SCOOP: Sunny Deol-Akshaye Khanna's Netflix film Ikka expected to have fan screenings before release

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Veteran actors Sunny Deol and Akshaye Khanna are clearly on a high right now. Sunny’s career got a boost with the blockbuster success of Gadar 2 (2023). Jaat (2025) was a decent grosser while Border 2 (2026) was a huge hit, which proved that Gadar 2’s success was not a fluke. Meanwhile, Akshaye Khanna went on another level with his performance as Rehman Dakait in Dhurandhar (2025). Both these stars will now share screen space in Ikka. The film will release directly on Netflix on July 10; however, lucky fans are expected to get a chance to catch the film on the big screen. A Twitter handle named ‘LegendDeols’ revealed on June 19 that fan screenings of the film will be held in July 8 in 3-4 cities, that is, two days before the release. The handle further asked the fans to show interest in the post so that they can get tickets to this screening. Bollywood Hungama enquired about it and learned that such a screening is indeed in the works. A source told us, “The makers are indeed planning ...
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Boy Kills World review – ripped Bill Skarsgård shows he’s got brutal action chops

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As a mute avenger against a dystopian tyranny – looking like a lethal Buster Keaton – the actor makes you wish the film itself was as purposeful

Bill Skarsgård – one of eight Skarsgård siblings, six of whom work as actors – has hitherto carved out a bit of a niche as the best one to hire when you need a Skarsgård with a bit of a creepy vibe. He’s played a possibly dangerous stranger (Barbarian), a vampire (Hemlock Grove), delivered an unforgettably nasty Pennywise the Dancing Clown in the recent IT, and is about to star as the titular character in The Crow reboot. In Boy Kills World, however, he proves there’s another string to his bow: bona fide action star.

Rippling with muscles, Skarsgård plays Boy, one of those “I am an instrument shaped for a single purpose” types that thrive in the action genre. The single purpose is a time-honoured one: revenge. In this case it is against Famke Janssen’s Hilda van der Koy, the head of a wealthy ruling family in a totalitarian state which subjects its population to an annual “culling”, during which supposed dissidents and traitors are executed. Having lost loved ones to one of these state-mandated execution sprees, Boy is now out to exact a bit of eye-for-an-eye and, as the title of the movie implies, anyone who presents an obstacle to said quest will be treated as a legitimate target and summarily kersplatted.

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