Aamir Khan Productions, Kabir Khan Films and Australia’s Mind Blowing Films announce Silkyara 41 based on Uttarakhand tunnel rescue

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Aamir Khan Productions, Kabir Khan Films and Australian banner Mind Blowing Films have officially announced Silkyara 41, a feature film inspired by the extraordinary rescue operation at the Silkyara Tunnel in Uttarakhand. The project will chronicle the dramatic mission that led to the safe rescue of 41 trapped workers and highlight the contribution of internationally renowned tunnelling expert Professor Arnold Dix. The announcement was made on July 9 in Melbourne and Mumbai, coinciding with a significant moment in India-Australia relations as both nations continue to strengthen bilateral ties. The makers have described Silkyara 41 as a landmark Indo-Australian collaboration that brings together creative talent, storytelling traditions and production expertise from both countries. The film will be directed by Kabir Khan, known for films such as Bajrangi Bhaijaan and '83, while the screenplay has been penned by acclaimed Australian writer Andrew Anastasios, whose credits include The...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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