Deepak Tijori shuts down rumours surrounding Rahul Roy’s well-being: “He is perfectly safe and fine”

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Actor Deepak Tijori has spoken out in support of his longtime friend and Aashiqui co-star Rahul Roy, dismissing recent speculation surrounding the actor’s health and well-being. Rahul Roy has been in the spotlight in recent weeks after several social media videos featuring him went viral. The clips sparked mixed reactions online, with some fans expressing concern about his physical condition and speech, while others criticized the content. The discussions gained momentum due to Rahul's history of a brain stroke in 2020, from which he has been recovering over the past few years. Amid the ongoing conversation, Deepak Tijori has clarified that there is no cause for concern and that Rahul is doing well. Speaking to IANS, Deepak said, “I am in regular touch with Roy. Roy is still my brother, my friend, and he is perfectly safe; he is perfectly fine. It's just people making news for no reason. There is no such thing that has been written about him.” The statement comes shortly after...
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Game, set and match: the 20 best sports movies

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As Luca Guadagnino’s acclaimed tennis film Challengers makes its case for sporting immortality, critic Guy Lodge chooses 20 of the genre’s undisputed heavyweights

Analogies of life as sport have been exhausted by every PE teacher in existence. In the movies, however, they’re eternally renewable. Take Challengers, Luca Guadagnino’s sleek, sexy, sweat-drenched new film, which hits every metaphor you might expect in its story of three tennis pros locked in a tense love triangle: games are won and lost, points scored, doubles partners swapped, and so on. Shot and paced with the ricocheting energy of a great tennis match, it’s a sports movie that, like many a classic of the genre, understands the parallels between sport and cinema as two great crowd-pleasing pastimes.

The sports movie is pretty much as old as movies themselves: for early silent-cinema pioneers at the turn of the 20th century, the movement and momentum of a baseball game or a boxing match made them as dynamic a subject as any for the camera. Charlie Chaplin’s very first appearance as the Little Tramp, in the short Kid Auto Races at Venice, cast him as a disruptive spectator at a racing-car derby. Classic templates for the genre emerged quickly: the Oscar-winning 1931 hit The Champ nailed a structure for the underdog sporting weepie that shaped everything from Rocky to The Wrestler, while the 1944 Elizabeth Taylor vehicle National Velvet minted a million further feelgood stories of plucky athletes defying the odds. (It’s far harder to involve audiences in stories of an athlete who’s born a winner.)

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