Ramayana trailer FINALLY out: Sunny Deol missing but Yash AMAZES as Ravana; Ranbir Kapoor and Sai Pallavi IMPRESS in the grand 3D spectacle

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In recent times, very few films have managed to generate as much excitement as Ramayana. The promotional campaign began nearly a year and a half before its release, in July 2025. Since then, the makers have organised events across the world, with several more expected to follow. Finally, the keenly awaited trailer was unveiled online on the morning of July 30. Bollywood Hungama got a sneak peek at the promo 10 days earlier at a multiplex in Mumbai, and it was evident that the experience was on another level when viewed on the big screen in 3D. The earlier promotional asset focused on Lord Rama, played by Ranbir Kapoor, while the trailer introduces several other characters. However, the character which dominates the proceedings is Ravana, played by Yash. The trailer opens with him, and the manner in which he has been presented is sure to amaze viewers. His ferocious avatar and action sequences particularly stand out. Several actors have portrayed Ravana in the past, but Yash’s interpre...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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