EXCLUSIVE: The Odyssey’s historic IMAX run faces first major change; The End Of Oak Street gets 2 prime slots; Nolan film gets discounted IMAX pricing for FIRST time; Spider-Man joins Rs. 149 Tuesday offer

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Yesterday, Bollywood Hungama reported that The Odyssey continues to remain rock-solid at the box office despite the release of Spider-Man: Brand New Day. The Christopher Nolan-directed film has collected Rs. 166.89 crores in 24 days, of which a huge Rs. 74.21 crores has come from IMAX screens. The film, which released on July 17, has enjoyed exclusive access to IMAX shows ever since, thanks to its historic response. However, from Friday, August 14, The Odyssey will begin sharing IMAX shows with the Anne Hathaway-starrer, The End Of Oak Street. A trade source told Bollywood Hungama, “The End Of Oak Street is a big-scale film and also features dinosaurs. Hence, it’ll make for a great watch in IMAX. It is being released by Warner Bros, which also distributed Universal Pictures’ The Odyssey in India. Since the same team is handling both films, it has become easier to divide the shows between the two.” The source continued, “Warner Bros has asked IMAX theatres to play The End Of Oak Street...
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Motherboard review – enthralling smartphone self-portrait of family life

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Copenhagen documentary film festival
Victoria Mapplebeck’s documentary stitches 20 years’ worth of footage into a home video love letter to her son, whose whole life so far is observed

Victoria Mapplebeck is a British director and lecturer who has worked in film, video, VR, user-generated content, and with her personal, revelatory projects she’s shown a magic touch with a smartphone camera: she won a TV Bafta in 2019 for her iPhone short Missed Call, about her life as a single mum, working out her relationship with her teenage son and his absent dad. Now she has developed this into a tender, intimate, funny and entirely absorbing full-scale feature documentary, the title of which is a reference to the central circuit board on a computer – meaning perhaps both the importance of the digital equipment she’s using to record everything, and her own central importance to the computer of their own family unit, the motherboard that isn’t allowed to go wrong or take a day off.

Motherboard is essentially a home video love letter to her son Jim that crafts 20 years’ worth of footage, showing her own life and that of Jim growing surreally from a tiny baby into a fiercely opinionated, smart young adult who suddenly towers over the parent. The film lasts around 90 minutes, which is about how long the growing up process seems to take in real life for a parent. And at the same time she has to deal with exhaustion, a breast cancer diagnosis, anxiety and her own complex relationship with her father who walked out on the family when she was still young.

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