French director of Nazi collaborator film rejects ‘historical gaslighting’ claims

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Xavier Giannoli says criticism that Les Rayons et les Ombres invites sympathy for characters is ‘profoundly dishonest’ The director of a box office hit film about Nazi collaboration and its Oscar-winning star have described criticisms they have whitewashed wartime atrocities as dishonest and “a scandal”. Xavier Giannoli and the actor Jean Dujardin were responding to a bitter row that has divided French historians over the film Les Rayons et les Ombres (Rays and Shadows), which recounts the story of the wartime press baron Jean Luchaire. Continue reading... from Film | The Guardian https://ift.tt/xCyd0Vg via IFTTT
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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