Anurag Kashyap REACTS with a sarcastic comment as Phule faces censorship over caste references after Dhadak 2

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The release of the much-anticipated biographical film Phule, based on the life and legacy of social reformers Jyotirao and Savitribai Phule, has reportedly been postponed. This delay follows alleged demands by the Central Board of Film Certification (CBFC) to remove or alter references to caste in the film — a move that has stirred widespread criticism in creative and activist circles. Anurag Kashyap’s Scathing Response Among the first from the film industry to react was director Anurag Kashyap, known for his outspoken views. Sharing an Instagram story that featured the news of the film’s delay, Kashyap wrote in Hindi: “Bhai India mein caste to exist hi nahin karti. Dhadak 2 mein bhi yahi bolta tha. Hamare leaders ne India mein caste system khatam kar diya hai. Baaki jinko nahin dikhta, woh chu**** hain.” The statement, steeped in sarcasm, targets the narrative that caste is no longer relevant or prevalent in Indian society — a view often portrayed in sanitized mainstream cinema and ...
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Abigail review – Dracula’s daughter gets kidnapped in fun-sucking horror

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There’s some low-stakes pleasure to be had in the first half of the gory new film from the team behind Ready or Not and Scream but things fall apart disastrously

Last year’s handsome gothic horror The Last Voyage of the Demeter and bombastic Nic Cage comedy Renfield allowed Universal the opportunity to present known IP as something fresh, at least on the surface, stories involving Dracula but told in ways we hadn’t seen before. They represented a nifty marketing strategy for a back catalogue of classic monster movies but both worked better as loglines than finished films – Dracula on a boat, Dracula as a bad boss – and audiences proved as uninterested as critics, the stench of old property distracting from the promise of something new.

As the studio preps a new take on The Wolf Man with next year’s Christopher Abbott-led Wolfman and Robert Eggers’ remake of the Dracula-inspired Nosferatu, here comes Abigail, a poppy reimagining of the little-remembered 1936 horror Dracula’s Daughter. In the contemporary take, she’s a ballerina (Matilda’s Alisha Weir) who gets kidnapped by a group of unaware criminals, hired to keep her locked in a grand old house for 24 hours while ransom money is obtained. But early on, recovering addict and single mother Joey (Melissa Barrera) figures out that something is up and starts to realise that the scared little girl in their care might not be so scared after all.

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