Madras High Court restrains illegal broadcast of Dhurandhar The Revenge till April 15

The Madras High Court on Wednesday passed an ad interim injunction restraining internet service providers and cable TV operators from unlawfully broadcasting Dhurandhar The Revenge ahead of its theatrical release on March 19, 2026. Justice Senthilkumar Ramamoorthy issued the order while hearing applications filed by Reliance Industries Limited and its media arm Jio Studios. The producers had approached the court seeking urgent protection against potential copyright infringement. In its plea, Reliance alleged that several intermediaries, including internet service providers and cable TV operators, may illegally stream or transmit the film without authorisation. The company also submitted the certification issued by the Central Board of Film Certification, identifying it as the producer of the film. The court noted that the film is scheduled for release on March 19 and observed that in such cases, the risk of irreparable harm is significant if interim relief is not granted. At the sam...

Camouflage review – the dark past of Argentina’s dirty war detention centres

Author Félix Bruzzone fronts this haunting film about Campo de Mayo, where his mother was among tens of thousands of people who ‘disappeared’ under the dictatorship

The dark past of Campo de Mayo, a military camp that once served as a vast detention centre during Argentina’s so-called dirty war, is excavated in Jonathan Perel’s haunting documentary. Following noted author Félix Bruzzone as he jogs alongside the infamous site, the film is structured around the writer’s run in which the past and the present entwine. His encounters with witnesses of the dictatorship’s atrocities show that history is far from dormant, but a living, breathing thing.

Having lived in the area, Bruzzone was only recently made aware of his family ties to the site. Abducted by the secret police and taken to Campo de Mayo, his mother was among the tens of thousands who “disappeared” under the military regime. This painful memory is mirrored by Bruzzone’s conversation with an archaeologist, who talks about the human bones buried under the base, as well as the lush vegetation that flourishes above ground. The juxtaposition is startling if morbid. Indeed, as an estate agent tells Bruzzone: in spite of the camp’s horrific legacy, the prices of nearby properties have steadily risen over the years.

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