Priyanka Chopra, Varanasi and the question of a Telugu debut; was the Ram Charan starrer Thoofan forgotten?

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The Varanasi team’s widely circulated interview with Screen Rant features a rather awkward moment. When the interviewer asks Priyanka Chopra about her Telugu debut in Varanasi, the actor says she cannot remember when she last did a Telugu film. Mahesh Babu quickly steps in to add, “This is her first Telugu film.” But that is not entirely accurate. Priyanka Chopra had, in fact, featured in the Telugu version of the Amitabh Bachchan classic Zanjeer in 2013. Titled Thoofan, the Ram Charan starrer had Priyanka playing his love interest in what was admittedly a small role. At the time, Chopra had expressed considerable gratitude to the makers of Thoofan, as opportunities in Bollywood were scarce for her then. A senior member of the Thoofan team views her current statement as a case of selective amnesia. “When we signed her for Thoofan, nobody in the Hindi film industry was willing to sign her. We ourselves felt the role was not substantial enough for a future global star like her. But s...
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Infinity According to Florian review - mission to save Ukraine’s extraordinary modernist masterpiece

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Oleksiy Radynski chronicles the visionary architect Florian Yuriev’s drive to rescue Kyiv’s Institute of Information from destruction after he was given weeks to live

The extraordinary mind of Florian Yuriev, a visionary Ukrainian architect and artist, visualises an astonishingly holistic view of the world. His abstract paintings brim with geometric colourful shapes and patterns that also carry a sonic component, as each shade has their own tonality. On his piano, whose keys are marked with their designated colours, Yuriev played out his painterly compositions, breaking down the barrier between sound and vision. Shot towards the end of Yuriev’s life, Oleksiy Radynski’s passionate documentary follows the architect’s tireless efforts to save one of his modernist masterpieces from destruction.

Once deemed impossible to build, his design for a cultural centre that later became Kyiv’s Institute of Information reflects the utopian optimism of the space age. Nicknamed the “Flying Saucer” building for its futuristic look, the structure features a disc-shaped theatre perched on a horizontal glass-and-steel hall. With their high ceilings and cavernous curves, the interior of the auditorium evokes a sense of calm and openness. The equilibrium, however, is interrupted by construction noises coming from outside: an intrusive shopping mall might soon merge into Yuriev’s design.

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