REVEALED: Land bought by Amitabh Bachchan for Rs 7 cr in 2007 near GIFT City, Gujarat now valued at WHOPPING Rs 210 cr; Abhishek to build massive project on the same land

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On January 10, it emerged that Abhishek Bachchan is set to enter the real estate space with a project in GIFT City, Gandhinagar, Gujarat. He has entered into a profit-sharing agreement with producer and real estate mogul Anand Pandit for the development, which aims to create luxury residential, office and retail spaces spanning over one million sq ft of built-up area. Interestingly, reports also stated that the complex will come up on land purchased by Amitabh Bachchan over a decade ago, when he was Gujarat’s brand ambassador. Anand Pandit told Mid-Day that Amitabh has gifted the land to Abhishek. Meanwhile, further reports have surfaced about the land’s valuation then, and what it is estimated to be worth today. As per an article in Bhaskar, Amitabh Bachchan bought the land parcel for Rs. 7 crores from Virambhai Rudabhai Gamara of Chandlodiya, Ahmedabad. It is located at Shahpur village, very close to GIFT City. The deal was carried out by Rajesh Rishikesh Yadav, Managing Director o...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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