Bhushan Kumar and Anurag Singh announce exclusive joint venture after the blockbuster box office response for Border 2

In a major development for Bollywood, producer Bhushan Kumar and filmmaker Anurag Singh have officially joined hands for an exclusive joint venture aimed at developing multiple large-scale films. The announcement comes close on the heels of the massive success of Border 2, which has not only struck a chord with audiences but also emerged as one of the biggest box office drivers of early 2026. The association between Bhushan Kumar and Anurag Singh is being envisioned as a long-term creative partnership. Under the joint venture, Anurag Singh will helm the upcoming projects, while the films will be produced under the banner of T-Series Films, continuing the collaborative framework that proved successful with Border 2. Industry sources suggest that the focus will remain on scale-driven, emotionally rooted cinema designed for theatrical impact. Border 2, which released on January 23 in the Republic Day week, arrived at a time when patriotic fervour traditionally runs high across the count...

Camouflage review – the dark past of Argentina’s dirty war detention centres

Author Félix Bruzzone fronts this haunting film about Campo de Mayo, where his mother was among tens of thousands of people who ‘disappeared’ under the dictatorship

The dark past of Campo de Mayo, a military camp that once served as a vast detention centre during Argentina’s so-called dirty war, is excavated in Jonathan Perel’s haunting documentary. Following noted author Félix Bruzzone as he jogs alongside the infamous site, the film is structured around the writer’s run in which the past and the present entwine. His encounters with witnesses of the dictatorship’s atrocities show that history is far from dormant, but a living, breathing thing.

Having lived in the area, Bruzzone was only recently made aware of his family ties to the site. Abducted by the secret police and taken to Campo de Mayo, his mother was among the tens of thousands who “disappeared” under the military regime. This painful memory is mirrored by Bruzzone’s conversation with an archaeologist, who talks about the human bones buried under the base, as well as the lush vegetation that flourishes above ground. The juxtaposition is startling if morbid. Indeed, as an estate agent tells Bruzzone: in spite of the camp’s horrific legacy, the prices of nearby properties have steadily risen over the years.

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