‘The emotion you get from the game is insane’: the Roy Keane bust-up film leading a new type of football movie

Saipan, about Keane’s infamous World Cup row with manager Mick McCarthy, has become a hit film in its native Ireland – as it opens in the UK screenwriter Paul Frasier explains how he aimed to avoid the mistakes of the past The best bit of football action in Saipan happens on a tennis court. The forthcoming movie about the schism between Mick McCarthy and Roy Keane that led to the latter departing the 2002 World Cup before it started does not attempt to recreate any of the action from the tournament. In fact, it largely takes place in a decrepit hotel. But we do get one exception: Keane, played by Éanna Hardwicke, practising alone in the grounds. At the back of a court, the sullen, spartan athlete stands as a ball is fired up and over the net towards him. He tracks it with his eyes, opens up his right foot, takes the ball on his instep and kills it dead. And with that, his sporting bona fides are confirmed. Saipan is a movie about masculinity, about men and their egos. It’s also about...

Motherboard review – enthralling smartphone self-portrait of family life

Copenhagen documentary film festival
Victoria Mapplebeck’s documentary stitches 20 years’ worth of footage into a home video love letter to her son, whose whole life so far is observed

Victoria Mapplebeck is a British director and lecturer who has worked in film, video, VR, user-generated content, and with her personal, revelatory projects she’s shown a magic touch with a smartphone camera: she won a TV Bafta in 2019 for her iPhone short Missed Call, about her life as a single mum, working out her relationship with her teenage son and his absent dad. Now she has developed this into a tender, intimate, funny and entirely absorbing full-scale feature documentary, the title of which is a reference to the central circuit board on a computer – meaning perhaps both the importance of the digital equipment she’s using to record everything, and her own central importance to the computer of their own family unit, the motherboard that isn’t allowed to go wrong or take a day off.

Motherboard is essentially a home video love letter to her son Jim that crafts 20 years’ worth of footage, showing her own life and that of Jim growing surreally from a tiny baby into a fiercely opinionated, smart young adult who suddenly towers over the parent. The film lasts around 90 minutes, which is about how long the growing up process seems to take in real life for a parent. And at the same time she has to deal with exhaustion, a breast cancer diagnosis, anxiety and her own complex relationship with her father who walked out on the family when she was still young.

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