Eek-cute: the rebirth of the frothy romcom sociopath

The online era is pushing screen romantics to alarming extremes. Whether posing as a stranger’s fiancee or framing someone as an obsessive stalker, happy endings look harder than ever to find It’s a long-running romcom trope that the couples we’re supposed to root for are often hiding lies that threaten the chances of any happy relationship blossoming. From classics such as The Shop Around the Corner to modern blockbusters such as How to Lose a Guy in 10 Days, the genre thrives whenever it presents the audience with the most alarming red flags it conceals from its characters, raising the stakes by seeing if sparks can still fly when an ulterior motive behind each meet-cute is hidden in plain sight. In the romantic comedies we’ve seen so far this year, this trope has not only been revived but pushed far beyond its breaking point, cementing a new romcom archetype: the unlucky-in-love sociopath. This week’s new release Finding Emily is the starkest example to date, introducing psychology...

Butterfly Tale review – kids insect story wants to take long trip south to Mexico

Anodyne children’s picture provides some gentle entertainment once you forgive the cloying anthropomorphism

‘Is that a butterfly fairy?” asks a confused seven-year-old who watches with me, pointing to the screen at the start of this Canadian animated tale. Nope. The purple creature with a humanish face and body, dressed in a hoodie, wings poking out of its back, is in fact the film’s rendering of a monarch butterfly. The film-makers behind this have really outdone themselves with their tackily revolting anthropomorphic butterflies. Still, if you can get past mutilating a wonder of nature, the movie is a harmless and rather sweet cartoon for under-eights.

Teenager Patrick is a monarch who cannot fly because of an undeveloped wing. His dad was a big hero in the community after pecking out the eye of a fearsome eagle (he paid the price too). But because of his wing, Patrick has been banned from taking part in the annual winter migration south to Mexico. Not this year, says his overprotective mum. (The film ignores the fact that the monarchs make their incredible epic journey only once.) So, Patrick turns stowaway, hiding in the emergency food supply with his chubby caterpillar pal.

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