EXCLUSIVE: Minimum 2 shows in single screens, 5 shows in 2 screen cinemas, 6 shows in 3-screen multiplexes - Release strategy of Tu Meri Main Tera Main Tera Tu Meri REVEALED

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Two days are left for the release of Tu Meri Main Tera Main Tera Tu Meri, starring Kartik Aaryan and Ananya Panday, and the excitement is slowly building up thanks to its fresh look, youthful appeal, music and casting. The advance booking of the film commenced over the weekend and in this article, Bollywood Hungama will inform readers about the demand put forward by Dharma Productions’ in-house distribution team in front of the single-screen theatres and multiplexes. A trade source told Bollywood Hungama, “The team of Tu Meri Main Tera Main Tera Tu Meri are aware that Dhurandhar is still unstoppable and will continue to find a huge audience on Christmas, when their film will arrive in cinemas. They also know that Avatar: Fire And Ash has taken up several shows and screens. Hence, they have asked for fair and modest showcasing, keeping in mind the realities.” The source continued, “The distribution team of Tu Meri Main Tera Main Tera Tu Meri has asked for a minimum of 2 shows in theat...
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Norwegian Dream review – queer romance speaks for all the oppressed underclasses

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This idealistic feature draws parallels between the struggles of immigrant Polish workers in Norway and the homophobia faced by two young lovers, but can’t quite sew up the two seams

Director Leiv Igor Devold makes an unexpected link-up between Norway, the country where he grew up, and Poland, where he attended film school, in this idealistic but sometimes heavy-handed second feature. He also finds invigorating cross-currents in contrasting the collectivist struggles of immigrant Polish fish-processing workers with another oppressed minority: the stuttering romance, in the face of homophobia, between young wage slave Robert (Hubert Miłkowski) and his supervisor Ivar (Karl Bekele Steinland).

Robert finds himself gutting salmon in a factory on a Norwegian island in order to send money back home. But it is Ivar – the black adopted son of the factory owner Bjorn (Øyvind Brandtzæg) – who gets under his skin. A wannabe actor slumming it courtesy of dad, he’s an unbridled karaoke diva and early-morning buster of moves in the factory car park, even with Robert’s dorm-mate Marek (Jakub Sierenberg) heckling him. Robert is fascinated, but it’s not the fear of his compatriots that stops him acting; it’s the self-hating homophobic imp on his back that has him clamming up every time he’s confronted with Ivar.

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