Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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The Flats review – a powerful look at the unresolved agony of the Troubles

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Copenhagen documentary film festival: Alessandra Celesia’s urgent documentary about the residents of an estate in Belfast speaks to the lasting trauma of political violence

Alessandra Celesia’s film is part seance, part news story: a documentary about the run-down New Lodge estate in what the BBC news used to call “Catholic west Belfast”. It is primarily about the families who still live with the unresolved agony of the Troubles a quarter of a century on, the psychic residue of political violence coexisting with sexism, domestic abuse, substance abuse and futile rage against drug dealers in working-class neighbourhoods. But there is something else too. Along with TV news stories about the Queen’s death there is the sensational revelation that for the first time, the Catholic community in Northern Ireland now outnumbers the Protestant. The thought can hardly be said out loud; could it be that times are changing and reunification – that concept which caused so much bloodshed – is actually going to happen without another shot being fired?

At the film’s centre, Celesia shows the day-to-day life of Joe McNally, an ageing republican who has done jail time as an “ordinary decent criminal”, that is, for non-political offences. McNally lives like a ghost, an angry wraith; traumatised by the childhood memory of his uncle’s murder by loyalists. He has lived with the despairing sectarian thirst for revenge ever since. Celesia, perhaps inspired by Joshua Oppenheimer’s The Act of Killing, gets Joe to stage a reconstruction of his uncle’s wake in the back room with younger generations of the family, having gotten Joe and a friend to carry a coffin into his flat for this psychodrama. But far from exorcising Joe’s unquiet spirits, it only seems to make them even worse.

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