Bitter Christmas review – grief, loss and artistic betrayal in Almodóvar’s film within a film

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Cannes film festival: Spaniard’s latest life-v-art auto-metafiction feels slightly muddled as he directs a director directing a director With its rich, warm, summery colours, nothing could surely be less bitter or less Christmassy than this film. It’s the latest from Cannes competition regular Pedro Almodóvar, partly set during Christmas; the female lead actually complains about the yuletide traffic at one stage. But there’s no tinsel or sleigh bells or shopping for presents. Like Die Hard, it eludes classification. It is another – which is to say, yet another – double-layered creation by Almodóvar, a kind of movie auto-metafiction of the sort that he has virtually invented, a life-v-art dialectical process that he is evidently unable to do without. Like the recent Pain and Glory , Bitter Christmas is a candidly personal movie, circling around ideas like grief, loss, the vampirism of art and the betrayal involved in basing fictional characters on real people. Perhaps by emphasising thi...
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Butterfly Tale review – kids insect story wants to take long trip south to Mexico

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Anodyne children’s picture provides some gentle entertainment once you forgive the cloying anthropomorphism

‘Is that a butterfly fairy?” asks a confused seven-year-old who watches with me, pointing to the screen at the start of this Canadian animated tale. Nope. The purple creature with a humanish face and body, dressed in a hoodie, wings poking out of its back, is in fact the film’s rendering of a monarch butterfly. The film-makers behind this have really outdone themselves with their tackily revolting anthropomorphic butterflies. Still, if you can get past mutilating a wonder of nature, the movie is a harmless and rather sweet cartoon for under-eights.

Teenager Patrick is a monarch who cannot fly because of an undeveloped wing. His dad was a big hero in the community after pecking out the eye of a fearsome eagle (he paid the price too). But because of his wing, Patrick has been banned from taking part in the annual winter migration south to Mexico. Not this year, says his overprotective mum. (The film ignores the fact that the monarchs make their incredible epic journey only once.) So, Patrick turns stowaway, hiding in the emergency food supply with his chubby caterpillar pal.

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