Sanjay Leela Bhansali on joining hands with Ketan Mehta for Jai Somnath, "Always been a huge fan of Ketan Mehta's cinema"

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The biggest Bollywood news is the coming together of two epic filmmakers. Sanjay Leela Bhansali and Ketan Mehta are joining hands for Jai Somnath, a film that cinematizes the legend of the famous temple. Jai Somnath is described as a “seminal tale of Indian civilisation”. The lavish period drama is slated for release in 2027. Mehta is writing and directing the project, which will be produced by Bhansali Productions and Ketan Mehta’s Maya Movies. Speaking exclusively on the project to this writer, Sanjay Leela Bhansali said, “I’ve always been a huge huge fan of Ketan Mehta’s cinema. His Mirch Masala is one of my 10 most favourite Indian films of all times. We’ve been toying with the idea of working together. This project seems the best way to collaborate on something special.” The project was announced on Maha Shivratri as it is the cinematic manifestation of one of the most sacred pilgrimage sites located in Gujarat. Also Read: Karan Johar calls Sanjay Leela Bhansali an “A...
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Camouflage review – the dark past of Argentina’s dirty war detention centres

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Author Félix Bruzzone fronts this haunting film about Campo de Mayo, where his mother was among tens of thousands of people who ‘disappeared’ under the dictatorship

The dark past of Campo de Mayo, a military camp that once served as a vast detention centre during Argentina’s so-called dirty war, is excavated in Jonathan Perel’s haunting documentary. Following noted author Félix Bruzzone as he jogs alongside the infamous site, the film is structured around the writer’s run in which the past and the present entwine. His encounters with witnesses of the dictatorship’s atrocities show that history is far from dormant, but a living, breathing thing.

Having lived in the area, Bruzzone was only recently made aware of his family ties to the site. Abducted by the secret police and taken to Campo de Mayo, his mother was among the tens of thousands who “disappeared” under the military regime. This painful memory is mirrored by Bruzzone’s conversation with an archaeologist, who talks about the human bones buried under the base, as well as the lush vegetation that flourishes above ground. The juxtaposition is startling if morbid. Indeed, as an estate agent tells Bruzzone: in spite of the camp’s horrific legacy, the prices of nearby properties have steadily risen over the years.

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