Deborah Mailman: ‘There’s almost a permission now – people can just be incredibly cruel and racist’

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The actor, who reunites with Warwick Thornton in his frontier western Wolfram, reflects on her late parents, the failed voice referendum and her obsession with space Get our weekend culture and lifestyle email Deborah Mailman sat in rusty red sand on Arrernte country in central Australia, and she felt her character’s deep grief. She was filming a scene in Warwick Thornton ’s 1930s frontier western Wolfram , playing Pansy, an Indigenous woman whose children have been stolen from her. As her bundled baby cries, Pansy silently cuts her hair off with a knife – “a grieving ritual”, Mailman says – even though her missing children might still be alive. Mailman is the mother of two boys herself, Henry, 19, and Oliver, 16. Portraying Pansy’s anguish, she says, “requires no acting”. Continue reading... from Film | The Guardian https://ift.tt/B5wOSgI via IFTTT
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Motherboard review – enthralling smartphone self-portrait of family life

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Copenhagen documentary film festival
Victoria Mapplebeck’s documentary stitches 20 years’ worth of footage into a home video love letter to her son, whose whole life so far is observed

Victoria Mapplebeck is a British director and lecturer who has worked in film, video, VR, user-generated content, and with her personal, revelatory projects she’s shown a magic touch with a smartphone camera: she won a TV Bafta in 2019 for her iPhone short Missed Call, about her life as a single mum, working out her relationship with her teenage son and his absent dad. Now she has developed this into a tender, intimate, funny and entirely absorbing full-scale feature documentary, the title of which is a reference to the central circuit board on a computer – meaning perhaps both the importance of the digital equipment she’s using to record everything, and her own central importance to the computer of their own family unit, the motherboard that isn’t allowed to go wrong or take a day off.

Motherboard is essentially a home video love letter to her son Jim that crafts 20 years’ worth of footage, showing her own life and that of Jim growing surreally from a tiny baby into a fiercely opinionated, smart young adult who suddenly towers over the parent. The film lasts around 90 minutes, which is about how long the growing up process seems to take in real life for a parent. And at the same time she has to deal with exhaustion, a breast cancer diagnosis, anxiety and her own complex relationship with her father who walked out on the family when she was still young.

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