Mohammed Zeeshan Ayyub clarifies he is not part of Ajay Devgn starrer Chauhaan after teaser voice controversy

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Actor Mohammed Zeeshan Ayyub has issued a public clarification distancing himself from the upcoming Ajay Devgn-starrer Chauhaan, stating that he has no association with the film despite his voice featuring in its teaser. The actor shared a detailed note on social media, explaining that he had recorded a line for the makers in good faith without being informed about the context in which it would eventually be used. Zeeshan's statement comes around 10 days after reports suggested that his voice had been removed from the Chauhaan teaser. While he did not mention the film by name in his note, it was widely understood that he was referring to Chauhaan, whose teaser had initially opened with a narration in his voice. Sharing his statement, Mohammed Zeeshan Ayyub wrote, “Few weeks back, a film teaser released with the opening line in my voice. I wish to put on record that I am not part of the film in any capacity. I was asked to dub a line without any reference a few months back. I did t...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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