...
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The Animal Kingdom review – Romain Duris leads post-Covid fantasy of virus-triggered mutants

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Duris stars as a father protecting his son, who may or may not be mutating, in Thomas Cailley’s well-crafted thriller

Thomas Cailley’s sci-fi fantasy has too much sensitivity and good taste to be the proper horror-thriller or creature feature that it almost resembles. It’s a drama of emotions and ideas about post-Covid society – which is welcome enough – but with a dash of prosthetics and CGI and some scares. I felt something very similar about Bong Joon-ho’s monster film The Host back in 2006: the worthiness operates against the excitement and I found myself wanting something more gleefully crass and shocking, something more ironic or thrillingly callous. The Animal Kingdom seems squeamish about going for the jugular in the way a proper genre movie would – or a Marvel movie.

The scene is a France of the near future in which there has been an outbreak of some disease which has caused humans to mutate into animals. The government is just about on top of the situation, having established high-security clinical holding units to confine the “bestioles” (“critters”) as local people heartlessly call them. François (Romain Duris) is a stressed guy keeping his emotions in check since his wife became a “bestiole” and now has to be a single-dad to his tricky teen son Émile, in which role Paul Kircher indicates that he might be succumbing to the disease with unnervingly subtle bovine and simian mannerisms, camouflaged within classic adolescent sulkiness. Adèle Exarchopoulos rather phones in the role of a uniformed female cop who appears to have a tendresse for François.

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