Post your questions for Halle Bailey

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Ahead of the release of her new film You, Me & Tuscany, the singer and actor will be taking your questions on everything from working with Beyoncé to The Little Mermaid backlash You’ll probably know Halle Bailey best for two things: her role as Ariel in Disney’s 2023 live-action remake of The Little Mermaid , and appearing in the visual album for Lemonade by Beyoncé , who she also supported on tour as part of musical sister duo Chloe x Halle . The pair first found an audience on YouTube, and have since been nominated for five Grammys. Bailey was only 19 when she was cast in The Little Mermaid, thanks due what director Rob Marshall described as her “otherworldly sensibility”. Of course the internet quickly found something to complain about, with much of the backlash going beyond the absence of cartoony bright red hair. “I expected it, honestly,” she told the Guardian . “We’re all human beings, so of course it’s going to hurt or sting a little bit, especially remarks like those.” ...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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