Western Railway earns RECORD Rs. 1.72 cr through film and ad shoots in 2025-26; spokesperson reveals, "Shoojit Sircar FIRST filmmaker to shoot aboard Vande Bharat; John Abraham’s Maria IPS and Ayushmann Khurrana-Sharvari’s Yeh Prem Mol Liya shot on WR premises"

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The Vande Bharat Express has emerged as one of Indian Railways’ proudest achievements. Launched in February 2019, it remained unseen on celluloid until last year, when Shoojit Sircar became the first filmmaker to shoot aboard the semi-high-speed train. This and a lot more fascinating information were revealed to Bollywood Hungama by Vineet Abhishek, Chief Public Relations Officer, Western Railway (WR). The ad in question is for Independence, an FMCG brand of Reliance Consumer Products Limited. It was released digitally in May last year, and a making video, featuring Shoojit Sircar, was released by Western Railway in January 2025. Western Railway recently announced that it has generated a record Rs 1.72 crore from film and advertisement shoots conducted on its premises between April 1, 2025 and February 15, 2026. Its earlier highest earnings were recorded in 2022–23, when it collected approximately Rs 1.64 crore from film shoots. Vineet Abhishek told Bollywood Hungama, “It is often a...
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Yodha review – bone-crunching patriotism on display in adrenaline-fuelled thriller

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Sidharth Malhotra fights like a machine in an Indian action film cut from similar cloth as the jingoistic Rambo series

Depending on your age and perspective, you may or may not have fond memories of the three Rambo films. Where the first one was rather circumspect about America’s role in Vietnam, the sequels went all in on a might-is-right jingoism that combined adrenaline-infused action, rippling muscles and improbable set pieces with deeply queasy politics. New Hindi action-movie Yodha is cut from similar cloth.

We’re introduced to our hero, Arun (Sidharth Malhotra) as a young boy who worships his soldier father, who is then promptly killed leaving some big Freudian boots to fill. Arun vows he will either live to be worthy of wearing the uniform of his dad’s badass task force, the “Yodha” of the title, or else his “corpse will be wrapped in our flag”. Many bone-crunching displays of patriotism follow over the subsequent two hours. These are facilitated by Arun’s ability to fight like an absolute machine, and also practically teleport himself, popping up wherever the bad guys don’t want him to be.

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