Gaurav Khanna breaks silence on Akanksha Chamola divorce rumours; says, “Main humesha support karunga Akanksha ko, meri biwi hai yaar”

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Actor and Bigg Boss 19 winner Gaurav Khanna has finally reacted to the ongoing speculation surrounding his personal life after his wife, Akanksha Chamola, made a startling revelation on the stage of Lock Upp Season 2. Before entering the reality show's prison, Akanksha claimed that she and Gaurav have been living separately for over a year and are currently in the process of getting divorced, leaving fans surprised. Amid the buzz surrounding their relationship, Gaurav has chosen to focus on extending his support to Akanksha and her participation in the reality show. The actor was recently spotted outside the sets of the comedy-cooking reality show Laughter Chefs, where paparazzi asked him about how he has been coping with the ongoing attention around his personal life. Responding to the questions, Gaurav said, “Bas yaar, wahi yaar jo pehle tha wahi haal hai abhi bhi. Pyaar abhi bhi utna hai, support abhi bhi utna hai… Main toh humesha support karunga Akanksha ko, meri biwi hai yaa...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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