Savage House review – Claire Foy and Richard E Grant sell it hard in bewigged 18th-century caper

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The leads are the most watchable thing in this raucous period yarn about a grimy pair of status-obsessed nobles Black-belt performances from Claire Foy and Richard E Grant put some vim and vigour into this haranguingly one-note and unidirectional period romp of the raucously bewigged and be-poxed 18th century. It’s written and directed by American film-maker Peter Glanz, who gives us candlelit interiors like a knockoff Barry Lyndon, and periodic deafening orchestral stabs with a touch of Amadeus as furious people in costume storm down corridors. But Grant and Foy are always there, selling it hard and there are one or two nice lines. They play Sir Chauncey and Lady Savage, who are living in a vast crumbling country estate: he’s a parvenu, an adventurer, a lover of the new Hanover dispensation who loathes Jacobites, but fundamentally a social alpinist who married for money and took his wife’s noble name. She was entranced by his roguish ways and she forgave him everything but is, however...
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Butterfly Tale review – kids insect story wants to take long trip south to Mexico

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Anodyne children’s picture provides some gentle entertainment once you forgive the cloying anthropomorphism

‘Is that a butterfly fairy?” asks a confused seven-year-old who watches with me, pointing to the screen at the start of this Canadian animated tale. Nope. The purple creature with a humanish face and body, dressed in a hoodie, wings poking out of its back, is in fact the film’s rendering of a monarch butterfly. The film-makers behind this have really outdone themselves with their tackily revolting anthropomorphic butterflies. Still, if you can get past mutilating a wonder of nature, the movie is a harmless and rather sweet cartoon for under-eights.

Teenager Patrick is a monarch who cannot fly because of an undeveloped wing. His dad was a big hero in the community after pecking out the eye of a fearsome eagle (he paid the price too). But because of his wing, Patrick has been banned from taking part in the annual winter migration south to Mexico. Not this year, says his overprotective mum. (The film ignores the fact that the monarchs make their incredible epic journey only once.) So, Patrick turns stowaway, hiding in the emergency food supply with his chubby caterpillar pal.

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