EXCLUSIVE: Ajay Devgn's Drishyam 3 won't mirror Malayalam version; Ravi Basrur joins Ajay Devgn's October 2 release

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A few days ago, news came in that the shoot of the Hindi version of Drishyam 3 was completed, and now the team of the film is gearing up for its October 2 release. The original Malayalam version was released last month, on May 21, and many are wondering whether the Hindi version will be similar to it. A trade source told Bollywood Hungama, “Drishyam (2015) and Drishyam 2 (2022) in Hindi were quite similar to the original films. But the Hindi Drishyam 3 will be an exception. The makers have drastically altered the plot and twists. At the same time, they have made sure that it does justice to the world of Drishyam.” The source also said, “The makers are also excited with the new additions. It is said that Jaideep Ahlawat and Prakash Raj have put up great acts. At the same time, Ajay Devgn, Tabu, Shriya Saran and others have once again delivered fine performances.” In a recent exclusive interview with Bollywood Hungama, director Abhishek Pathak had revealed that while both versions of Dr...
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Camouflage review – the dark past of Argentina’s dirty war detention centres

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Author Félix Bruzzone fronts this haunting film about Campo de Mayo, where his mother was among tens of thousands of people who ‘disappeared’ under the dictatorship

The dark past of Campo de Mayo, a military camp that once served as a vast detention centre during Argentina’s so-called dirty war, is excavated in Jonathan Perel’s haunting documentary. Following noted author Félix Bruzzone as he jogs alongside the infamous site, the film is structured around the writer’s run in which the past and the present entwine. His encounters with witnesses of the dictatorship’s atrocities show that history is far from dormant, but a living, breathing thing.

Having lived in the area, Bruzzone was only recently made aware of his family ties to the site. Abducted by the secret police and taken to Campo de Mayo, his mother was among the tens of thousands who “disappeared” under the military regime. This painful memory is mirrored by Bruzzone’s conversation with an archaeologist, who talks about the human bones buried under the base, as well as the lush vegetation that flourishes above ground. The juxtaposition is startling if morbid. Indeed, as an estate agent tells Bruzzone: in spite of the camp’s horrific legacy, the prices of nearby properties have steadily risen over the years.

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