Hai Jawani Toh Ishq Hona Hai trailer launch's most EMOTIONAL moment: David Dhawan gets teary-eyed and says, "Everybody should have a son like Varun"

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Varun Dhawan, Pooja Hegde, Mrunal Thakur, David Dhawan, Ramesh Taurani, Anu Malik, Sameer, Maniesh Paul, Chunky Panday, Rajesh Kumar, Jimmy Sheirgill, Rajat Rawail, Ali Asgar, Girish Kumar, Kumar Taurani, writer Rumy Jafry and cinematographer Ayananka Bose attended the trailer launch of Hai Jawani Toh Ishq Hona Hai in Mumbai on May 23. David Dhawan was celebrated and every member of the cast spoke highly of him. Meanwhile, the most emotional moment of the launch was when David Dhawan got teary-eyed. Varun Dhawan said, “It’s amazing that this man (David Dhawan) is making a film at this age. We are living in times when every Friday, we are questioning cinema. We all love cinema, but we do ask, ‘Kya yeh film chalegi’. All I want to say is that this is a David Dhawan film. Yeh film inke conviction pe bani hai. It's an all-out entertainer to make you laugh. If my family has had one motto, it is to make people laugh. Mere father logon ko bas hasana chahte hai.”   View this post on Inst...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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