Tatsuya Nakadai obituary

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One of the greatest actors of Japanese cinema best known for Ran, the 1985 film adaptation of King Lear Though he had the well-appointed bone structure of the 1950s matinee idol, it was Tatsuya Nakadai ’s eyes that seized film audiences. Using these huge brown saucers to telegraph naivety or eerie self-possession, the Japanese actor, who has died aged 92, seemed at times to be able to make them protrude from his skull. In the centrepiece scene of Akira Kurosawa ’s 1985 King Lear adaptation Ran , when Nakadai’s warlord is ejected from his burning castle, his glare of incipient madness is unbearable. Continue reading... from Film | The Guardian https://ift.tt/mu30Rqs via IFTTT
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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