Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

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Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...
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Do Aur Do Pyaar (Two Plus Two Is Love) review – refreshingly nonjudgmental infidelity romcom

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Vidya Balan shines in this witty remake that sees a married couple, both cheating on each other, on the verge of breaking up

The algebra of love is a multiple-choice conundrum in Shirsha Guha Thakurta’s debut, a witty remake of Azazel Jacobs’ romance The Lovers starring Debra Winger. Transporting the original story of a disaffected American couple caught up in extramarital affairs to Mumbai, Do Aur Do Pyaar often heads to the city’s beaches, whose shifting tides bring to mind the unpredictable ebb and flow of long-term relationships.

In the film, the weight of marital distance is etched on to every frame. Twelve years into their marriage, Kavya (Vidya Balan) and Ani (Pratik Gandhi) have run out of affectionate words. Revolving around allergy medicines and bin bags, their daily conversations have gone terribly stale. At the same time Kavya finds comfort in the arms of handsome photographer Vikram, played by Heroes alum Sendhil Ramamurthy, while Ani is knee deep in a committed relationship with aspiring actor Nora (Ileana D’Cruz). The film treats these romantic entanglements with a refreshing, nonjudgmental frankness, destigmatising the possibility of divorce and unshackling the concept of matrimony from its eternal promise; instead it depicts commitment as a perpetual work in progress.

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