‘America’s sweetheart’: exhibition explores Marilyn Monroe’s complex relationship to stardom

The new exhibition at LA’s Academy museum features some of the star’s most intimate belongings that have never been available for public viewing There’s an unsettling moment in Marilyn Monroe: Hollywood Icon , a new exhibition opening in Los Angeles this weekend, where some of the star’s last recorded words emanate from the gallery walls. Her voice, gentle and unassuming, is taken from a restored audio recording of her final interview, published in Life magazine the day before she died. Continue reading... from Film | The Guardian https://ift.tt/z9eSl4O via IFTTT

Grace review – monumentally odd father-daughter odyssey via mobile cinema

Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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