Sense and Sensibility review – blue-chip cast decorates Emma Thompson’s pleasurable Austen adaptation

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Thirty years later, this richly enjoyable film is back with its quality lineup including Kate Winslet and Hugh Grant alongside Thompson herself Emma Thompson won a screenplay Oscar for this buoyant, vibrant, richly enjoyable adaptation of Jane Austen’s novel. Released in 1995, it was directed by Ang Lee and is a movie with the pleasures of a golden age studio picture of the kind made by William Wyler. It was the second half of Thompson’s Oscar double – she won her first one in 1993 for acting in Howards End – and she is still the only person in Academy Award history to win for acting and writing. With marvellous lightness and gaiety, Thompson found a response to Austen’s comic register, expertly marrying it up to the romance, and 1995 now looks like the golden age of Austen adaptation, having also seen the Colin Firth/Jennifer Ehle Pride and Prejudice on television and Amy Heckerling’s Emma-homage Clueless at the movies. Thompson paid due attention to Austen’s unique and toughly real...
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Norwegian Dream review – queer romance speaks for all the oppressed underclasses

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This idealistic feature draws parallels between the struggles of immigrant Polish workers in Norway and the homophobia faced by two young lovers, but can’t quite sew up the two seams

Director Leiv Igor Devold makes an unexpected link-up between Norway, the country where he grew up, and Poland, where he attended film school, in this idealistic but sometimes heavy-handed second feature. He also finds invigorating cross-currents in contrasting the collectivist struggles of immigrant Polish fish-processing workers with another oppressed minority: the stuttering romance, in the face of homophobia, between young wage slave Robert (Hubert Miłkowski) and his supervisor Ivar (Karl Bekele Steinland).

Robert finds himself gutting salmon in a factory on a Norwegian island in order to send money back home. But it is Ivar – the black adopted son of the factory owner Bjorn (Øyvind Brandtzæg) – who gets under his skin. A wannabe actor slumming it courtesy of dad, he’s an unbridled karaoke diva and early-morning buster of moves in the factory car park, even with Robert’s dorm-mate Marek (Jakub Sierenberg) heckling him. Robert is fascinated, but it’s not the fear of his compatriots that stops him acting; it’s the self-hating homophobic imp on his back that has him clamming up every time he’s confronted with Ivar.

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