Ahaan Panday to play gangster in Ali Abbas Zafar’s next, Jimmy Sheirgill joins cast: Report

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Following the success of Saiyaara, breakout actor Ahaan Panday is set to step into a markedly different space with his second feature film. As per a report by Variety India, the actor will portray a gangster in filmmaker Ali Abbas Zafar’s upcoming action-romance. The role signals a shift from Ahaan’s debut performance as a troubled musician dealing with past trauma in Saiyaara. For the new project, the actor has reportedly undergone intensive preparation that includes hand-to-hand combat and weapon training to align with the physical demands of the character’s aggressive screen presence. The report also states that Jimmy Shergill has joined the cast in a pivotal role. The film marks his return to a collaboration with Yash Raj Films after more than two decades. One of his most notable earlier associations with the banner remains Mohabbatein, in which he appeared alongside Shah Rukh Khan. Details about the storyline and other casting elements have not been officially confirmed at this...
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Camouflage review – the dark past of Argentina’s dirty war detention centres

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Author Félix Bruzzone fronts this haunting film about Campo de Mayo, where his mother was among tens of thousands of people who ‘disappeared’ under the dictatorship

The dark past of Campo de Mayo, a military camp that once served as a vast detention centre during Argentina’s so-called dirty war, is excavated in Jonathan Perel’s haunting documentary. Following noted author Félix Bruzzone as he jogs alongside the infamous site, the film is structured around the writer’s run in which the past and the present entwine. His encounters with witnesses of the dictatorship’s atrocities show that history is far from dormant, but a living, breathing thing.

Having lived in the area, Bruzzone was only recently made aware of his family ties to the site. Abducted by the secret police and taken to Campo de Mayo, his mother was among the tens of thousands who “disappeared” under the military regime. This painful memory is mirrored by Bruzzone’s conversation with an archaeologist, who talks about the human bones buried under the base, as well as the lush vegetation that flourishes above ground. The juxtaposition is startling if morbid. Indeed, as an estate agent tells Bruzzone: in spite of the camp’s horrific legacy, the prices of nearby properties have steadily risen over the years.

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