‘I was born without self-esteem’: Hannah Einbinder on Hacks, her buzzy queer horror – and being Hollywood’s most outspoken star

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The Hacks lead was cast in meta-slasher sensation Teenage Sex and Death at Camp Miasma for her ‘deranged physicality’ – but it’s a fitting role for an actor who has made a point of confronting shame and speaking her mind ‘God is good all the time,” laughs Hannah Einbinder. She’s fresh off a plane from Los Angeles and curled up barefoot in an armchair. This, she says, is “a crazy time in life. Starring in Teenage Sex and Death at Camp Miasma in the midst of Hacks ending … it’s definitely an embarrassment of riches.” Hacks is the HBO comedy that ended earlier this year; in May, Teenage Sex and Death at Camp Miasma, Jane Schoenbrun’s queer meta-horror, became the breakout hit of this year’s Cannes film festival. Continue reading... from Film | The Guardian https://ift.tt/EBR5uPv via IFTTT
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Little Wing review – Brian Cox wasted in underwhelming YA drama

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Succession actor is a one of many discordant parts in this coming-of-age saga about pigeons, which are the best thing about the movie

The coming-of-age drama Little Wing opens with two facts, both quoted from the 2006 New Yorker article of the same name by Susan Orlean. The first: “Americans move, on average, every five years; pigeons almost never move.” The second: that racing pigeons “have a fixed, profound and nearly incontrovertible sense of home”.

The title card successfully imparts a few facts about the film, which premieres this week on the streaming service Paramount+. One, that Little Wing, directed by Dean Israelite from a screenplay by John Gatins, will awkwardly interweave human concerns with the very different realities of pigeons, who are indeed fascinating and the best thing about this movie. And that the film will attempt to vest such comparisons with certain deep insights about our sense of belonging and home.

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