Hrithik Roshan joins Nissan India as brand ambassador for Tekton SUV

Nissan India has announced actor Hrithik Roshan as its new brand ambassador, coinciding with the launch of its latest mid-size SUV, the Tekton. The partnership comes at a significant time for the automaker as it expands its presence in one of India's most competitive automotive segments with a new flagship offering. The Tekton, priced from Rs 10.49 lakh (ex-showroom), marks Nissan's entry into the mid-size SUV category and now sits at the top of the company's domestic portfolio. Bookings for the SUV have officially opened, while customer deliveries are scheduled to begin on July 20. By bringing Hrithik Roshan on board as the face of the brand, Nissan aims to strengthen its visibility and connect with a wider audience as it introduces the Tekton to Indian buyers. The collaboration is expected to support the company's efforts to establish a stronger foothold in the growing SUV market. On the design front, the Tekton features a bold and upright stance with a prominent fro...

Grace review – monumentally odd father-daughter odyssey via mobile cinema

Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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