‘It was the moment I lost innocence’: how a childhood stop-and-search led to the British debut movie of the year

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When Imran Perretta was young, he was abruptly pulled by police into a van for questioning. That experience, as well as the death of his mother, inspired him to make Ish, a coming-of-age tale set amongst the British Muslim community. He talks about trauma, designing toilets and making Luton look magnificent Imran Perretta always knew that the title of his debut feature film would be “Ish” – short for Ishmail, the name of the 12-year-old boy from Luton at the heart of his story. Only later did people point out the similarity to other coming-of-age films with three letters in the title: Kes by Ken Loach, and Satyajit Ray’s Apu trilogy. Now, as the reviews trickle in, the comparisons to Kes and Apu keep coming. Like them, Ish is a poetic film that grabs you by the heart and pulls you into a child’s perspective on the world. The response has been lovely, says Perretta, and a relief. “It’s nice that people have compared Ish to those films rather than Kidulthood. I did worry about that.” Why...
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Beyond the Raging Sea review – cross-Atlantic rowing race likened to refugees’ ordeal

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Two endurance sailors’ perilous voyage is supposed to lead them to empathy for refugees’ plight – but they sure take their time discovering that

Here is a well-intentioned but brief, unsatisfying and oddly structured documentary, supposedly about refugees and boat people … although the refugees’ experiences are only discussed in the final 10 minutes or so. The film is actually about two Egyptians, Omar Nour and Omar Samra, energetic and prosperous young entrepreneurs who in 2017, in a spirit of adventure, took on the Talisker Whisky Atlantic Challenge, a well-established annual endurance event with a good safety record in which participants journey in a rowing boat across the Atlantic from La Gomera in the Canaries to Antigua; it is a 3,000-nautical-mile, 40-day ordeal in treacherous seas.

After just nine days, these two guys got into terrible difficulties, perhaps as a result of their relative inexperience. Their craft capsized and they had to be dragged out of the water by a Greek cargo ship, a chaotic rescue that itself could have gone fatally wrong. It all sounds very tense, although as the two men are here being interviewed after the event, we know that they survived. So what was the point of this fiasco? Did they put their families and friends through an agony of worry, just for a macho ego trip? Well, around an hour in to this 70-minute film they tell us that they now appreciate the sufferings of boat people and refugees – some of whose testimonies are duly tacked on to the end of the film.

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