Relationship Goals review – Kelly Rowland and Method Man flirt through breezy romcom

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The Valentine’s Day offerings begin with Amazon’s fast-paced, millennial-coded film that’s a fun enough watch even if its messaging is a little suspect On its face, Relationship Goals is a classic romcom, calibrated for viewers of a certain generation. The perennially resplendent Kelly Rowland is Leah, a boss babe morning TV producer in line to replace her retiring boss (the omnipresent Matt Walsh) as showrunner. Just as she’s poised to break the glass ceiling, the network higher-ups stick her in a bake-off with Jarrett, a ringer from her romantic past played with devil charm by Method Man. The promise of one of Destiny’s Children playing the will they/won’t they game with the hunk of the Wu-Tang Clan could well prove too strong a lure to stop the scores who grew up on their music from clicking on the Prime Video thumbnail just out of nostalgic curiosity. It’s a tractor beam made stronger by director Linda Mendoza’s extraordinarily fast pace. I mean, those 90 minutes just breeze by. ...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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