The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

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Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role. Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the ...
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Beyond the Raging Sea review – cross-Atlantic rowing race likened to refugees’ ordeal

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Two endurance sailors’ perilous voyage is supposed to lead them to empathy for refugees’ plight – but they sure take their time discovering that

Here is a well-intentioned but brief, unsatisfying and oddly structured documentary, supposedly about refugees and boat people … although the refugees’ experiences are only discussed in the final 10 minutes or so. The film is actually about two Egyptians, Omar Nour and Omar Samra, energetic and prosperous young entrepreneurs who in 2017, in a spirit of adventure, took on the Talisker Whisky Atlantic Challenge, a well-established annual endurance event with a good safety record in which participants journey in a rowing boat across the Atlantic from La Gomera in the Canaries to Antigua; it is a 3,000-nautical-mile, 40-day ordeal in treacherous seas.

After just nine days, these two guys got into terrible difficulties, perhaps as a result of their relative inexperience. Their craft capsized and they had to be dragged out of the water by a Greek cargo ship, a chaotic rescue that itself could have gone fatally wrong. It all sounds very tense, although as the two men are here being interviewed after the event, we know that they survived. So what was the point of this fiasco? Did they put their families and friends through an agony of worry, just for a macho ego trip? Well, around an hour in to this 70-minute film they tell us that they now appreciate the sufferings of boat people and refugees – some of whose testimonies are duly tacked on to the end of the film.

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