EXCLUSIVE: Batwara 1947 trailer to be launched at Jaipur’s iconic single-screen cinema, Raj Mandir, on July 28; Mumbai event on July 29

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With less than three weeks to go for its release, the promotions of Batwara 1947 will be taken to the next level this week, as the trailer of the much-awaited film will finally be unveiled in a few days. In a unique initiative, the launch will be held in two different cities on two consecutive days. A source told Bollywood Hungama, “On Tuesday, July 28, the trailer of Batwara 1947 will be unveiled in the iconic single-screen cinema, Raj Mandir in Jaipur, Rajasthan. Fans and local media will be invited to catch the trailer and also catch a glimpse of Sunny Deol and Rajkumar Santoshi.” The source added, “Raj Mandir serves as the perfect venue for such events in Rajasthan. It has hosted several launches previously, so the management has experience handling fans and stars. Moreover, the single-screen is one-of-a-kind in the country in terms of ambience, screen and sound quality, etc. Also, it’s a theatre close to Sunny Deol’s heart. He promoted the re-release of his cult classic, Gadar – ...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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