The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Laurent Cantet, film-maker who tackled diversity and class in France, dies aged 63

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Director of Palme d’Or-winning film Entre les Murs (The Class) was much praised for humanism in projects

Laurent Cantet, the award-winning film-maker whose creations tackled some of the most complex issues of modern French society, including meritocracy, the education system, diversity and class struggle, has died aged 63 after an illness.

Cantet was best known outside France for his film Entre les Murs (The Class), which won the Palme d’Or at the Cannes film festival in 2008. It depicted life inside the classroom of a secondary school in Paris’s diverse 20th arrondissement and the relationship between students – compellingly improvised by non-professional teenagers – and their at times exasperated teacher.

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