Christopher Nolan to attend FIRST-EVER India premiere of The Odyssey in Mumbai

To celebrate the global theatrical debut of his new mythic action epic, The Odyssey, Academy Award®-winning filmmaker Christopher Nolan is set to arrive in Mumbai this July, accompanied by film stars Matt Damon, Tom Holland, and Academy Award®-winning producer Emma Thomas. The Odyssey will be the first Christopher Nolan film ever to premiere in India. The filmmakers and Universal Pictures International have designated Mumbai as an official stop on The Odyssey's global premiere tour, placing Mumbai alongside London, Paris and New York. The Odyssey arrives in theaters worldwide July 17. Shot across the world using brand new IMAX® film technology, The Odyssey is the first feature film shot entirely with IMAX® cameras. The India premiere will be held at PVR Icon IMAX®: Phoenix Palladium in Mumbai.   View this post on Instagram   A post shared by Odyssey Movie (@theodysseymovie) The film stars Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Samantha Mo...

Grace review – monumentally odd father-daughter odyssey via mobile cinema

Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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