Post your questions for Imelda Staunton

-
She’s acting royalty – literally, having played Queen Elizabeth II in The Crown – but what questions would you ask her? It is perhaps fitting that Imelda Staunton ended up playing Queen Elizabeth II in the last two series of The Crown, considering she has been acting royalty for years. Her film career has seen her voice champion egg-layer Bunty in 2000’s Chicken Run, followed by roles in Mike Leigh’s 2004 drama Vera Drake and the 2005 comedy Nanny McPhee. In 2014, she played the formidable Welsh miners’ strike campaigner Hefina in Pride . She also plays Lady Maud Bagshaw in the first two Downton Abbey films, and voices Paddington’s beloved Aunt Lucy in all three Paddington films. For a whole generation, however, she will always be Dolores Umbridge in two of the later Harry Potter films, where she somehow made a pink cardigan almost as frightening as Voldemort. On TV, she has cropped up in everything from Little Britain and Doctor Who to Psychoville, Brassic and a memorable guest appear...
Post a Comment

Abigail review – Dracula’s daughter gets kidnapped in fun-sucking horror

-

There’s some low-stakes pleasure to be had in the first half of the gory new film from the team behind Ready or Not and Scream but things fall apart disastrously

Last year’s handsome gothic horror The Last Voyage of the Demeter and bombastic Nic Cage comedy Renfield allowed Universal the opportunity to present known IP as something fresh, at least on the surface, stories involving Dracula but told in ways we hadn’t seen before. They represented a nifty marketing strategy for a back catalogue of classic monster movies but both worked better as loglines than finished films – Dracula on a boat, Dracula as a bad boss – and audiences proved as uninterested as critics, the stench of old property distracting from the promise of something new.

As the studio preps a new take on The Wolf Man with next year’s Christopher Abbott-led Wolfman and Robert Eggers’ remake of the Dracula-inspired Nosferatu, here comes Abigail, a poppy reimagining of the little-remembered 1936 horror Dracula’s Daughter. In the contemporary take, she’s a ballerina (Matilda’s Alisha Weir) who gets kidnapped by a group of unaware criminals, hired to keep her locked in a grand old house for 24 hours while ransom money is obtained. But early on, recovering addict and single mother Joey (Melissa Barrera) figures out that something is up and starts to realise that the scared little girl in their care might not be so scared after all.

Continue reading...

from Film | The Guardian https://ift.tt/evktSp5
via IFTTT

Comments

Post a Comment