Sara Arjun attends Bhasma Aarti at Shree Mahakaleshwar Temple after Dhurandhar The Revenge crosses Rs 1000 crores in Hindi: “I am overjoyed”

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Actor Sara Arjun visited the sacred Shree Mahakaleshwar Temple in Ujjain on April 11. She attended the famous Bhasma Aarti after the strong box office performance of her recent film Dhurandhar The Revenge, which crossed Rs 1000 crores in the Hindi language. The milestone placed the film in the Rs 1000 crores club. It also marked an important moment in Sara Arjun’s career, as the project is her first film as a female lead. Sara Arjun reacts after attending Bhasma Aarti Speaking to ANI after the temple visit, Sara shared her emotions about the experience. She said she felt a deep sense of joy after attending the ritual. “I have no words. I had the calling, and then I came here. There is no better feeling than this in this world. I am overjoyed,” she said. Her visit came soon after the film’s major box office achievement. #WATCH | After attending Bhasma Aarti, actor Sara Arjun says, "I have no words. I had the calling, and then I came here. There is no better feeling than this in ...
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Grace review – monumentally odd father-daughter odyssey via mobile cinema

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Travelling across Russia in mostly silence, Ilya Povolotsky’s debut feature has a strange confidence in its own insistent dispiritedness

With long journeys in a red camper van, long unbroken shots of shattered Caucasian landscapes, and very long silences between its alienated father and daughter, Ilya Povolotsky’s debut feature has a strange confidence in its own monumental dispiritedness. “I want to know that you have a plan,” says the teenager. “And that we won’t get stuck somewhere outside Khabarovsk with a chicken and a sad librarian woman.” This being a Russian art film, you wouldn’t bet against it.

The two unnamed characters, played by Maria Lukyanova and Gela Chitava, are making their way across the country for unspecified reasons, other than her desire to see the sea. They run a small mobile cinema out of their van for wan residents of purgatorial steppe towns and flog snacks and porn by night at sketchy truck stops for the hauliers who aren’t with sex workers. The father has transient liaisons of his own, adding an accusatory edge to his daughter’s faraway gaze, frequently fixed on nothing. Things aren’t looking up when they reach the sea; local people are scooping dead fish off the foreshore. “Fish plague,” says a police officer. “You’d better leave now.”

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