EXCLUSIVE: CBFC blurs condom brand names in Hai Jawani Toh Ishq Hona Hai; visually edits shots with names of Ben Stokes, Jos Butler

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IPL has ended and the flow of releases will now begin in full force this Friday, June 5. The first major Bollywood release of the season is Hai Jawani Toh Ishq Hona Hai and it has generated excitement due to its fun-filled trailers, songs, casting and also because it is directed by the veteran filmmaker, David Dhawan. The makers completed the censor process last week, well in time; in this article, Bollywood Hungama will exclusively focus on the cuts given to the comic caper. The Central Board of Film Certification (CBFC) passed Hai Jawani Toh Ishq Hona Hai with a U/A 16+ certificate. However, the makers asked for several modifications. At four places, the CBFC’s Examining Committee (EC) asked for a word to be replaced with an appropriate term. A visual of a vulgar hand gesture was also asked to be replaced. Then, the name of the condom brand was blurred while the word indicating the flavour names was asked to be muted. A shot featuring the names of Jos Butler and Ben Stokes was visua...
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Camouflage review – the dark past of Argentina’s dirty war detention centres

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Author Félix Bruzzone fronts this haunting film about Campo de Mayo, where his mother was among tens of thousands of people who ‘disappeared’ under the dictatorship

The dark past of Campo de Mayo, a military camp that once served as a vast detention centre during Argentina’s so-called dirty war, is excavated in Jonathan Perel’s haunting documentary. Following noted author Félix Bruzzone as he jogs alongside the infamous site, the film is structured around the writer’s run in which the past and the present entwine. His encounters with witnesses of the dictatorship’s atrocities show that history is far from dormant, but a living, breathing thing.

Having lived in the area, Bruzzone was only recently made aware of his family ties to the site. Abducted by the secret police and taken to Campo de Mayo, his mother was among the tens of thousands who “disappeared” under the military regime. This painful memory is mirrored by Bruzzone’s conversation with an archaeologist, who talks about the human bones buried under the base, as well as the lush vegetation that flourishes above ground. The juxtaposition is startling if morbid. Indeed, as an estate agent tells Bruzzone: in spite of the camp’s horrific legacy, the prices of nearby properties have steadily risen over the years.

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