BREAKING: Korean producer Hyunwoo Thomas Kim approaches Akshay Kumar for an exciting project: “Sujoy Ghosh has already worked on its draft”

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Since almost 10 years, Korean producer Hyunwoo Thomas Kim of Kross Pictures has quietly set up base in Mumbai and has been making some interesting, out-of-the-box Indian films like Te3n (2016), Jaane Jaan (2023), Blind (2023), Saakini Daakini (2022) etc. An article in Mid-Day, by Mayank Shekhar, documented his journey in India and a lot more. Hyunwoo Thomas Kim explained how he decided to set up an office in India. He revealed that in 2014, he regularly received emails from a company named 'Balaji' and he initially assumed that it was spam! One day, when he opened the mail, he realized that the prominent production house, Balaji Motion Pictures, has been mailing and asking for the rights of The Devotion Of Suspect X for a Hindi remake. Hyunwoo Thomas Kim wanted to know who would direct the remake. He was told that Sujoy Ghosh has been signed. Hyunwoo saw Sujoy’s Kahaani (2012) and was so impressed that he flew down to Mumbai to meet Sujoy and others. After the meeting, he gav...
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Camouflage review – the dark past of Argentina’s dirty war detention centres

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Author Félix Bruzzone fronts this haunting film about Campo de Mayo, where his mother was among tens of thousands of people who ‘disappeared’ under the dictatorship

The dark past of Campo de Mayo, a military camp that once served as a vast detention centre during Argentina’s so-called dirty war, is excavated in Jonathan Perel’s haunting documentary. Following noted author Félix Bruzzone as he jogs alongside the infamous site, the film is structured around the writer’s run in which the past and the present entwine. His encounters with witnesses of the dictatorship’s atrocities show that history is far from dormant, but a living, breathing thing.

Having lived in the area, Bruzzone was only recently made aware of his family ties to the site. Abducted by the secret police and taken to Campo de Mayo, his mother was among the tens of thousands who “disappeared” under the military regime. This painful memory is mirrored by Bruzzone’s conversation with an archaeologist, who talks about the human bones buried under the base, as well as the lush vegetation that flourishes above ground. The juxtaposition is startling if morbid. Indeed, as an estate agent tells Bruzzone: in spite of the camp’s horrific legacy, the prices of nearby properties have steadily risen over the years.

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