SCOOP: Allu Arjun to play 4 distinct roles in Atlee’s next - grandfather, father, and two sons!

After the historic success of Pushpa 2, Allu Arjun is collaborating with Atlee on a never seen before epic film tentatively titled AA22 x A6. The film has got a solid ensemble cast on board with Allu Arjun, Deepika Padukone, Rashmika Mandanna, Janhvi Kapoor, and Mrunal Thakur. The film is the most discussed of Indian Cinema, as the filmmaker has promised a global film, with visuals like never before. And our news is going to make it all the more exciting for fans. While there is constant speculation about Allu Arjun's dual role in AA22 x A6, we have the most exclusive and inside scoop on the film. Reliable sources have confirmed to Bollywood Hungama that Allu Arjun has 4 different roles in A6. "Allu is playing the entire family tree in Atlee's next film. He will be seen as a grandfather, father, and two sons in the film, making it a quadruple role for Allu. This would mark the first multiple role film of his career," a source told Bollywood Hungama. We hear that Atl...

Grace review – monumentally odd father-daughter odyssey via mobile cinema

Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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