Tiger Shroff and Lakshya lead 100+ dancers for high-energy track in Lag Jaa Gale: Report

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Tiger Shroff and Lakshya are gearing up to shoot a major dance-off sequence for their upcoming film Lag Jaa Gale, with a large production number scheduled to be shot at Mukesh Mills in Colaba starting December 24, 2025. The sequence is being described by insiders, quoted by a Mid-Day report, as a full-scale dance battle designed to showcase contrasting performance styles between the two actors. The report stated that choreographer Ganesh Acharya has crafted the routine, which involves over 100 professional dancers and is expected to be wrapped up by December 29. The beat-driven number is reportedly structured to highlight Tiger’s explosive, athletic dance approach alongside Lakshya’s more fluid and relaxed style, with rehearsals underway for the past three weeks. The dance face-off adds a new layer of excitement to Lag Jaa Gale, a revenge action-drama produced by Dharma Productions and directed by Raj Mehta. The film also stars Janhvi Kapoor, with whom Tiger Shroff shares screen spac...
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Camouflage review – the dark past of Argentina’s dirty war detention centres

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Author Félix Bruzzone fronts this haunting film about Campo de Mayo, where his mother was among tens of thousands of people who ‘disappeared’ under the dictatorship

The dark past of Campo de Mayo, a military camp that once served as a vast detention centre during Argentina’s so-called dirty war, is excavated in Jonathan Perel’s haunting documentary. Following noted author Félix Bruzzone as he jogs alongside the infamous site, the film is structured around the writer’s run in which the past and the present entwine. His encounters with witnesses of the dictatorship’s atrocities show that history is far from dormant, but a living, breathing thing.

Having lived in the area, Bruzzone was only recently made aware of his family ties to the site. Abducted by the secret police and taken to Campo de Mayo, his mother was among the tens of thousands who “disappeared” under the military regime. This painful memory is mirrored by Bruzzone’s conversation with an archaeologist, who talks about the human bones buried under the base, as well as the lush vegetation that flourishes above ground. The juxtaposition is startling if morbid. Indeed, as an estate agent tells Bruzzone: in spite of the camp’s horrific legacy, the prices of nearby properties have steadily risen over the years.

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