Even Elysium’s director thinks his film is a mess – but a decade on, it deserves a second chance

Matt Damon runs around the US in 2154, when civil liberties are eroded, healthcare is for the rich and wealth inequality is soaring. But its sci-fi! Get our weekend culture and lifestyle email When director Neill Blomkamp followed up his acclaimed debut feature, District 9, with the cyberpunk dystopia Elysium in 2013, it was met with a resoundingly mediocre reception. It’s a movie that even Blomkamp has disavowed. “I fucked it up,” he said bluntly in a 2015 interview . But I think he’s too hard on himself: a decade on, Elysium might be worthy of re-appraisal. In 2154, Earth is an overpopulated, polluted dust bowl. The wealthy elite live on the luxurious space station Elysium, where they have access to advanced medical technology and other essentials denied to the surface population. Continue reading... from Film | The Guardian https://ift.tt/W2lbPwj via IFTTT

Camouflage review – the dark past of Argentina’s dirty war detention centres

Author Félix Bruzzone fronts this haunting film about Campo de Mayo, where his mother was among tens of thousands of people who ‘disappeared’ under the dictatorship

The dark past of Campo de Mayo, a military camp that once served as a vast detention centre during Argentina’s so-called dirty war, is excavated in Jonathan Perel’s haunting documentary. Following noted author Félix Bruzzone as he jogs alongside the infamous site, the film is structured around the writer’s run in which the past and the present entwine. His encounters with witnesses of the dictatorship’s atrocities show that history is far from dormant, but a living, breathing thing.

Having lived in the area, Bruzzone was only recently made aware of his family ties to the site. Abducted by the secret police and taken to Campo de Mayo, his mother was among the tens of thousands who “disappeared” under the military regime. This painful memory is mirrored by Bruzzone’s conversation with an archaeologist, who talks about the human bones buried under the base, as well as the lush vegetation that flourishes above ground. The juxtaposition is startling if morbid. Indeed, as an estate agent tells Bruzzone: in spite of the camp’s horrific legacy, the prices of nearby properties have steadily risen over the years.

Continue reading...

from Film | The Guardian https://ift.tt/xgTBLHA
via IFTTT

Comments

Popular posts from this blog

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast