Khalnayak Returns launch event: Sanjay Dutt CONFIRMS, "We are working on Vaastav 2"; makes an appeal to Rajkumar Hirani, "Raju, please make Munna Bhai 3!"

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Actor-producer Sanjay Dutt, Aksha Kamboj, Executive Chairperson of Aspect Global (Aspect Entertainment), Subhash Ghai and Jyoti Deshpande of Jio Studios announced Khalnayak Returns at an event in Mumbai. Sanjay Dutt revealed that he’ll be producing the second part of the cult 1993 film under his banner, Three Dimension Motion Pictures. A journalist asked that besides Khalnayak, the other characters of the actor who have achieved legendary status are Raghu from Vaastav (1999) and Murli Prasad Sharma from Munna Bhai. Hence, the journalist enquired if sequels to these films could be made. Sanjay Dutt replied, “We are working on Vaastav 2. As for Munna Bhai, you’ll have to ask Raju Hirani. Raju, please make Munna Bhai again!” At one point during the event, Subhash Ghai narrated, “With Sanju, I first worked in Vidhaata (1982), in which he played the grandson of Dilip Kumar. He was forced into acting by his father (Sunil Dutt). He was like ‘Main kyun actor banu? Mujhe motorcycle chalani h...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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