SCOOP: Rajkumar Santoshi in talks for Sidharth Malhotra’s next, produced by Mahaveer Jain

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Bollywood Hungama was one of the first ones to break the news that Sidharth Malhotra has bagged an out-and-out commercial entertainer, which will be produced by Mahaveer Jain's Mahaveer Jain Films. Now, Bollywood Hungama brings to you another exciting update about this film. We have learned that none other than Rajkumar Santoshi is expected to come on board for this film as a director. A trade source told us, “Rajkumar Santoshi’s forte is not just hard-hitting flicks like Ghayal (1990), Damini (1993), Ghatak (1996), Khakee (2004) etc., but also entertainers like Andaz Apna Apna (1994), Ajab Prem Ki Ghazab Kahani (2009) etc. He knows how to make a wholesome entertainer and this film is right up his alley. The discussions are going on with him at an advanced stage.” Rajkumar Santoshi is currently providing finishing touches to his dream project, Lahore 1947, starring Sunny Deol, Preity Zinta, Shabana Azmi and Ali Fazal. Aamir Khan serves as the film’s producer and he would also fea...
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Camouflage review – the dark past of Argentina’s dirty war detention centres

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Author Félix Bruzzone fronts this haunting film about Campo de Mayo, where his mother was among tens of thousands of people who ‘disappeared’ under the dictatorship

The dark past of Campo de Mayo, a military camp that once served as a vast detention centre during Argentina’s so-called dirty war, is excavated in Jonathan Perel’s haunting documentary. Following noted author Félix Bruzzone as he jogs alongside the infamous site, the film is structured around the writer’s run in which the past and the present entwine. His encounters with witnesses of the dictatorship’s atrocities show that history is far from dormant, but a living, breathing thing.

Having lived in the area, Bruzzone was only recently made aware of his family ties to the site. Abducted by the secret police and taken to Campo de Mayo, his mother was among the tens of thousands who “disappeared” under the military regime. This painful memory is mirrored by Bruzzone’s conversation with an archaeologist, who talks about the human bones buried under the base, as well as the lush vegetation that flourishes above ground. The juxtaposition is startling if morbid. Indeed, as an estate agent tells Bruzzone: in spite of the camp’s horrific legacy, the prices of nearby properties have steadily risen over the years.

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