The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

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Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role. Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the ...
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Motherboard review – enthralling smartphone self-portrait of family life

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Copenhagen documentary film festival
Victoria Mapplebeck’s documentary stitches 20 years’ worth of footage into a home video love letter to her son, whose whole life so far is observed

Victoria Mapplebeck is a British director and lecturer who has worked in film, video, VR, user-generated content, and with her personal, revelatory projects she’s shown a magic touch with a smartphone camera: she won a TV Bafta in 2019 for her iPhone short Missed Call, about her life as a single mum, working out her relationship with her teenage son and his absent dad. Now she has developed this into a tender, intimate, funny and entirely absorbing full-scale feature documentary, the title of which is a reference to the central circuit board on a computer – meaning perhaps both the importance of the digital equipment she’s using to record everything, and her own central importance to the computer of their own family unit, the motherboard that isn’t allowed to go wrong or take a day off.

Motherboard is essentially a home video love letter to her son Jim that crafts 20 years’ worth of footage, showing her own life and that of Jim growing surreally from a tiny baby into a fiercely opinionated, smart young adult who suddenly towers over the parent. The film lasts around 90 minutes, which is about how long the growing up process seems to take in real life for a parent. And at the same time she has to deal with exhaustion, a breast cancer diagnosis, anxiety and her own complex relationship with her father who walked out on the family when she was still young.

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