Anees Bazmee to shoot his next comedy with Akshay Kumar and Vidya Balan from January 15

Birthday girl Vidya Balan gets an unexpected gift from Anees Bazmee. She begins shooting for the filmmaker’s next, which also stars Akshay Kumar, from January 15. The shooting will continue till January 20. After Bhool Bhulaiyaa and Heyy Babyy in 2007, Thank You in 2011 and Mission Mangal in 2019, Vidya Balan and Akshay Kumar are coming together again. Anees Bazmee earlier directed the pair in the comedy Thank You. On probing the captivating casting, one came to know that Anees would be tapping into Vidya-Akshay’s combined comic capabilities. Everyone knows of Akshay’s impeccable comic timing. But Vidya, who has flaunted a fleeting flair for the funnies in Anees’ Bhool Bhulaiya 3, would be exposing her humour fangs like never before. Also Read: REVEALED: Akshay Kumar-Vidya Balan-Anees Bazmee film to go on floors on January 19 in Mumbai; Dil Raju clarifies on Sankranthiki Vasthunam remake reports from L...

Infinity According to Florian review - mission to save Ukraine’s extraordinary modernist masterpiece

Oleksiy Radynski chronicles the visionary architect Florian Yuriev’s drive to rescue Kyiv’s Institute of Information from destruction after he was given weeks to live

The extraordinary mind of Florian Yuriev, a visionary Ukrainian architect and artist, visualises an astonishingly holistic view of the world. His abstract paintings brim with geometric colourful shapes and patterns that also carry a sonic component, as each shade has their own tonality. On his piano, whose keys are marked with their designated colours, Yuriev played out his painterly compositions, breaking down the barrier between sound and vision. Shot towards the end of Yuriev’s life, Oleksiy Radynski’s passionate documentary follows the architect’s tireless efforts to save one of his modernist masterpieces from destruction.

Once deemed impossible to build, his design for a cultural centre that later became Kyiv’s Institute of Information reflects the utopian optimism of the space age. Nicknamed the “Flying Saucer” building for its futuristic look, the structure features a disc-shaped theatre perched on a horizontal glass-and-steel hall. With their high ceilings and cavernous curves, the interior of the auditorium evokes a sense of calm and openness. The equilibrium, however, is interrupted by construction noises coming from outside: an intrusive shopping mall might soon merge into Yuriev’s design.

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