Satluj row deepens: PIL filed in Punjab and Haryana High Court over Zee5 removal of Diljit Dosanjh film

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The controversy surrounding Diljit Dosanjh's Satluj continues to intensify. A public interest litigation (PIL) has now been filed before the Punjab and Haryana High Court, challenging the sudden removal of the film from streaming platform Zee5 and seeking its restoration across the country. The PIL has been filed by Sharwan Singh, with the Union Government, the Central Board of Film Certification (CBFC), the Punjab Government, Zee Entertainment Enterprises Limited, and ZEE5 named as respondents. The petition questions why the film, which is based on the life and work of human rights activist Jaswant Singh Kalra, was removed from the platform without any judicial, legal, or government directive. Filed under Article 226 of the Constitution of India, the petition argues that the removal of Satluj infringes upon the fundamental right to freedom of speech and expression. It further contends that the explanation citing only "current circumstances" is vague and fails to specify...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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