Sunny Deol to honour real-life changemakers during Batwara 1947 promotional tour across India: Report

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The promotional campaign for Batwara 1947 is underway, with the film's cast travelling across multiple cities ahead of its theatrical release on August 14, 2026. Now, a new report suggests that the makers have planned a unique initiative during the city tour, with lead actor Sunny Deol expected to honour individuals who have made noteworthy contributions to society. Directed by Rajkumar Santoshi and produced under the banner of Aamir Khan Productions, Batwara 1947 stars Shabana Azmi, Sunny Deol and Preity G Zinta in leading roles. Set against the backdrop of the Partition of India, the film explores the human stories that emerged during one of the most defining moments in the subcontinent's history. According to a source associated with the project, the promotional campaign will go beyond conventional film events by recognising real-life changemakers in every city the team visits. “Makers has planned a very special initiative during the Batwara 1947 promotional city tour. In e...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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