Junaid Khan-Sai Pallavi starrer Mere Raho release shifted to Summer 2026 amid crowded December line-up: Report

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The release of Mere Raho, the upcoming romantic drama starring Junaid Khan and Sai Pallavi, has been postponed from its originally scheduled December 12, 2025, debut. The film — produced by Aamir Khan Productions — is now being earmarked for a summer 2026 release, with movers and shakers in the industry pointing to a July window as a preferred launch period. Filming and post-production for Mere Raho wrapped earlier this year, completing principal photography by April 2025. The marketing responsibilities for the project were entrusted to Aamir Khan himself, who, according to trade sources, was instrumental in re-evaluating the release strategy. A source told Mid-Day that the decision to shift the date was rooted in commercial pragmatism: “December is a high-pressure corridor.” The insider noted that the end-of-year calendar was dominated by heavyweight productions, including Dhurandhar and a major romantic comedy starring Kartik Aaryan and Ananya Panday, making it difficult for a cont...
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Infinity According to Florian review - mission to save Ukraine’s extraordinary modernist masterpiece

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Oleksiy Radynski chronicles the visionary architect Florian Yuriev’s drive to rescue Kyiv’s Institute of Information from destruction after he was given weeks to live

The extraordinary mind of Florian Yuriev, a visionary Ukrainian architect and artist, visualises an astonishingly holistic view of the world. His abstract paintings brim with geometric colourful shapes and patterns that also carry a sonic component, as each shade has their own tonality. On his piano, whose keys are marked with their designated colours, Yuriev played out his painterly compositions, breaking down the barrier between sound and vision. Shot towards the end of Yuriev’s life, Oleksiy Radynski’s passionate documentary follows the architect’s tireless efforts to save one of his modernist masterpieces from destruction.

Once deemed impossible to build, his design for a cultural centre that later became Kyiv’s Institute of Information reflects the utopian optimism of the space age. Nicknamed the “Flying Saucer” building for its futuristic look, the structure features a disc-shaped theatre perched on a horizontal glass-and-steel hall. With their high ceilings and cavernous curves, the interior of the auditorium evokes a sense of calm and openness. The equilibrium, however, is interrupted by construction noises coming from outside: an intrusive shopping mall might soon merge into Yuriev’s design.

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