Siddhant Chaturvedi’s Netflix film Ramree, backed by Ajay Devgn, shelved due to budget constraints: Report

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After earning acclaim for his performance in Dhadak 2, Siddhant Chaturvedi seemed set to continue his momentum with Ramree, a two-hero OTT project backed by Ajay Devgn. However, the ambitious period drama has now reportedly been shelved before going on floors. According to a report by Mid-Day, Ramree was conceived as a large-scale film set in 1945. The project, which had been under development for over a year, aimed to blend historical events with cinematic storytelling. However, given its elaborate setting and production requirements, the film’s mounting budget became a major hurdle. A source close to the development told the publication, “For an OTT film, this would have set a benchmark in scale and imagination, but budget constraints caught up with it. Even though the platform heads were excited about the story, there was too much at stake financially. So, they decided not to move forward with it.” Another insider offered a different perspective, suggesting that Ramree never reac...
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The Human Surge 3 review – hopeful odyssey of globe-trotting twentysomethings

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Eduardo Williams’ opaque sequel follows a group of twentysomethings in Sri Lanka, Peru and Taiwan with a 360-degree VR camera

Following his Locarno festival-winning experimental film The Human Surge in 2016, Argentinian director Eduardo Williams apparently couldn’t be bothered with part two – which doesn’t exist – and skips straight to number three. That’s also the opaque MO with which he operates in this similarly continent-hopping odyssey; a bleary trail of hopeful and restless peregrinations and chat from three groups of twentysomethings in Sri Lanka, Peru and Taiwan, who often stray without warning into each other’s segments while declaring things like: “I want to see maps of nearby regions and listen to the dreams of my crazy friends.”

Filmed with a 360-degree VR camera that orbits around these pilgrims, a full-blown digital-age existential crisis seems to be in force here. People bemoan bullshit jobs, parse language disparities, contemplate post-tsunami building methods in Sri Lanka. Winding their way to a possible jungle utopia, the Peruvians fret about the local hazards: maybe “mega-billionaires” are living up in the tree canopy. Less defined characters than particles in search of a fixed state, they briefly find one at the end of the forest trail. Suspended in heavenly river water, the talk turns lightly erotic as they pair off into same-sex couples.

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