SCOOP: Anil Kapoor buys rights to his cult film Nayak; aspires to make its sequel

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Anil Kapoor has had an illustrious career and has delivered several memorable films. One film that stands out in his filmography is Nayak (2001). The political drama didn’t work in cinemas but became a cult film later on. Fans have long demanded a sequel to Nayak and Bollywood Hungama has learned that the plan might finally materialize. A source told Bollywood Hungama, “Producer Deepak Mukut of Sanam Teri Kasam (2016) fame held the rights to Nayak. It is said that Anil Kapoor has bought the rights from him. He plans to hold the rights as it’s a film close to his heart. Also, he aspires to make a sequel to it. He is fully aware of the love he has garnered for the film over the years and he also is of the belief that the subject of Nayak has tremendous potential for a second part.” We contacted Deepak Mukut to find out if he has sold the rights of Nayak to Anil Kapoor but he was unavailable for comment. In an exclusive interview with Bollywood Hungama in March 2024, Deepak Mukut told ...
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Infinity According to Florian review - mission to save Ukraine’s extraordinary modernist masterpiece

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Oleksiy Radynski chronicles the visionary architect Florian Yuriev’s drive to rescue Kyiv’s Institute of Information from destruction after he was given weeks to live

The extraordinary mind of Florian Yuriev, a visionary Ukrainian architect and artist, visualises an astonishingly holistic view of the world. His abstract paintings brim with geometric colourful shapes and patterns that also carry a sonic component, as each shade has their own tonality. On his piano, whose keys are marked with their designated colours, Yuriev played out his painterly compositions, breaking down the barrier between sound and vision. Shot towards the end of Yuriev’s life, Oleksiy Radynski’s passionate documentary follows the architect’s tireless efforts to save one of his modernist masterpieces from destruction.

Once deemed impossible to build, his design for a cultural centre that later became Kyiv’s Institute of Information reflects the utopian optimism of the space age. Nicknamed the “Flying Saucer” building for its futuristic look, the structure features a disc-shaped theatre perched on a horizontal glass-and-steel hall. With their high ceilings and cavernous curves, the interior of the auditorium evokes a sense of calm and openness. The equilibrium, however, is interrupted by construction noises coming from outside: an intrusive shopping mall might soon merge into Yuriev’s design.

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