Mark Kermode on… Kathryn Bigelow, a stylish ruffler of feathers

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From vampire noir to Bin Laden, Point Break to Detroit, the first woman to win an Oscar for best director has never pulled her punches Watching new Jeff Nichols release The Bikeriders , starring Austin Butler and Tom Hardy as 60s Chicago greasers, I was reminded of two other movies: László Benedek’s 1953 Marlon Brando vehicle The Wild One , explicitly cited as an inspiration, and The Loveless , the 1981 feature debut of Kathryn Bigelow , the American film-maker (b.1951) who would go on to become the first woman to win a best director Oscar with her 2008 war drama The Hurt Locker . A symphony of leather-clad posing (with just a touch of Kenneth Anger ), The Loveless was a staple of the late-night circuit in the 80s, often on a double bill with David Lynch’s Eraserhead . Sharing directing credits with Monty Montgomery, Bigelow playfully deconstructed masculinity and machismo in a manner that was one part wry to two parts relish. I remember seeing The Loveless at the Phoenix in East
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Leo Woodall to join Renée Zellweger and Hugh Grant for Bridget Jones 4

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Mad About the Boy, the fourth instalment in the adventures of Helen Fielding’s scatty heroine, has been confirmed for release on Valentine’s Day 2025

Following months of speculation, the studio behind Bridget Jones has confirmed their heroine will return for a fourth big screen outing, adapted from Helen Fielding’s 2013 novel Mad About the Boy.

Hugh Grant is set to reprise his role as the appallingly dashing Daniel Cleaver, having sat out the previous instalment, 2016’s Bridget Jones’s Baby. That movie charted Bridget’s unexpected pregnancy, which coincided with a love triangle as veteran on-off boyfriend Mark Darcy (Colin Firth) and a new suitor played by Patrick Dempsey vied for her affections.

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