EXCLUSIVE: Tanishk Bagchi gets engaged to Payal Dangodra in a close-knit ceremony at Mahaveer Jain’s home; Amruta Fadnavis attends

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One of the most prominent composers of the film industry, Tanishk Bagchi, is now engaged. Bollywood Hungama has exclusively learned that the engagement took place yesterday, Friday, June 26. Tanishk Bagchi's engagement took place with Payal Dangodra, a prominent fashion, beauty, food, travel and lifestyle content creator. The engagement ceremony was a close knit one and took place in the Mumbai residence of producer Mahaveer Jain. Only close friends and family members were present to indulge in the celebrations and bless the couple. As per inside sources, Amruta Fadnavis, wife of the Chief Minister of Maharashtra, Devendra Fadnavis, was one of the guests and she even sang songs. Interestingly, Tanishk Bagchi has now turned producer along with dynamic young producer Divyansh Jain under 'MJF NXT', a platform by Mahaveer Jain Films to present a platform for emerging creative talents in the entertainment industry landscape. Also Read: EXCLUSIVE: Tanishk Bagchi of Saiyaara fame...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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