Diane Keaton’s nail clippers for $960: what’s behind the new boom in celebrity estate auctions?

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With beloved stars’ personal items increasingly up for grabs after they die, a new generation of fans are bidding on everything from bowler hats to dog bowls From Diane Keaton’s bowler hats and polka dot scarfs, to Gene Hackman’s used paint brushes, to Terence Stamp’s love letters from Jean Shrimpton and even Matthew Perry’s black leather wallet (his credit cards and AAA membership card still inside), fans are being offered – at a price – increasingly personal items from the estates of dead celebrities. The growing trend for auctions of deceased famous people’s personal items – which has boomed ever since the hugely popular Marilyn Monroe estate sale in 1999 – has even attracted its own portmanteau: “deleb” as in dead celebrity. Continue reading... from Film | The Guardian https://ift.tt/4Yh215g via IFTTT
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Yodha review – bone-crunching patriotism on display in adrenaline-fuelled thriller

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Sidharth Malhotra fights like a machine in an Indian action film cut from similar cloth as the jingoistic Rambo series

Depending on your age and perspective, you may or may not have fond memories of the three Rambo films. Where the first one was rather circumspect about America’s role in Vietnam, the sequels went all in on a might-is-right jingoism that combined adrenaline-infused action, rippling muscles and improbable set pieces with deeply queasy politics. New Hindi action-movie Yodha is cut from similar cloth.

We’re introduced to our hero, Arun (Sidharth Malhotra) as a young boy who worships his soldier father, who is then promptly killed leaving some big Freudian boots to fill. Arun vows he will either live to be worthy of wearing the uniform of his dad’s badass task force, the “Yodha” of the title, or else his “corpse will be wrapped in our flag”. Many bone-crunching displays of patriotism follow over the subsequent two hours. These are facilitated by Arun’s ability to fight like an absolute machine, and also practically teleport himself, popping up wherever the bad guys don’t want him to be.

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