Diane Keaton’s nail clippers for $960: what’s behind the new boom in celebrity estate auctions?

With beloved stars’ personal items increasingly up for grabs after they die, a new generation of fans are bidding on everything from bowler hats to dog bowls From Diane Keaton’s bowler hats and polka dot scarfs, to Gene Hackman’s used paint brushes, to Terence Stamp’s love letters from Jean Shrimpton and even Matthew Perry’s black leather wallet (his credit cards and AAA membership card still inside), fans are being offered – at a price – increasingly personal items from the estates of dead celebrities. The growing trend for auctions of deceased famous people’s personal items – which has boomed ever since the hugely popular Marilyn Monroe estate sale in 1999 – has even attracted its own portmanteau: “deleb” as in dead celebrity. Continue reading... from Film | The Guardian https://ift.tt/4Yh215g via IFTTT

The Human Surge 3 review – hopeful odyssey of globe-trotting twentysomethings

Eduardo Williams’ opaque sequel follows a group of twentysomethings in Sri Lanka, Peru and Taiwan with a 360-degree VR camera

Following his Locarno festival-winning experimental film The Human Surge in 2016, Argentinian director Eduardo Williams apparently couldn’t be bothered with part two – which doesn’t exist – and skips straight to number three. That’s also the opaque MO with which he operates in this similarly continent-hopping odyssey; a bleary trail of hopeful and restless peregrinations and chat from three groups of twentysomethings in Sri Lanka, Peru and Taiwan, who often stray without warning into each other’s segments while declaring things like: “I want to see maps of nearby regions and listen to the dreams of my crazy friends.”

Filmed with a 360-degree VR camera that orbits around these pilgrims, a full-blown digital-age existential crisis seems to be in force here. People bemoan bullshit jobs, parse language disparities, contemplate post-tsunami building methods in Sri Lanka. Winding their way to a possible jungle utopia, the Peruvians fret about the local hazards: maybe “mega-billionaires” are living up in the tree canopy. Less defined characters than particles in search of a fixed state, they briefly find one at the end of the forest trail. Suspended in heavenly river water, the talk turns lightly erotic as they pair off into same-sex couples.

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