Mark Kermode on… Kathryn Bigelow, a stylish ruffler of feathers

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From vampire noir to Bin Laden, Point Break to Detroit, the first woman to win an Oscar for best director has never pulled her punches Watching new Jeff Nichols release The Bikeriders , starring Austin Butler and Tom Hardy as 60s Chicago greasers, I was reminded of two other movies: László Benedek’s 1953 Marlon Brando vehicle The Wild One , explicitly cited as an inspiration, and The Loveless , the 1981 feature debut of Kathryn Bigelow , the American film-maker (b.1951) who would go on to become the first woman to win a best director Oscar with her 2008 war drama The Hurt Locker . A symphony of leather-clad posing (with just a touch of Kenneth Anger ), The Loveless was a staple of the late-night circuit in the 80s, often on a double bill with David Lynch’s Eraserhead . Sharing directing credits with Monty Montgomery, Bigelow playfully deconstructed masculinity and machismo in a manner that was one part wry to two parts relish. I remember seeing The Loveless at the Phoenix in East
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Billy Dee Williams says actors ‘should’ be allowed to wear blackface

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Star Wars actor says he believes actors should be free to ‘do anything you want to do’, in a discussion about Laurence Olivier’s performance in Othello

Billy Dee Williams has said that actors should be able to perform in blackface, with the Star Wars actor revealing that he believes, “If you’re an actor, you should do anything you want to do”.

Speaking to Bill Maher on the Club Random podcast, the 87-year-old actor recalled laughing while watching the 1965 film Othello, where the titular character played by Laurence Olivier is in blackface. Williams said he thought the performance was “really interesting”.

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