Sholay 4K re-release restores original vision and James Bond line

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Ramesh Sippy’s Sholay returns in an enhanced 4K version titled Sholay – The Final Cut, releasing on December 12 across more than a thousand theatres in its fully restored form, literally. The controversial replacement in the trailer of “James Bond” with “Tatya Tope” has also been reversed. Clarifying the issue, Neeraj Joshi, in charge of Marketing & Strategy, says, “It was ‘Tatya Tope’ in the original version, and then ‘James Bond’ came in to give the dialogue a more viewer-friendly thrust. Now in the version being released, it’s ‘James Bond’ again.” The new edition of this timeless classic, piloted by director Ramesh Sippy’s nephew Shehzad Sippy, retains its legendary stature, with exquisite production values, dialogues that have become an intrinsic part of India’s pop culture, and performances that remain endlessly resplendent. Three vital sequences have been added in this restored version, viz. a scene where a brave Sachin Pilgaonkar confronts the dreaded Gabbar. (In the orig...
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Camouflage review – the dark past of Argentina’s dirty war detention centres

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Author Félix Bruzzone fronts this haunting film about Campo de Mayo, where his mother was among tens of thousands of people who ‘disappeared’ under the dictatorship

The dark past of Campo de Mayo, a military camp that once served as a vast detention centre during Argentina’s so-called dirty war, is excavated in Jonathan Perel’s haunting documentary. Following noted author Félix Bruzzone as he jogs alongside the infamous site, the film is structured around the writer’s run in which the past and the present entwine. His encounters with witnesses of the dictatorship’s atrocities show that history is far from dormant, but a living, breathing thing.

Having lived in the area, Bruzzone was only recently made aware of his family ties to the site. Abducted by the secret police and taken to Campo de Mayo, his mother was among the tens of thousands who “disappeared” under the military regime. This painful memory is mirrored by Bruzzone’s conversation with an archaeologist, who talks about the human bones buried under the base, as well as the lush vegetation that flourishes above ground. The juxtaposition is startling if morbid. Indeed, as an estate agent tells Bruzzone: in spite of the camp’s horrific legacy, the prices of nearby properties have steadily risen over the years.

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