Deepak Tijori shuts down rumours surrounding Rahul Roy’s well-being: “He is perfectly safe and fine”

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Actor Deepak Tijori has spoken out in support of his longtime friend and Aashiqui co-star Rahul Roy, dismissing recent speculation surrounding the actor’s health and well-being. Rahul Roy has been in the spotlight in recent weeks after several social media videos featuring him went viral. The clips sparked mixed reactions online, with some fans expressing concern about his physical condition and speech, while others criticized the content. The discussions gained momentum due to Rahul's history of a brain stroke in 2020, from which he has been recovering over the past few years. Amid the ongoing conversation, Deepak Tijori has clarified that there is no cause for concern and that Rahul is doing well. Speaking to IANS, Deepak said, “I am in regular touch with Roy. Roy is still my brother, my friend, and he is perfectly safe; he is perfectly fine. It's just people making news for no reason. There is no such thing that has been written about him.” The statement comes shortly after...
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Abigail review – Dracula’s daughter gets kidnapped in fun-sucking horror

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There’s some low-stakes pleasure to be had in the first half of the gory new film from the team behind Ready or Not and Scream but things fall apart disastrously

Last year’s handsome gothic horror The Last Voyage of the Demeter and bombastic Nic Cage comedy Renfield allowed Universal the opportunity to present known IP as something fresh, at least on the surface, stories involving Dracula but told in ways we hadn’t seen before. They represented a nifty marketing strategy for a back catalogue of classic monster movies but both worked better as loglines than finished films – Dracula on a boat, Dracula as a bad boss – and audiences proved as uninterested as critics, the stench of old property distracting from the promise of something new.

As the studio preps a new take on The Wolf Man with next year’s Christopher Abbott-led Wolfman and Robert Eggers’ remake of the Dracula-inspired Nosferatu, here comes Abigail, a poppy reimagining of the little-remembered 1936 horror Dracula’s Daughter. In the contemporary take, she’s a ballerina (Matilda’s Alisha Weir) who gets kidnapped by a group of unaware criminals, hired to keep her locked in a grand old house for 24 hours while ransom money is obtained. But early on, recovering addict and single mother Joey (Melissa Barrera) figures out that something is up and starts to realise that the scared little girl in their care might not be so scared after all.

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