SCOOP: Makers of Bhooth Bangla host exclusive fan screening of Akshay Kumar’s film teaser ahead of launch

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The excitement around the upcoming horror-comedy Bhooth Bangla starring Akshay Kumar continues to build, and the makers have now taken a unique step to involve fans in the film’s promotional journey. Ahead of the official teaser launch scheduled for tomorrow, the team organized a special fan screening event where attendees got an exclusive first glimpse of the much-anticipated teaser. The event, hosted by the makers of Bhooth Bangla, brought together a select group of fans who were treated to the teaser before its official digital debut. The initiative was aimed at creating early buzz around the film while also rewarding fans who have been eagerly waiting to see Akshay Kumar return in a spooky yet comedic avatar. Sources close to the development reveal that the atmosphere at the screening was electric, with fans reacting enthusiastically to the first look of the film’s tone, visuals, and Akshay Kumar’s character. The teaser reportedly blends eerie elements with the signature humour t...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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