Ranbir Kapoor leases five floors in Andheri for 20 years to revive RK Studios

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Bollywood star Ranbir Kapoor and his family are taking a major step toward reviving their cinematic legacy by leasing five floors in a commercial complex in Andheri East, Mumbai, for 20 years to establish a new iteration of the legendary RK Studios. The development, reported by multiple outlets, signals a significant return for a brand that once defined Hindi cinema. The original RK Studios, founded by Ranbir’s grandfather, the late “Showman” Raj Kapoor — was located in Chembur but was sold in 2018 after a devastating fire and mounting maintenance challenges. This new lease is seen as a bold attempt to bring the prestige and infrastructure of the studio back to life in a modern setting. According to industry reports, the five-floor space at Kanakia Wall Street will be transformed into a cutting-edge production and creative hub. Plans include soundstages equipped for virtual production, editing and post-production suites, screening rooms, VFX facilities and dedicated offices for the Ka...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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