CBFC censors ‘sex’ and ‘f**k’ in Steven Spielberg’s Disclosure Day

On June 10, Bollywood Hungama reported that the Central Board of Film Certification (CBFC) sprang a pleasant surprise by passing three crucial films of the week with zero cuts – Bharat Bhhagya Viddhaata, Haunted – Echoes Of The Past and Backrooms. However, the sole exception was Disclosure Day. The film received its censor certificate at the eleventh hour and was required to make a few cuts. In a dialogue in the first act, the word ‘sex’ was muted. It occurs in the scene where Daniel Kellner (Josh O'Connor) learns that his girlfriend, Jane (Eve Hewson), was a nun. When asked whether she still follows the same religious commitments, Jane replies in the negative, pointing out that they’ve already had sex. It is in this dialogue that the CBFC made a change. The other word that got muted was ‘f**k’, and it occurred twice in the film. Once these changes were made, Disclosure Day was passed with a U/A 13+ certificate on June 11. The length of the film, as mentioned on the censor certifi...

Beyond the Raging Sea review – cross-Atlantic rowing race likened to refugees’ ordeal

Two endurance sailors’ perilous voyage is supposed to lead them to empathy for refugees’ plight – but they sure take their time discovering that

Here is a well-intentioned but brief, unsatisfying and oddly structured documentary, supposedly about refugees and boat people … although the refugees’ experiences are only discussed in the final 10 minutes or so. The film is actually about two Egyptians, Omar Nour and Omar Samra, energetic and prosperous young entrepreneurs who in 2017, in a spirit of adventure, took on the Talisker Whisky Atlantic Challenge, a well-established annual endurance event with a good safety record in which participants journey in a rowing boat across the Atlantic from La Gomera in the Canaries to Antigua; it is a 3,000-nautical-mile, 40-day ordeal in treacherous seas.

After just nine days, these two guys got into terrible difficulties, perhaps as a result of their relative inexperience. Their craft capsized and they had to be dragged out of the water by a Greek cargo ship, a chaotic rescue that itself could have gone fatally wrong. It all sounds very tense, although as the two men are here being interviewed after the event, we know that they survived. So what was the point of this fiasco? Did they put their families and friends through an agony of worry, just for a macho ego trip? Well, around an hour in to this 70-minute film they tell us that they now appreciate the sufferings of boat people and refugees – some of whose testimonies are duly tacked on to the end of the film.

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