Savage House review – Claire Foy and Richard E Grant sell it hard in bewigged 18th-century caper

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The leads are the most watchable thing in this raucous period yarn about a grimy pair of status-obsessed nobles Black-belt performances from Claire Foy and Richard E Grant put some vim and vigour into this haranguingly one-note and unidirectional period romp of the raucously bewigged and be-poxed 18th century. It’s written and directed by American film-maker Peter Glanz, who gives us candlelit interiors like a knockoff Barry Lyndon, and periodic deafening orchestral stabs with a touch of Amadeus as furious people in costume storm down corridors. But Grant and Foy are always there, selling it hard and there are one or two nice lines. They play Sir Chauncey and Lady Savage, who are living in a vast crumbling country estate: he’s a parvenu, an adventurer, a lover of the new Hanover dispensation who loathes Jacobites, but fundamentally a social alpinist who married for money and took his wife’s noble name. She was entranced by his roguish ways and she forgave him everything but is, however...
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Motherboard review – enthralling smartphone self-portrait of family life

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Copenhagen documentary film festival
Victoria Mapplebeck’s documentary stitches 20 years’ worth of footage into a home video love letter to her son, whose whole life so far is observed

Victoria Mapplebeck is a British director and lecturer who has worked in film, video, VR, user-generated content, and with her personal, revelatory projects she’s shown a magic touch with a smartphone camera: she won a TV Bafta in 2019 for her iPhone short Missed Call, about her life as a single mum, working out her relationship with her teenage son and his absent dad. Now she has developed this into a tender, intimate, funny and entirely absorbing full-scale feature documentary, the title of which is a reference to the central circuit board on a computer – meaning perhaps both the importance of the digital equipment she’s using to record everything, and her own central importance to the computer of their own family unit, the motherboard that isn’t allowed to go wrong or take a day off.

Motherboard is essentially a home video love letter to her son Jim that crafts 20 years’ worth of footage, showing her own life and that of Jim growing surreally from a tiny baby into a fiercely opinionated, smart young adult who suddenly towers over the parent. The film lasts around 90 minutes, which is about how long the growing up process seems to take in real life for a parent. And at the same time she has to deal with exhaustion, a breast cancer diagnosis, anxiety and her own complex relationship with her father who walked out on the family when she was still young.

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