Jitendra Kumar and Pooja Bhatt team up for film set in India's traditional pigeon-flying culture

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Actor Jitendra Kumar is all set to star in a new film alongside Pooja Bhatt. The project delves into the emotionally rich and rarely explored world of kabootar-baazi—India’s age-old pigeon-flying tradition. A Story Rooted in Culture and Emotion Jitendra Kumar, widely loved for his performances in Panchayat, Kota Factory, Jaadugar, Shubh Mangal Zyada Saavdhan, and the recent Bhagwat: Chapter One – Raakshas, takes on another unique role in this upcoming film. He will be seen as a passionate kabootarbaaz, bringing depth and realism to a character shaped by this traditional sport and its community. National Award-winning actor Pooja Bhatt will play Jitendra’s on-screen mother. Known for her powerful and layered performances in Zakhm, Tamanna, and Daddy, Pooja returns to a more intimate storytelling space that highlights her emotional strength as a performer. The Team Behind the Film The film is produced by Khyati Madaan under her banner Not Out Entertainment and co-produced by Hitesh ...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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