Priyadarshan to direct Bhoot Police 2 without Saif Ali Khan, Arjun Kapoor: Report

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Veteran filmmaker Priyadarshan is reportedly set to direct the sequel to the 2021 horror-comedy Bhoot Police, with significant changes to its cast and production approach. According to industry reports, Priyadarshan has been brought on board with a substantial fee of Rs 21 crores to lead the project, underlining confidence in his creative vision for the franchise’s next chapter. Sources familiar with the development told entertainment portal Pinkvilla that while Bhoot Police 2 will maintain the core blend of humour and supernatural elements that defined the first film, it will not feature the original leads — Saif Ali Khan and Arjun Kapoor. “While the sequel retains the core idea of a horror-comedy, the casting will see a complete refresh. Saif Ali Khan and Arjun Kapoor will not be returning for the second instalment,” the source said. “The idea is to reinvent the franchise with a new duo. The makers are looking at two actors — one senior and one junior — to create an interesting com...
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Infinity According to Florian review - mission to save Ukraine’s extraordinary modernist masterpiece

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Oleksiy Radynski chronicles the visionary architect Florian Yuriev’s drive to rescue Kyiv’s Institute of Information from destruction after he was given weeks to live

The extraordinary mind of Florian Yuriev, a visionary Ukrainian architect and artist, visualises an astonishingly holistic view of the world. His abstract paintings brim with geometric colourful shapes and patterns that also carry a sonic component, as each shade has their own tonality. On his piano, whose keys are marked with their designated colours, Yuriev played out his painterly compositions, breaking down the barrier between sound and vision. Shot towards the end of Yuriev’s life, Oleksiy Radynski’s passionate documentary follows the architect’s tireless efforts to save one of his modernist masterpieces from destruction.

Once deemed impossible to build, his design for a cultural centre that later became Kyiv’s Institute of Information reflects the utopian optimism of the space age. Nicknamed the “Flying Saucer” building for its futuristic look, the structure features a disc-shaped theatre perched on a horizontal glass-and-steel hall. With their high ceilings and cavernous curves, the interior of the auditorium evokes a sense of calm and openness. The equilibrium, however, is interrupted by construction noises coming from outside: an intrusive shopping mall might soon merge into Yuriev’s design.

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