Boney Kapoor adds Mercedes-Benz V-Class worth up to Rs 1.7 crore to his garage

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Film producer Boney Kapoor has expanded his garage with the addition of a premium new vehicle, the Mercedes-Benz V-Class, a model widely known for its emphasis on comfort, space and chauffeur-driven luxury. The acquisition reflects a growing preference among film personalities for high-end multi-purpose vehicles designed to double as mobile work and relaxation spaces. A luxury MPV designed for comfort and privacy The Mercedes-Benz V-Class is often described as a private lounge on wheels because of its spacious cabin layout and executive-focused interiors. It is especially popular among celebrities and business leaders who rely on chauffeur-driven travel and require both comfort and discretion during commutes. In India, the vehicle is available in multiple variants, with prices typically ranging between Rs 1.4 crore and Rs 1.7 crore depending on specifications and customization options. Premium interiors with executive seating One of the defining highlights of the V-Class is its six-s...
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Game, set and match: the 20 best sports movies

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As Luca Guadagnino’s acclaimed tennis film Challengers makes its case for sporting immortality, critic Guy Lodge chooses 20 of the genre’s undisputed heavyweights

Analogies of life as sport have been exhausted by every PE teacher in existence. In the movies, however, they’re eternally renewable. Take Challengers, Luca Guadagnino’s sleek, sexy, sweat-drenched new film, which hits every metaphor you might expect in its story of three tennis pros locked in a tense love triangle: games are won and lost, points scored, doubles partners swapped, and so on. Shot and paced with the ricocheting energy of a great tennis match, it’s a sports movie that, like many a classic of the genre, understands the parallels between sport and cinema as two great crowd-pleasing pastimes.

The sports movie is pretty much as old as movies themselves: for early silent-cinema pioneers at the turn of the 20th century, the movement and momentum of a baseball game or a boxing match made them as dynamic a subject as any for the camera. Charlie Chaplin’s very first appearance as the Little Tramp, in the short Kid Auto Races at Venice, cast him as a disruptive spectator at a racing-car derby. Classic templates for the genre emerged quickly: the Oscar-winning 1931 hit The Champ nailed a structure for the underdog sporting weepie that shaped everything from Rocky to The Wrestler, while the 1944 Elizabeth Taylor vehicle National Velvet minted a million further feelgood stories of plucky athletes defying the odds. (It’s far harder to involve audiences in stories of an athlete who’s born a winner.)

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