Jim Caviezel to play Jair Bolsonaro in ‘heroic’ biopic

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Actor, who starred in The Passion of the Christ, will play the disgraced ex-Brazilian president in film written by his one-time secretary of culture Jair Bolsonaro , the former Brazilian president now in prison for plotting a coup, is getting the biopic treatment. Jim Caviezel, who played Jesus in Mel Gibson’s 2004 film The Passion of the Christ, is reportedly filming a “heroic” portrait of the rightwing ex-politician in secret. Dark Horse, directed by Cyrus Nowrasteh and written by Mário Frias, who served as secretary of culture under Bolsonaro, started shooting three months ago in Brazil, where Bolsonaro served as president from 2019 until 2023. He was sentenced to 27 years and three months in prison in September 2025 for leading a criminal conspiracy to stop his leftwing rival, Luiz Inácio Lula da Silva , taking power, though his supporters deny the allegations and have compared the prosecution to the “lawfare” allegedly faced by Donald Trump before he was re-elected. Continue ...
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Camouflage review – the dark past of Argentina’s dirty war detention centres

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Author Félix Bruzzone fronts this haunting film about Campo de Mayo, where his mother was among tens of thousands of people who ‘disappeared’ under the dictatorship

The dark past of Campo de Mayo, a military camp that once served as a vast detention centre during Argentina’s so-called dirty war, is excavated in Jonathan Perel’s haunting documentary. Following noted author Félix Bruzzone as he jogs alongside the infamous site, the film is structured around the writer’s run in which the past and the present entwine. His encounters with witnesses of the dictatorship’s atrocities show that history is far from dormant, but a living, breathing thing.

Having lived in the area, Bruzzone was only recently made aware of his family ties to the site. Abducted by the secret police and taken to Campo de Mayo, his mother was among the tens of thousands who “disappeared” under the military regime. This painful memory is mirrored by Bruzzone’s conversation with an archaeologist, who talks about the human bones buried under the base, as well as the lush vegetation that flourishes above ground. The juxtaposition is startling if morbid. Indeed, as an estate agent tells Bruzzone: in spite of the camp’s horrific legacy, the prices of nearby properties have steadily risen over the years.

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